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Manual keyboard of the positive organ from Norrlanda, c1380 (Statens Historiska Museum, Stockholm)

Manual keyboard of the positive organ from Norrlanda, c1380 (Statens Historiska Museum, Stockholm)

Antikvarisk-Topografiska Arkivet, Stockholm / photo Nils Lagergren

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Manual and pedal keyboards for the Halberstadt organ, 1361: woodcut from Praetorius’s ‘Syntagma musicum’ (2/1619)

Manual and pedal keyboards for the Halberstadt organ, 1361: woodcut from Praetorius’s ‘Syntagma musicum’ (2/1619)

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Positive organ, c1380, from Norrlanda (Statens Historiska Museum, Stockholm); now pipeless

Positive organ, c1380, from Norrlanda (Statens Historiska Museum, Stockholm); now pipeless

Antikvarisk-Topografiska Arkivet, Stockholm / photo Nils Lagergren

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Carillon: (a) baton keyboard, showing position of the bells above: engraving from Joos Verschuere Reynvaan’s ‘Muzijkaal Kunst-Woordenboek’ (Amsterdam, 1795); (b) Jef Denyn playing the carillon at St Romboutskathedraal, Mechelen

Carillon: (a) baton keyboard, showing position of the bells above: engraving from Joos Verschuere Reynvaan’s ‘Muzijkaal Kunst-Woordenboek’ (Amsterdam, 1795); (b) Jef Denyn playing the carillon at St Romboutskathedraal, Mechelen

Cliches Koninklijke Beiaardschool

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Die Musik in Geschichte und Gegenwart
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Galpin Society Journal
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M. Praetorius: Syntagma musicum, i (Wittenberg and Wolfenbüttel, 1614-15, 2/1615/R); ii (Wolfenbüttel, 1618, 2/1619/R; Eng. trans., 1986, 2/1991); iii (Wolfenbüttel, 1618, 2/1619/R)
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Early Music