Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.1. Sikuri chocolo/ligero. Genre by Qhantati Ururi (Turino, 1993)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.1. Sikuri chocolo/ligero. Genre by Qhantati Ururi (Turino, 1993)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.2. Three Suyá Amoto Akia from the 1976 Mouse Ceremony (Seeger, 1979)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.2. Three Suyá Amoto Akia from the 1976 Mouse Ceremony (Seeger, 1979)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.3. Ngere Song (Seeger, 1987)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.3. Ngere Song (Seeger, 1987)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.4. Otomí Halakiltunti ceremony (Boilès, 1967)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.4. Otomí Halakiltunti ceremony (Boilès, 1967)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.5. Mapuche tayil lineage chants (Robertson, 1979)
Latin America I. Indigenous music 2. Contemporary performance traditions. (i) Bridging cultural spaces through performance.: Ex.5. Mapuche tayil lineage chants (Robertson, 1979)
Latin America I. Indigenous music 3. History, context and performing practice.: Ex.6. Lullaby from San Blas Cuna, Panama (Wilbert, 1976)
Latin America I. Indigenous music 3. History, context and performing practice.: Ex.6. Lullaby from San Blas Cuna, Panama (Wilbert, 1976)
Latin America II. Iberian and mestizo folk music 2. South America. (i) Songs.: Ex.7 La esposa difunta o la aparición, two versions (Romero, C1952)
Latin America II. Iberian and mestizo folk music 2. South America. (i) Songs.: Ex.7 La esposa difunta o la aparición, two versions (Romero, C1952)
Latin America II. Iberian and mestizo folk music 2. South America. (i) Songs.: Ex.8 Estilo (Aretz, 1952)
Latin America II. Iberian and mestizo folk music 2. South America. (i) Songs.: Ex.8 Estilo (Aretz, 1952)
Latin America II. Iberian and mestizo folk music 2. South America. (i) Songs.: Ex.9 La aguinaldo, Venezuela (Aretz, 1962)
Latin America II. Iberian and mestizo folk music 2. South America. (i) Songs.: Ex.9 La aguinaldo, Venezuela (Aretz, 1962)
Latin America II. Iberian and mestizo folk music 2. South America. (ii) Dances, autos and dramatic dances.: Ex.10 Typical huayno kaypipas, Cuzco, Peru; coll. C. Pagaza Galdo, transcr. R. Holzmann (Pagaza Galdo, C1967)
Latin America II. Iberian and mestizo folk music 2. South America. (ii) Dances, autos and dramatic dances.: Ex.10 Typical huayno kaypipas, Cuzco, Peru; coll. C. Pagaza Galdo, transcr. R. Holzmann (Pagaza Galdo, C1967)
Latin America III. Afro-American music 1. Mexico, Central America and the Caribbean.: Ex.11 Lucumi batá drum pattern to the deity Obba. From Fernando Ortíz, La africanía de la música folklórica de Cuba (Havana: Ediciones Cardenas y Cia, 1950)
Latin America III. Afro-American music 1. Mexico, Central America and the Caribbean.: Ex.11 Lucumi batá drum pattern to the deity Obba. From Fernando Ortíz, La africanía de la música folklórica de Cuba (Havana: Ediciones Cardenas y Cia, 1950)
Latin America III. Afro-American music 2. South America.: Ex.12 Brazilian Ketu cult song
Latin America III. Afro-American music 2. South America.: Ex.12 Brazilian Ketu cult song
