Shape-note hymnody

Bookmark
Share Link

Copy this link, or click below to email it to a friend
Email
or copy the link directly:

https://www.oxfordmusiconline.com/grovemusic/abstract/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000025584
The link was not copied. Your current browser may not support copying via this button.

Link copied successfully

Article contents

Show Summary Details

Shape-note hymnody 2. Four-shape tune books.: Ex.1 Shape-note system based on fasola solmization

Four-shape notation in ‘Amazing Grace’ from William Walker’s ‘The Southern Harmony and Musical Companion’ (Philadelphia, 5/1854)

Henry Eskew

Shape-note hymnody 3. Seven-shape tune books.: Ex.2 Seven-syllable solmization

You do not currently have access to this article

Login

Please login to access the full content.

Please subscribe to access the full content.

Oxford University Press

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 17 March 2025

Browse All

Browse All

Browse All

Browse All

Browse All

Browse All

Share Link

Article contents

Shape-note hymnody 2. Four-shape tune books.: Ex.1 Shape-note system based on fasola solmization

Four-shape notation in ‘Amazing Grace’ from William Walker’s ‘The Southern Harmony and Musical Companion’ (Philadelphia, 5/1854)

Shape-note hymnody 3. Seven-shape tune books.: Ex.2 Seven-syllable solmization

Login

Subscribe