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Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.1 Discantus melody shaped from the minimum of material, Binchois

Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.1 Discantus melody shaped from the minimum of material, Binchois

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Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.2 ‘Cross-relations’ effects in Binchois’ music

Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.2 ‘Cross-relations’ effects in Binchois’ music

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Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.4 Binchois’ use of parallel 5ths (bars 2–3) and unisons (bar 9): Sanctus (I-TRmn 87, f.33v)

Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.4 Binchois’ use of parallel 5ths (bars 2–3) and unisons (bar 9): Sanctus (I-TRmn 87, f.33v)

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Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.5 Use of momentary dissonance, Binchois: Je loe Amours

Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.5 Use of momentary dissonance, Binchois: Je loe Amours

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Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.3 Characteristic rhythmic figure ‘a’, Binchois: Magnificat tercii toni

Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.3 Characteristic rhythmic figure ‘a’, Binchois: Magnificat tercii toni

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Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.6 Dissonance resolved upwards, Binchois: Qui veut mesdire

Binchois [Binchoys], Gilles de Bins [Binch, Binche] dit 8. Style.: Ex.6 Dissonance resolved upwards, Binchois: Qui veut mesdire

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