Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 19 August 2019

Allison, Mose (John, Jr. )locked

  • Patti Jones


(John, Jr. )

(b Tippo, MI, Nov 11, 1927). American jazz and blues pianist, singer and songwriter. His style was influenced by the blues music he heard on the juke box at his father’s general store. Primarily self taught on piano and trumpet, Allison began playing professionally in Delta roadhouses and attended the University of Mississippi, Oxford. However, he left to enlist in the US Army in 1946, and during his service he played trumpet and piano and wrote arrangements for an army band. After completing a degree in English at Louisiana State University, he moved to New York in 1956 and attracted attention nationally playing piano with such leaders as Chet Baker, Al Cohn, Zoot Sims, Gerry Mulligan, and Stan Getz.

Allison created a hybrid style that integrated country blues with urbane jazz; it can be heard on his first album, Back Country Suite (1959, Prst.), which includes what became his signature tune, “Young Man’s Blues.” In the 1960s Allison’s music influenced British rock musicians, and this tune was covered as a generational anthem by The Who. During the same period Allison recorded for Atlantic and wrote pithy lyrics about public service and social commentary (“Everybody Cryin’ Mercy”) and personal crisis (“Hello There, Universe”), some with a playful sense of humor (“Your Mind’s on Vacation”). Later songs such as “Ever Since the World Ended” and “Certified Senior Citizen” focused on contemporary culture and aging. Allison has also interpreted blues and jazz standards such as Willie Dixon’s “Seventh Son,” Muddy Waters’ “Rollin’ Stone,” and Duke Ellington’s “I ain’t got nothin’ but the blues.” His elaborate piano instrumentals and improvisations draw upon the music of Charles Ives and Alexander Scriabin and reflect his experimentation with conventional ideas of time....

Access to the complete content on Grove Music Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.