Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 19 November 2019

Balinese gamelanlocked

  • Andrew C. McGraw

Extract

The particular types of gamelan of Bali, Indonesia; commonly distinguished from Javanese gamelan. Although many ethnomusicologists have categorized gamelan using a taxonomy developed by the Balinese state conservatory, which distinguishes ensembles as ‘old, middle, and new’ (kuno, madya, baru), definitive evidence regarding the emergence of pre-20th-century ensembles is lacking. Authors have alternatively attempted to categorize ensembles by their ceremonial and social function. However, new social and aesthetic contexts have shifted prior associations; practically all extant ensembles now appear in tourist, state, religious, and experimental contexts. Ultimately it might be simplest to organize the ensembles organologically. For information on individual instruments see separate entries. For bibliography see gamelan .

Balinese gamelan appear primarily in bamboo and bronze, and rarely iron, varieties. Ensembles dominated by bamboo instruments are typically smaller and are often associated with secular or recreational social contexts. The joged (pajogedan, joged bumbung) ensemble combines six tingklik...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.