Impresario delle Canarie, L’ (‘The Impresario from the Canary Islands’)
- Don Neville
(‘The Impresario from the Canary Islands’)
Libretto by Pietro Metastasio, first set by Domenico Sarro (1724, Naples). Versions of the libretto also appear under the titles Dorina e Nibbio, L’impresario, L’impresario dell’isole Canarie and L’impresario e la cantante.
Part 1 Dorina, a prima donna, is impatient with her attendants because she cannot find a ‘modern’ piece, with embellishments on every word, to sing at an embassy function. Nibbio, the impresario from the Canary Islands, calls on Dorina, reassures her that texts are unimportant in opera, and coaxes her to sing for him. Enraptured, he presents her with a cantata of his own, the airing of which occupies the remainder of the interview until Dorina contrives an escape.
Part 2 Dorina is upbraiding the wardrobe assistants when she is again visited by Nibbio to whom she explains the miseries of pleasing an audience; she is also concerned that, in having to show extreme emotion on stage, she may damage her voice. She obliges Nibbio with an excerpt from ...