Covered tone (Fr. voix sombrée; Ger. gedeckte Ton; It. voce cuperta)
- J.B. Steane
(Fr. voix sombrée; Ger. gedeckte Ton; It. voce cuperta)
Although ‘open’ and ‘covered’ would seem to be layman’s terms and their manifestations in singing easy to recognize, the technique of ‘covering’ and the need for it are probably understood properly only by singers themselves. As voices ascend in the scale, reaching the higher notes of the singer’s range, the method of voice production is gradually modified, partly so as to ensure a musically pleasing sound rather than a shout, partly to protect the voice, and also to secure a greater concentration of tone. This may involve modifications of the vowel sound, shading the brighter vowels towards those that are ‘darker’ and less open. It will also be a difficult exercise, during the course of which the singer seems to him or herself to be producing thinner, less powerful and excitingly resonant sounds in the upper notes than would otherwise have been possible. A further difficulty lies in the areas of the voice called the ...