Piano fantasies and transcriptions
- Charles Suttoni
The opera-based fantasy for the piano flourished during much of the 19th century. In an era when operatic music had a strong and immediate popular appeal, as well as an aura of glamour, yet was not generally accessible to a large part of the musical public, it is not surprising that alternative means were derived for its dissemination, mostly through the most popular domestic instrument. The repertory of operatic adaptations, of one kind or another, was very large, and used not only for domestic music-making but also at concerts by virtuoso pianists.
The simplest form of piano music derived from opera is seen in the variations composed during the Classical era, for example those by Mozart on opera themes by Salieri, Paisiello, Gluck and others, or by Beethoven on themes by Dittersdorf, Grétry, Salieri and others. Chopin continued this tradition in his variations on ‘Là ci darem la mano’ from ...