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Ornaments 1. Middle Ages and Renaissance.: Ex.1(a) Ganassi: Fontegara (1535) (b) Ortiz: Trattado de glosas (1553) (c) G.L.Contorto: Breveetfacile maniera d’essercitarsi (1593) (d) G.B.Bovicelli: Regole, passaggi di musica (1594)

Ornaments 1. Middle Ages and Renaissance.: Ex.1(a) Ganassi: Fontegara (1535) (b) Ortiz: Trattado de glosas (1553) (c) G.L.Contorto: Breveetfacile maniera d’essercitarsi (1593) (d) G.B.Bovicelli: Regole, passaggi di musica (1594)

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Ornaments 2. Spain, 1500–1800.: Ex.2 Ornaments from Tomás de Santa María: Arte de tañer fantasía (1565)

Ornaments 2. Spain, 1500–1800.: Ex.2 Ornaments from Tomás de Santa María: Arte de tañer fantasía (1565)

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Ornaments 2. Spain, 1500–1800.: Ex.3 Schematization of ornaments from Francisco Correa de Arauxo: Facultad orgánica (1626)

Ornaments 2. Spain, 1500–1800.: Ex.3 Schematization of ornaments from Francisco Correa de Arauxo: Facultad orgánica (1626)

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Ornaments 3. The English virginalists.: Ex.4 Byrd: The Carman’s Whistle from My Ladye Nevells Booke (1591), f.149 (MB, xxvii, no.36, bars 9–10)

Ornaments 3. The English virginalists.: Ex.4 Byrd: The Carman’s Whistle from My Ladye Nevells Booke (1591), f.149 (MB, xxvii, no.36, bars 9–10)

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Ornaments 3. The English virginalists.: Ex.5 (a) Byrd: Galliard (GB-Lbl Add.30485, f.3v; MB, xxviii, no.72b); (b) Byrd: Quadran Galliard (GB-Lbl Add.30485, f.13; MB, xxviii, no.70b, bars 142–3)

Ornaments 3. The English virginalists.: Ex.5 (a) Byrd: Galliard (GB-Lbl Add.30485, f.3v; MB, xxviii, no.72b); (b) Byrd: Quadran Galliard (GB-Lbl Add.30485, f.13; MB, xxviii, no.70b, bars 142–3)

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Ornaments 3. The English virginalists.: Ex.6 Byrd: The Hunt’s up from My Ladye Nevells Booke, f.46 (MB, xxvii, no.40, bars 5–6)

Ornaments 3. The English virginalists.: Ex.6 Byrd: The Hunt’s up from My Ladye Nevells Booke, f.46 (MB, xxvii, no.40, bars 5–6)

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Ornaments 3. The English virginalists.: Ex.7 Examples of graces attributed to Edward Bevin (c1630, GB-Lbl Add.31403, f.5)

Ornaments 3. The English virginalists.: Ex.7 Examples of graces attributed to Edward Bevin (c1630, GB-Lbl Add.31403, f.5)

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Ornaments 3. The English virginalists.: Ex.8 Tomkins: A Ground (GB-Lbl Add.29996, f.195; MB, v, no.40 bars, 46–7)

Ornaments 3. The English virginalists.: Ex.8 Tomkins: A Ground (GB-Lbl Add.29996, f.195; MB, v, no.40 bars, 46–7)

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Ornaments 4. Italy, 1600–50.: Ex.9 F. Rognoni: Selva di varii passaggi (1620), 1:25

Ornaments 4. Italy, 1600–50.: Ex.9 F. Rognoni: Selva di varii passaggi (1620), 1:25

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Ornaments 4. Italy, 1600–50.: Ex.10 F. Rognoni: Selva di varii passaggi, 1:10

Ornaments 4. Italy, 1600–50.: Ex.10 F. Rognoni: Selva di varii passaggi, 1:10

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Ornaments 4. Italy, 1600–50.: Ex.11 Trillo, E. de Cavalieri: Rappresentatione di Anima et di Corpo (1600)

Ornaments 4. Italy, 1600–50.: Ex.11 Trillo, E. de Cavalieri: Rappresentatione di Anima et di Corpo (1600)

