Albertus Parisiensis [Albertus Stampensis]
- Sarah Fuller
(fl 1146–1177). French cantor. He was probably from Estampes originally, but from about 1146 to 1177 he was cantor at Notre Dame, Paris. He left a substantial bequest of liturgical books to the cathedral. The sole, uncorroborated, trace of his compositional activity is a two-voice conductus, Congaudeant catholici, attributed to him in the 12th-century Calixtine manuscript (E-SC). A third voice, inscribed in red neumes on the bottom staff of the unique source, cannot be original for it has been added in a hand distinct from the main scribe’s. This voice evidently constitutes a plainer alternative to the original rather florid discant.J. Handschin: ‘Zur Geschichte von Notre Dame’, AcM, 4 (1932), 5–17 J. López-Calo: La musica medieval en Galicia (La Coruña, 1982), 46 C. Wright: Music and Ceremony at Notre Dame of Paris 500–1550 (Cambridge, 1989), 278–81 T. Karp: The Polyphony of Saint Martial and Santiago de Compostela...