Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 14 December 2019

Andrieu, F.locked

  • Gilbert Reaney


(fl late 14th century). French composer. The only composition attributable to him with certainty is the four-part bitextual ballade Armes, amours/O flour des flours set to the text by Eustache Deschamps lamenting Machaut’s death in 1377. Two three-part ballades (De Narcissus and Phiton, Phiton, beste tres venimeuse) by Magister Franciscus from the same manuscript ( F-CH 564) suggest that the two composers may be the same person. Phiton, Phiton borrows its first three bars from a similarly-titled piece by Machaut. (All three works are ed. in CMM Corpus mensurabilis musicae liii/1, 1970, and in PMFC Polyphonic Music of the Fourteenth Century, xviii–xix, 1981–2.)

U. Günther: Der musikalische Stilwandel der französischen Liedkunst in der zweiten Hälfte des 14. Jahrhunderts (diss., U. of Hamburg, 1957), 167, 174–6 R. Magnan: ‘Eustache Deschamps and his Double: Musique naturele and musique artificiele’, Ars lyrica, 7 (1993), 47–64 L. Earp: Guillaume de Machaut: a Guide to Research...

You do not currently have access to this article


Please login to access the full content.


Please subscribe to access the full content.

Revue de musicologie
Chantilly, Musée Condé