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Ornaments 4. Italy, 1600–50.: Ex.12 Trillo, G. Caccini: Le nuove musiche (1601), f.[4r]

Ornaments 4. Italy, 1600–50.: Ex.12 Trillo, G. Caccini: Le nuove musiche (1601), f.[4r]

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Ornaments 4. Italy, 1600–50.: Ex.13 C. Monteverdi: Il ritorno d’Ulisse in patria, Act 3 scene i

Ornaments 4. Italy, 1600–50.: Ex.13 C. Monteverdi: Il ritorno d’Ulisse in patria, Act 3 scene i

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Ornaments 4. Italy, 1600–50.: Ex.14 G. Caccini: Le nuove musiche

Ornaments 4. Italy, 1600–50.: Ex.14 G. Caccini: Le nuove musiche

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Ornaments 4. Italy, 1600–50.: Ex.15 G. Caccini: Le nuove musiche

Ornaments 4. Italy, 1600–50.: Ex.15 G. Caccini: Le nuove musiche

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Ornaments 4. Italy, 1600–50.: Ex.16 G. Caccini: Le nuove musiche

Ornaments 4. Italy, 1600–50.: Ex.16 G. Caccini: Le nuove musiche

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Ornaments 4. Italy, 1600–50.: Ex.17 G. Caccini: Le nuove musiche

Ornaments 4. Italy, 1600–50.: Ex.17 G. Caccini: Le nuove musiche

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Ornaments 4. Italy, 1600–50.: Ex.18 Principiar sotto la note (intonazione), F. Rognoni: Selva di varii passaggi 1:1

Ornaments 4. Italy, 1600–50.: Ex.18 Principiar sotto la note (intonazione), F. Rognoni: Selva di varii passaggi 1:1

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Ornaments 4. Italy, 1600–50.: Ex.19 Accento, F. Rognoni: Selva di varii passaggi, 1:1

Ornaments 4. Italy, 1600–50.: Ex.19 Accento, F. Rognoni: Selva di varii passaggi, 1:1

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Ornaments 4. Italy, 1600–50.: Ex.20 Portar la voce, F. Rognoni: Selva di varii passaggi, 1:1

Ornaments 4. Italy, 1600–50.: Ex.20 Portar la voce, F. Rognoni: Selva di varii passaggi, 1:1

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Ornaments 4. Italy, 1600–50.: Ex.21 G. Caccini: Le nuove musiche

Ornaments 4. Italy, 1600–50.: Ex.21 G. Caccini: Le nuove musiche

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Ornaments 4. Italy, 1600–50.: Ex.22 G. Usper: Sonata a tre, from Compositione armoniche (1619)

Ornaments 4. Italy, 1600–50.: Ex.22 G. Usper: Sonata a tre, from Compositione armoniche (1619)

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Ornaments 4. Italy, 1600–50.: Ex.23 Trillo, G.P. del Buono: Sonata VIII, from Canoni, oblighi et sonate (Palermo, 1641)

Ornaments 4. Italy, 1600–50.: Ex.23 Trillo, G.P. del Buono: Sonata VIII, from Canoni, oblighi et sonate (Palermo, 1641)

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Ornaments 4. Italy, 1600–50.: Ex.24 Trillo, G. Fantini: Modo per imparare a sonare di tromba (Frankfurt, 1638), 11

Ornaments 4. Italy, 1600–50.: Ex.24 Trillo, G. Fantini: Modo per imparare a sonare di tromba (Frankfurt, 1638), 11

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Ornaments 5. Italy, 1650–1750. (ii) Ornamentation in vocal music.: Ex.25

Ornaments 5. Italy, 1650–1750. (ii) Ornamentation in vocal music.: Ex.25

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Ornaments 5. Italy, 1650–1750. (ii) Ornamentation in vocal music.: Ex.26

Ornaments 5. Italy, 1650–1750. (ii) Ornamentation in vocal music.: Ex.26

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Ornaments 5. Italy, 1650–1750. (iv) Instrumental music.: Ex.27

Ornaments 5. Italy, 1650–1750. (iv) Instrumental music.: Ex.27

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Ornaments 5. Italy, 1650–1750. (iv) Instrumental music.: Ex.28

