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date: 20 September 2019

Eastley, Max locked

  • Hugh Davies

Extract

(b Torquay, England, Dec 1, 1944). British sound sculptor and performer. He studied sculpture at Homsey College of Art (BA 1972), where he began to make new instruments in 1971; he was then awarded a year’s fellowship at Exeter College of Art. He has exhibited his self-playing sound sculptures since 1973 and from about 1978 has presented them in concert performances (mostly those with variable controls that cannot be exploited in exhibitions). His work is principally concerned with motive power derived from natural forces and the continuous variations that are or can be produced by them.

Eastley’s fascination with the aeolian harp and other aeolian instruments is well documented in his dissertation Sonurgy, which describes string, percussion, and wind instruments of this type; they include a ground harp, an instrument in which small beaters are blown against a suspended sheet of mild steel, panpipes, a ‘marine organ’ consisting of a pipe whose length and pitch vary with the tide, and bullroarers and hollow metal cylinders rotated by electric motors. The aeolian principle is continued in the ‘elastic aerophone’ (...

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