1-3 of 3 Results  for:

  • Musical Concepts, Genres, and Terms x
  • 21st c. (2000-present) x
  • Music Theory and Analysis x
Clear all



Alexander Sanchez-Behar


A nine-note scale or collection comprised of the recurring pattern of two semitones and a whole tone: C–C♯–D–E–F–F♯–G♯–A–B♭–C (enharmonic spellings are common). The scale is widely known as enneatonic or nonatonic, yet other labels exist: ‘mode 3’ of limited transposition from Messiaen (1944), the ‘nine-step scale’ from Tcherepnin (1962), and set class 9–12 [01245689T] from Forte (1973).

The enneatonic scale has symmetrical properties, reducing its number of distinct transpositions to four. Analogous to other symmetrical scales such as the octatonic, the intervallic arrangement of this scale can be rotated to begin with a semitone or whole tone. It is possible to generate the enneatonic scale by superimposing other symmetrical collections, using either three augmented triads, two hexatonic scales a semitone apart, or a whole-tone scale combined with a hexatonic scale (ex.1). Conversely, it can be thought of as the complement of an augmented triad. One of the inherent properties of collections based on symmetrical octave partitioning such as enneatonic is the saturation of major or minor thirds. The enneatonic scale contains nine major thirds, the maximum number for all conceivable nine-note scales....


Jazz Manouche  

Siv B. Lie and Benjamin Givan

Jazz manouche, also known as ‘Gypsy jazz’, is a musical style based primarily on the 1930s recordings of French jazz guitarist Django Reinhardt (1910–53) with the Quintet of the Hot Club of France. Well-known 21st-century exponents include Biréli Lagrène, Stochelo Rosenberg, Angelo Debarre, Tchavolo Schmitt, and Adrien Moignard. The style characteristically features stringed instruments (primarily the acoustic steel-stringed guitar, violin, and double bass) in ensembles of between three and six musicians. Repertoire largely comprises American and French popular songs dating from the 1920s and 30s, such as ‘All of Me’, and tunes composed by Reinhardt, such as ‘Minor Swing’, ‘Nuages’, and ‘Django’s Tiger’. Performances consist of accompanying guitarists playing a duple-meter percussive chordal stroke called la pompe over a pizzicato walking bass line while soloists take turns improvising virtuosically on the harmonies of a cyclically repeating form, typically 32 bars long (see example). Improvised melodies often use techniques derived from Reinhardt’s recordings; eighth notes are swung and tempi vary considerably, sometimes exceeding 300 quarter notes per minute. Jazz manouche originated in the late 1960s, when music inspired by Django Reinhardt’s improvisations and repertoire began to be played in some Romani communities (the term ‘jazz manouche’ was never used during Reinhardt’s lifetime and did not gain currency until around the year ...


Kill Rock Stars  

Brooke Bryant

Record company. Based in Portland, Oregon, and Olympia, Washington, Kill Rock Stars (KRS) was started by Slim Moon in 1991. Moon ran the label until 2006, when his wife, Portia Sabin, took over as president. KRS primarily promotes music by local artists and has remained unaffiliated with a major label. The label describes itself as “queer-positive, feminist and artist friendly.” KRS and many of its artists have been closely associated with Riot grrrl, an underground feminist punk movement.

KRS’s first release was a spoken word split single entitled KRS-101 (1991), featuring Moon and Kathleen Hanna, lead vocalist of the band Bikini Kill. Later that year, KRS released a compilation album featuring Olympia-area bands including Bikini Kill, Bratmobile, and The Melvins. Singles, compilations, and LPs by riot grrrl bands such as Bikini Kill, Huggy Bear, and Team Dresch were released by KRS throughout the early 1990s. Subsequent artists of note included Sleater-Kinney and The Gossip. In ...