Ornaments 5. Italy, 1650–1750. (iv) Instrumental music.: Ex.28

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Ornaments 5. Italy, 1650–1750. (iv) Instrumental music.: Ex.29

Ornaments 5. Italy, 1650–1750. (iv) Instrumental music.: Ex.29

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‘Rules for graces’: (a) C. Simpson: ‘The Division-Violist’ (London, 1659); (b) T. Mace: ‘Musick’s Monument’ (London, 1676); (c) H. Purcell: ‘A Choice Collection of Lessons for Harpsichord and Spinet’ (London, 1696)

‘Rules for graces’: (a) C. Simpson: ‘The Division-Violist’ (London, 1659); (b) T. Mace: ‘Musick’s Monument’ (London, 1676); (c) H. Purcell: ‘A Choice Collection of Lessons for Harpsichord and Spinet’ (London, 1696)

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Ornaments 6. English Baroque.: Ex.30

Ornaments 6. English Baroque.: Ex.30

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Ornaments 6. English Baroque.: Ex.31

Ornaments 6. English Baroque.: Ex.31

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Ornaments 6. English Baroque.: Ex.32

Ornaments 6. English Baroque.: Ex.32

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Ornaments 6. English Baroque.: Ex.33

Ornaments 6. English Baroque.: Ex.33

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Ornaments 6. English Baroque.: Ex.34

Ornaments 6. English Baroque.: Ex.34

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Ornaments 6. English Baroque.: Ex.36

Ornaments 6. English Baroque.: Ex.36

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Ornaments 6. English Baroque.: Ex.37 C. Simpson: The Division-Violist (1659)

Ornaments 6. English Baroque.: Ex.37 C. Simpson: The Division-Violist (1659)

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Ornaments 6. English Baroque.: Ex.38

Ornaments 6. English Baroque.: Ex.38

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Ornaments 6. English Baroque.: Ex.39

Ornaments 6. English Baroque.: Ex.39

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Ornaments 6. English Baroque.: Ex.40

Ornaments 6. English Baroque.: Ex.40

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Ornaments 6. English Baroque.: Ex.41

Ornaments 6. English Baroque.: Ex.41

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Ornaments 6. English Baroque.: Ex.42 Christopher Gibbons: Voluntary for Double organ (a) GB-Och Mus.47

Ornaments 6. English Baroque.: Ex.42 Christopher Gibbons: Voluntary for Double organ (a) GB-Och Mus.47

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(b) GB-Lbl Add.34695

(b) GB-Lbl Add.34695

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‘Marques des Agrements et leurs significations’: Table of ornaments by Anglebet from his Pièces de clavecin, 1689

‘Marques des Agrements et leurs significations’: Table of ornaments by Anglebet from his Pièces de clavecin, 1689

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Ornaments 7. French Baroque. (i) Historical overview.: Ex.43 Rameau, ‘La Coulicam’, Pièces de clavecin en concerts

Ornaments 7. French Baroque. (i) Historical overview.: Ex.43 Rameau, ‘La Coulicam’, Pièces de clavecin en concerts

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Ornaments 7. French Baroque. (ii) The agréments. (d) Larger intervals.: Ex.44

Ornaments 7. French Baroque. (ii) The agréments. (d) Larger intervals.: Ex.44

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Ornaments 7. French Baroque. (ii) The agréments. (d) Larger intervals.: Ex.45

Ornaments 7. French Baroque. (ii) The agréments. (d) Larger intervals.: Ex.45

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.46

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.46

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.48

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.48

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.47

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.47

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.49

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.49

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.50

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.50

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.51

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.51

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.52

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.52

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.53

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.53

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.54

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.54

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.55

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.55

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.56

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.56

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.57

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.57

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Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.59

Ornaments 8. German Baroque. (iii) The 17th century: vocal ornamentation.: Ex.59

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.60

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.60

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.61

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.61

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.62

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.62

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.63

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.63

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.64

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.64

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.65

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.65

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Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.66

Ornaments 8. German Baroque. (iv) The 17th century: instrumental ornamentation.: Ex.66

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs.: Ex.67

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs.: Ex.67

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs.: Ex.68

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs.: Ex.68

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs. (c) ‘Mordant’. (d) Trills.: Ex.69

