Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 12 November 2019

Lyric soprano (Fr. soprano lyrique; Ger. lyrische Sopran; It. soprano lirico)locked

  • J.B. Steane

Extract

(Fr. soprano lyrique; Ger. lyrische Sopran; It. soprano lirico)

This is the central, ‘standard’ type of soprano voice, one whose range covers the two octaves from c′ to c ‴ with something over at either end, whose power and fullness are sufficient to take her out of the class of Light soprano while not extending to the demands of heavy roles open to the Dramatic soprano , and whose appeal lies not so much in the agility of her florid singing as in the beauty of tone she is able to bring to her singing of the melodic line. Typical roles for the lyric soprano are Countess Almaviva (Le nozze di Figaro), Agathe (Der Freischütz), Marguerite (Faust), Tatyana (Yevgeny Onegin) and Mimì (La bohème). Examples of the lyric soprano in the 20th century are Geraldine Farrar, Ninon Vallin and Kiri Te Kanawa. Many have extended their repertory so as to include roles which are better defined as lyric-dramatic, such as Amelia (...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.