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Map of northern Australia

Map of northern Australia

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Dicky Tataya and others dance jadmi junba

Dicky Tataya and others dance jadmi junba

© Kevin Shaw, 1997

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Australia I. Aboriginal music 1. Northern Aboriginal music. (i) Kimberley region.: Ex.1 Second verse of jadmi junba (text transcr. L. Barwick; music transcr. S. Treloyn)

Australia I. Aboriginal music 1. Northern Aboriginal music. (i) Kimberley region.: Ex.1 Second verse of jadmi junba (text transcr. L. Barwick; music transcr. S. Treloyn)

L. Barwick and S. Treloyn

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Australia I. Aboriginal music 1. Northern Aboriginal music. (ii) Daly region.: Ex.2 Part of a wangga by Bobby Lambudju Lane about Benmele (text transcr. A. Marett, L. Barwick and L. Ford; music transcr. A. Marett)

Australia I. Aboriginal music 1. Northern Aboriginal music. (ii) Daly region.: Ex.2 Part of a wangga by Bobby Lambudju Lane about Benmele (text transcr. A. Marett, L. Barwick and L. Ford; music transcr. A. Marett)

A. Marett, L. Barwick and L. Ford

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Australia I. Aboriginal music 1. Northern Aboriginal music. (iii) Arnhem Land.: Ex.3 Second section (song proper) of a performance of the song subject White Cockatoo (Ngalilag) from the clan-song series Djambidj (singers, Frank Gurrmanamana and Frank Malkorda; didjeridu, Sam Gumugum; transcr. A. Marett)

Australia I. Aboriginal music 1. Northern Aboriginal music. (iii) Arnhem Land.: Ex.3 Second section (song proper) of a performance of the song subject White Cockatoo (Ngalilag) from the clan-song series Djambidj (singers, Frank Gurrmanamana and Frank Malkorda; didjeridu, Sam Gumugum; transcr. A. Marett)

transcr.Alan Marett

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Structure of the melodic movement of a men’s song as shown on an enlarged bass staff

Structure of the melodic movement of a men’s song as shown on an enlarged bass staff

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Australia I. Aboriginal music 2. Central Aboriginal music. (iv) Musical structures. (d) Rhythm.: Ex.4 Types of beating accompaniment; rec. and transcr. C. and A. Ellis: (a) usual beating (irrespective of rhythm of songline) (b) ‘slower’ beating (c) form often used in children’s songs

Australia I. Aboriginal music 2. Central Aboriginal music. (iv) Musical structures. (d) Rhythm.: Ex.4 Types of beating accompaniment; rec. and transcr. C. and A. Ellis: (a) usual beating (irrespective of rhythm of songline) (b) ‘slower’ beating (c) form often used in children’s songs

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Australia I. Aboriginal music 2. Central Aboriginal music. (iv) Musical structures. (d) Rhythm.: Ex.5 Typical text with rhythmic setting; rec. and transcr. C. and A. Ellis

Australia I. Aboriginal music 2. Central Aboriginal music. (iv) Musical structures. (d) Rhythm.: Ex.5 Typical text with rhythmic setting; rec. and transcr. C. and A. Ellis

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Interlocking of structures

Interlocking of structures

after C.J. Ellis

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Corroboree after initiation ceremony: from C. Hodgkinson, ‘Australia, from Port Macquarie to Moreton Bay’ (1845)

Corroboree after initiation ceremony: from C. Hodgkinson, ‘Australia, from Port Macquarie to Moreton Bay’ (1845)

Reproduced from Hodgkinson 1845 by AIATSIS

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Australia I. Aboriginal music 3. South-eastern Aboriginal music. (iii) Musical structure in performance.: Ex.6 Mundjala, Bundjalung yawahr song; transcr. M. Gummow

Australia I. Aboriginal music 3. South-eastern Aboriginal music. (iii) Musical structure in performance.: Ex.6 Mundjala, Bundjalung yawahr song; transcr. M. Gummow

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