Influential modern dance company founded by Ted Shawn and ruth st. Denis in 1915. Its venues included major concert halls such as Carnegie Hall, Orchestra Hall in Chicago, and the London Coliseum. Under music director Louis Horst, the company danced to music by Lily Strickland, Charles Tomlinson Griffes, and Charles Wakefield Cadman....
Gamelan Sekar Jaya
Amy Kazuye Kimura
Balinese dance and music group founded in 1979 in the San Francisco Bay Area by Michael Tenzer, Rachel Cooper, and I Wayan Suweca. It has since grown into an internationally recognized ensemble that has toured throughout North America and Bali. Under the leadership of its permanent directors and visiting artists from Bali, its members have studied using traditional methods, foregoing written notation, learning instead through imitation and by rote. The group has performed a variety of Balinese dance and music genres, including gender wayang, gong kebyar, bamboo jegog, and angklung. Its repertoire has included traditional works as well as kreasi baru (“new creations”) by Balinese and American artists, commissioned with the support of public and private funding initiatives. The group’s long-standing ties to artistic circles in both the United States and Bali have positioned it as a strongly cross-cultural organization, mutually influencing both American and Balinese musicians and dancers. In addition to performances, the ensemble has hosted educational workshops to share and promote Balinese arts and culture. In ...
McIntosh County Shouters
Ring shout performers. The group formed in the Bolden community of McIntosh County on the coast of Georgia to promote the survival of the Ring shout—the oldest African American performance tradition in North America. The group performs after church worship services and on special occasions at a local church, Mt. Calvary Baptist. Because of space limitations in the sanctuary, an annex was built behind the church to accommodate performance of the ring shout, which employs call-and-response singing, percussive rhythm, and expressive and formalized dance-like movement in a counter-clockwise ring. Presumed to have died out in the 20th century, the tradition was rediscovered in 1980 when the group consented to perform at the Sea Island Festival on St. Simon’s Island in Glynn County, Georgia. The repertory is often Biblical in nature and consists of a special song type, at one time called a “running spiritual,” and believed to be a precursor to the Negro spiritual. In ...
Donna Lee Kwon
Originally from Korea, p’ungmul (wind object) is a vibrant form of percussion band music and dance that features the changgo (hourglass drum), the puk (barrel drum), the sogo (hand drum), the ching (large gong), and the kkwaenggwari (small gong). A complete ensemble also includes a double-reed instrument called the t’aep’yŏngso, flag bearers, and character actors called chapsaek. Based in agricultural village life, this music is also referred to as nongak (farmer’s music) and as such is recognized as Important Intangible Cultural Asset no.11 in South Korea. Led by the head kkwaenggwari player, a typical South Korean band ranges from thirty to fifty members, although similar bands in the United States or Canada are often smaller. A distinguishing feature of p’ungmul is the practice of playing the instruments while dancing in various formations. Although all of the members incorporate footwork and rhythmic up-and-down movements, some performers (usually the sogo players) specialize in acrobatic flip-turns and other dazzling moves. Colorful costumes consist of white shirts and pants, contrasting vests or jackets, and banners of red, blue, and yellow that hang over one shoulder and tie at the waist. Performers traditionally wear eye-catching headwear ranging from paper hats decorated with huge flowers to tight-fitting headpieces fitted with long ribbons that are twirled and flipped into a variety of spectacular patterns. According to native beliefs, ...