Show Summary Details

Page of
<p>Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use&#160;(for details see Privacy Policy).</p><p>date: 16 July 2019</p>

Vivaldi, Antonio (Lucio)locked

  • Michael Talbot
  • , revised by Nicholas Lockey

Extract

(b Venice, 4 March 1678; d Vienna, 27/8 July 1741). Italian composer. The most original and influential Italian composer of his generation, he laid the foundations for the mature Baroque concerto. His contributions to musical style, violin technique, and the practice of orchestration were substantial, and he was a pioneer of orchestral programme music....

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.

Journal of the American Musicological Society
Dansk aarbog for musikforskning
A. Schering: Geschichte des Instrumental-Konzerts (Leipzig, 1905, 2/1927/R)
Proceedings of the Royal Musical Association
Nuova rivista musicale italiana
Analecta musicologica
Musical Quarterly
Bach-Jahrbuch
Early Music
E. Schmitz: Geschichte der weltlichen Solokantate (Leipzig, 1914, 2/1955)
Rivista italiana di musicologia
Drammaturgia musicale veneta (Milan, 1983-)
Galpin Society Journal
Beiträge zur Musikwissenschaft
Journal of the Royal Musical Association
W.S. Newman: The Sonata in the Baroque Era (Chapel Hill, NC, 1959, 4/1983)
D.D. Boyden: A History of Violin Playing from its Origins to 1761 (London, 1965)
Musical Times
Vierteljahrsschrift für Musikwissenschaft
Archiv für Musikwissenschaft
J. Hawkins: A General History of the Science and Practice of Music (London, 1776)
Deutsches Jahrbuch der Musikwissenschaft
Music & Letters
Österreichische Musikzeitschrift
Sammelbände der Internationalen Musik-Gesellschaft
Rassegna musicale
Acta musicologica
A.-E. Choron and F.J.M. Fayolle: Dictionnaire historique des musiciens