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Forqueray, Antoine [‘le père’]  

Lucy Robinson

Member of Forqueray family

(b Paris, 1672; d Mantes, June 28, 1745). Son of Michel Forqueray (1650–1714/5), a French violinist and dancing-master who settled in Paris in 1670. The Mercure galant of April 1682 records that at an early age Forqueray

had the honour … of playing the basse de violon before the king, making His Majesty so pleased that he commanded that someone should teach [Forqueray] to play the bass viol … he profited so much from the lessons that … there are few who equal him.

According to his obituarist, he remained at court for five or six years and was educated with the court pages. At least six viol players were employed at court, including Marin Marais, but several sources state that he was taught only by his father, and d’Aquin noted that he was never a pupil of Marais. Forqueray often entertained the king during mealtimes and was called upon to play for foreign ambassadors. At the end of the ...

Article

Leclair, Jean-Marie  

Neal Zaslaw

[l’aîné]

Member of Leclair family

(b Lyons, May 10, 1697; d Paris, Oct 22, 1764). French composer, violinist, and dancer. He is considered the founder of the French violin school.

Before his 19th year, Leclair mastered violin playing, dancing, and lacemaking. He was then listed among the dancers at the Lyons opera, together with Marie-Rose Casthagnié whom he married on November 9, 1716. He may also have been active as a dancer and violinist in Rouen, where according to Gerber his patron was Mme Mezangère (La Laurencie however doubted the Rouen connection).

Leclair was in Turin in 1722, where he may have been drawn by employment at royal wedding festivities; he was evidently active there as a ballet-master, though he did not hold an official position. Possibly he received violin lessons from G.B. Somis.

Going to Paris in 1723, Leclair came under the patronage of one of the richest men in France, Joseph Bonnier, while he prepared his op.1 for publication. These sonatas were recognized for their originality and, according to one contemporary, they ‘appeared at first a kind of algebra capable of rebuffing the most courageous musicians’. Another wrote: ‘Le Clair est le premier qui sans imiter rien, Créa du beau, du neuf, qu’il peut dire le sien’ (‘Le Clair is the first person who, without imitating anything, created beautiful and new things, which he could call his own’)....

Article

Vítková, Lucie  

Ian Mikyska

(b Boskovice, 19 Jan 1984).Czech composer and performer (voice, accordion, and tap dance). She studied the accordion (2004–10) and composition (2007–8) at the Brno Conservatory, and composition at the Janáček Academy of Music and Performing Arts (with martin smolka and Peter Graham[1]). She also studied as an exchange student at the Royal Conservatory in The Hague, the California Institute of the Arts (with michael pisaro), the Universität der Künste Berlin (with Marc Sabat), and Columbia University (with george e. lewis).

While she often works with elements outside of music, there is almost always an intense engagement with direct listening, often arrived at through intense focus on very limited material. Sources for her work include Morse code, maps of garments which she turns into scores (Shirt for Harp, Oboe, and Accordion; Jacket for Ensemble), field recordings which she notates descriptively and then asks musicians to interpret the notation (...