Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 14 October 2019

Abrabanel, Isaac ben Judahlocked

  • Don Harrán

Extract

(b Lisbon, 1437; d Venice, 1508). Philosopher and biblical exegete. His writing on music forms the introduction to his commentary on Exodus xv (the ‘Song of the Sea’, 1505; I-Rvat Rossiano 925, also printed in Venice in 1579). Relying on earlier sources including Ibn Rushd's commentary on Aristotle's Poetics and Moses ibn Tibbon's commentary on the Song of Solomon, Abrabanel describes three kinds of verse set to music: with metre and rhyme, as in Hebrew hymns (piyyutim); without metre or rhyme, yet arranged in a succession of short and long lines (as in the ‘Song of the Sea’); and metaphorical texts, by which he appears to refer to Psalms. Whereas, for him, the first and third kinds do not require music to qualify as poetry (prosodic considerations prevail in the first, conceptual ones in the third), the second kind does (its construction depends on its musical usage). Yet all three kinds rely on music for their usual mode of presentation. The author recognizes different functions for music in conjunction with poetry: to serve as a mnemonic device for retaining the texts, to improve the understanding of their content, and to elevate the spirit....

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.

Rome, Biblioteca Apostolica Vaticana