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs. (c) ‘Mordant’. (d) Trills.: Ex.69

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs. (d) Trills.: Ex.70

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (a) Ornament tables and signs. (d) Trills.: Ex.70

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.71

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.71

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.72

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.72

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.73

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.73

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.74

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.74

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.75

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (b) Appoggiaturas.: Ex.75

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.76

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.76

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.77

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.77

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.78

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.78

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.79

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.79

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.80

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.80

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.81

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.81

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.82

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.82

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.83

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.83

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.84

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.84

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.85

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.85

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.86

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.86

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.87

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.87

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.88

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.88

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.89

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (d) Trills.: Ex.89

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (e) Turn.: Ex.90

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (e) Turn.: Ex.90

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (e) Turn.: Ex.91

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (e) Turn.: Ex.91

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (e) Turn.: Ex.92

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (e) Turn.: Ex.92

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (f) Slide.: Ex.93

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (f) Slide.: Ex.93

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (f) Slide.: Ex.94

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (f) Slide.: Ex.94

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (f) Slide.: Ex.95

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (f) Slide.: Ex.95

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (g) Other ornaments.: Ex.96

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (g) Other ornaments.: Ex.96

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Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (g) Other ornaments.: Ex.97

Ornaments 8. German Baroque. (v) The later 17th and early 18th centuries. (g) Other ornaments.: Ex.97

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Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.98 (a) Domenico Corri: A Select Collection (1782), i, 90; (b) Baillot: L’art du violon (1835), 74–5

Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.98 (a) Domenico Corri: A Select Collection (1782), i, 90; (b) Baillot: L’art du violon (1835), 74–5

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Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.99

Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.99

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Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.100 Schubert: Fierrabras, quintet (no.10), bars 80–83

Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.100 Schubert: Fierrabras, quintet (no.10), bars 80–83

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Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.101

Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.101

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Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.102 Löhlein as written, as executed, and as ‘corrected’ by Reichardt

Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.102 Löhlein as written, as executed, and as ‘corrected’ by Reichardt

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Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.103 (a) Schubert: Moment musical op.94; (b) Dannreuther’s interpretation; (c) Riemann’s interpretation

Ornaments 9. Late 18th century and 19th. (i) Appoggiaturas, anticipatory notes and grace notes.: Ex.103 (a) Schubert: Moment musical op.94; (b) Dannreuther’s interpretation; (c) Riemann’s interpretation

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Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.104

Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.104

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Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.105 Leopold Mozart: Doppelschlag

Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.105 Leopold Mozart: Doppelschlag

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Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.106

Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.106

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Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.107 Bellini: I Puritani, as sung by G.B. Rubini, given in E. Dannrenther: Musical Ornamentation, ii, 141

Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.107 Bellini: I Puritani, as sung by G.B. Rubini, given in E. Dannrenther: Musical Ornamentation, ii, 141

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Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.108

Ornaments 9. Late 18th century and 19th. (ii) Trills, turns and related ornaments.: Ex.108

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Ornaments 11. Index to ornaments and table of signs.: Table of ornament signs, a

Ornaments 11. Index to ornaments and table of signs.: Table of ornament signs, a

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Revue musicale
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M. Praetorius: Syntagma musicum, i (Wittenberg and Wolfenbüttel, 1614-15, 2/1615/R); ii (Wolfenbüttel, 1618, 2/1619/R; Eng. trans., 1986, 2/1991); iii (Wolfenbüttel, 1618, 2/1619/R)
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Chicago, Newberry Library
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R.M.A. [Royal Musical Association] Research Chronicle
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Die Musik in Geschichte und Gegenwart
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Proceedings of the Royal Musical Association
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Journal of Music Theory
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19th Century Music
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Analecta musicologica
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Sammelbände der Internationalen Musik-Gesellschaft
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M. Mersenne: Harmonie universelle
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York, Minster Library
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Annales musicologiques
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Galpin Society Journal
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Paris, Bibliothèque Ste-Geneviève
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Cambridge, Fitzwilliam Museum, Dept of Manuscripts and Printed Books
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Acta musicologica
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G. Grove, ed.: A Dictionary of Music and Musicians (1878, 1880, 1883, 1899)
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Edinburgh, National Library of Scotland, Music Dept
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Munich, Bayerische Staatsbibliothek