Improvisation II. Western art music 2. History to 1600. (i) Ensemble improvisation.: Ex.1 Lusitano
Improvisation II. Western art music 2. History to 1600. (i) Ensemble improvisation.: Ex.1 Lusitano
Improvisation II. Western art music 2. History to 1600. (i) Ensemble improvisation.: Ex.2 Diego Ortiz
Improvisation II. Western art music 2. History to 1600. (i) Ensemble improvisation.: Ex.2 Diego Ortiz
Improvisation II. Western art music 2. History to 1600. (ii) Ornamentation.: Ex.3
Improvisation II. Western art music 2. History to 1600. (ii) Ornamentation.: Ex.3
Improvisation II. Western art music 3. The Baroque period. (i) Early 17th-century Italian practice.: Ex.4
Improvisation II. Western art music 3. The Baroque period. (i) Early 17th-century Italian practice.: Ex.4
Improvisation II. Western art music 3. The Baroque period. (i) Early 17th-century Italian practice.: Ex.5
Improvisation II. Western art music 3. The Baroque period. (i) Early 17th-century Italian practice.: Ex.5
Improvisation II. Western art music 3. The Baroque period. (i) Early 17th-century Italian practice.: Ex.6
Improvisation II. Western art music 3. The Baroque period. (i) Early 17th-century Italian practice.: Ex.6
Improvisation II. Western art music 3. The Baroque period. (ii) 17th-century English practice.: Ex.7
Improvisation II. Western art music 3. The Baroque period. (ii) 17th-century English practice.: Ex.7
Improvisation II. Western art music 3. The Baroque period. (iii) French practice.: Ex.9
Improvisation II. Western art music 3. The Baroque period. (iii) French practice.: Ex.9
Improvisation II. Western art music 3. The Baroque period. (iv) Later italianate embellishments.: Ex.10
Improvisation II. Western art music 3. The Baroque period. (iv) Later italianate embellishments.: Ex.10
Improvisation II. Western art music 3. The Baroque period. (iv) Later italianate embellishments.: Ex.11
Improvisation II. Western art music 3. The Baroque period. (iv) Later italianate embellishments.: Ex.11
Improvisation II. Western art music 3. The Baroque period. (iv) Later italianate embellishments.: Ex.12
Improvisation II. Western art music 3. The Baroque period. (iv) Later italianate embellishments.: Ex.12
Improvisation II. Western art music 3. The Baroque period. (v) Varied reprises.: Ex.13
Improvisation II. Western art music 3. The Baroque period. (v) Varied reprises.: Ex.13
Improvisation II. Western art music 3. The Baroque period. (viii) Continuo realization.: Ex.14
Improvisation II. Western art music 3. The Baroque period. (viii) Continuo realization.: Ex.14
Improvisation II. Western art music 4. The Classical period. (ii) Vocal music.: Ex.21 J.C. Bach: ‘Cara la dolce fiamma’ from Adriano in Siria, with embellished versions by Mozart
Improvisation II. Western art music 4. The Classical period. (ii) Vocal music.: Ex.21 J.C. Bach: ‘Cara la dolce fiamma’ from Adriano in Siria, with embellished versions by Mozart
Improvisation II. Western art music 4. The Classical period. (ii) Vocal music.: Ex.22
Improvisation II. Western art music 4. The Classical period. (ii) Vocal music.: Ex.22
Improvisation II. Western art music 5. The 19th century. (i) Instrumental music.: Ex.23 Beethoven, op.77: tonal foundation
Improvisation II. Western art music 5. The 19th century. (i) Instrumental music.: Ex.23 Beethoven, op.77: tonal foundation
Improvisation II. Western art music 5. The 19th century. (i) Instrumental music.: Ex.24 Schubert, D940: key scheme
Improvisation II. Western art music 5. The 19th century. (i) Instrumental music.: Ex.24 Schubert, D940: key scheme
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.25 Rossini: Tancredi
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.25 Rossini: Tancredi
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.26 Cimarosa: Il matrimonio segreto
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.26 Cimarosa: Il matrimonio segreto
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.27 (a) Rossini: La donna del lago, ‘O quante lagrime’ (b) Rossini: Il barbiere di Siviglia, ‘Una voce poco fa’ (c) Rossini: variants for (b)
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.27 (a) Rossini: La donna del lago, ‘O quante lagrime’ (b) Rossini: Il barbiere di Siviglia, ‘Una voce poco fa’ (c) Rossini: variants for (b)
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.28 (a) Rossini: Torvaldo e Dorliska, ‘Ferma constante immobile’ (b) Verdi: La traviata, ‘Sempre libera’
Improvisation II. Western art music 5. The 19th century. (ii) Vocal music.: Ex.28 (a) Rossini: Torvaldo e Dorliska, ‘Ferma constante immobile’ (b) Verdi: La traviata, ‘Sempre libera’
