Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 22 August 2019

Agídígbolocked

  • K.A. Gourlay
  • , revised by Amanda Villepastour

Extract

Lamellaphone of the Ọ̀yọ́ Yorùbá in Nigeria. It has diffused to the Nago peoples of Benin and Lucumí people in Cuba, where it is known as the marímbula. Five adjustable metal tongues are mounted on a large wooden box resonator, which can be 45 cm by 60 cm and 22 cm deep or larger. The instrument is played on the lap, suspended from the neck at waist level so that the tongues can be plucked with the fingers of either hand, or resting on the floor with the player seated. The agídígbo is usually used as part of secular instrumental ensembles such as sákárà, mambo, jùjú, and àpàlà. The Yorùbá instrument has given its name to the Gwari and Fon gidigbo and to the Gwari agijigbo, both five-tongued with box (or old kerosene tin) resonators, and to the agidigo used by some Hausa musicians, notably Audu Karen Gusau, who used instruments of this type either solo or with the hourglass drums (...

Access to the complete content on Grove Music Online requires a subscription or purchase. Public users are able to search the site and view the abstracts and keywords for each book and chapter without a subscription.

Please subscribe or login to access full text content.

If you have purchased a print title that contains an access token, please see the token for information about how to register your code.

For questions on access or troubleshooting, please check our FAQs, and if you can''t find the answer there, please contact us.