Show Summary Details

Page of
<p>Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use&#160;(for details see Privacy Policy).</p><p>date: 26 June 2019</p>

Vivaldi, Antonio (Lucio)locked

  • Michael Talbot
  • , revised by Nicholas Lockey

Extract

(b Venice, 4 March 1678; d Vienna, 27/8 July 1741). Italian composer. The most original and influential Italian composer of his generation, he laid the foundations for the mature Baroque concerto. His contributions to musical style, violin technique, and the practice of orchestration were substantial, and he was a pioneer of orchestral programme music....

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.

Early Music
Acta musicologica
Journal of the Royal Musical Association
Musical Quarterly
A. Schering: Geschichte des Instrumental-Konzerts (Leipzig, 1905, 2/1927/R)
Drammaturgia musicale veneta (Milan, 1983-)
Analecta musicologica
Nuova rivista musicale italiana
J. Hawkins: A General History of the Science and Practice of Music (London, 1776)
Vierteljahrsschrift für Musikwissenschaft
Galpin Society Journal
Rivista italiana di musicologia
Rassegna musicale
W.S. Newman: The Sonata in the Baroque Era (Chapel Hill, NC, 1959, 4/1983)
E. Schmitz: Geschichte der weltlichen Solokantate (Leipzig, 1914, 2/1955)
Archiv für Musikwissenschaft
Deutsches Jahrbuch der Musikwissenschaft
Beiträge zur Musikwissenschaft
Musical Times
Österreichische Musikzeitschrift
Journal of the American Musicological Society
Sammelbände der Internationalen Musik-Gesellschaft
D.D. Boyden: A History of Violin Playing from its Origins to 1761 (London, 1965)
Proceedings of the Royal Musical Association
A.-E. Choron and F.J.M. Fayolle: Dictionnaire historique des musiciens
Dansk aarbog for musikforskning
Bach-Jahrbuch
Music & Letters