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date: 21 September 2019

Quiros [Quiroz], Manuel José [Joseph] delocked

  • Alfred E. Lemmon

Extract

(dGuatemala, 1765). Guatemalan composer, teacher and collector. He was appointed maestro de capilla of Guatemala City Cathedral on 7 March 1738, and served there until his death. His 28 extant compositions, which survive only in the Archivo Histórico Arquidiocesano ‘Francisco de Paula García Peláez’, Guatemala City, are mainly Spanish villancicos which reveal his interest in local colour and ethnic texts. There are also a few compositions in Latin, including a double-choir motet, Parce mihi, Domine. Most works are for two or four voices, some for as many as seven; all have instrumental accompaniment.

Quiros was also active as a teacher and collector of music. His pupils included his nephew Rafael Antonio Castellanos, who succeeded him as maestro de capilla in Guatemala. His interest in Italian music was encouraged by the Italian-born maestro de capilla of Mexico City, Ignacio Jerusalem, and he acquired works by several Italian composers of the period, including Galuppi, Leo, Pergolesi, Porpora and Vinci. He also collected music by contemporary Spanish composers such as Sebastián Durón, José Nebra and José de Torres y Martínez Bravo, and by composers from elsewhere in the New World, for example Manuel de Zumaya. Through his efforts, copies were made of 16th-century polyphonic music by Iberian composers such as Gaspar Fernandes and Pedro Bermúdez, and also of works by Palestrina and Victoria. The music collected and copied remains in the Archivo Histórico Arquidiocesano....

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