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date: 22 October 2019

Baglioni, Francesco [Carnace]locked

  • Barbara Dobbs Mackenzie

Extract

[Carnace]

(fl 1729–62). Italian bass and impresario. He was one of the most popular comic opera singers of his day and a particularly important figure in the development and dissemination of the genre in the middle of the century. He performed in at least 100 productions beginning in the late 1720s, when he sang intermezzos in Foligno and Pesaro. He launched his comic opera career in Rome in 1738 with Gaetano Latilla’s La finta cameriera and Madama Ciana and Rinaldo di Capua’s La commedia in commedia. Productions throughout northern Italy of these operas along with another first performed in Rome, Rinaldo’s La libertà nociva (1740), dominated Baglioni’s career for the next decade. In 1749 he appeared in the dramma giocoso L’Arcadia in Brenta in Venice, the first collaboration between Galuppi and Goldoni, and for the remainder of his career he primarily sang texts written by Goldoni, in cities along the axis from Venice to Turin. His range encompassed ...

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C. Burney: The Present State of Music in France and Italy (London, 1771, 2/1773)
C. Sartori: I libretti italiani a stampa dalle origini al 1800 (Cuneo, 1990-94)
Proceedings of the Royal Musical Association
[flourished]