Juif polonais, Le (‘The Polish Jew’)
- Elizabeth Forbes
(‘The Polish Jew’)
Conte populaire d’Alsace in three acts by Camille Erlanger to a libretto by Henri Cain and Pierre-Barthélemy Gheusi after Erckmann-Chatrian’s novel of the same title; Paris, Opéra-Comique (Salle Favart), 11 April 1900.
Erlanger’s second opera and first great success, Le Juif polonais, based on the same legend as The Bells, Sir Henry Irving’s favourite drama, was given more than 50 times by the Opéra-Comique in 33 years. Mathis (baritone), the burgomaster haunted by the memory of a murder that he once committed, was created by Victor Maurel, whose highly dramatic performance no doubt accounted for much of the work’s initial success. In the same way that The Bells lost its popularity after Irving’s death, Erlanger’s work, although well crafted and appropriate to the subject, was insufficiently strong to keep the opera in the repertory once the melodramatic text became outmoded. The same subject was used for an opera by Karel Weis....