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date: 23 August 2019

Planché, James Robinson locked

  • Jane W. Stedman

Extract

(b London, Feb 27, 1796; d London, May 29, 1880). English dramatist, librettist, antiquarian and costume authority . He brought his scholarly knowledge of costume to bear on his stage designs, and was the first to perceive that comedy might arise from ancient Greeks in authentic chitons behaving like Victorians. His first play, a ‘serio-comic, bombastic, and operatic interlude’, was Amoroso, King of Little Britain (1818); his first serious play was The Vampire, or The Bride of the Isles (1820). After much rapid hackwork Planché went to Covent Garden, where he began to reform the unhistorical costuming of Shakespeare’s plays; he also collaborated with Henry Bishop on ‘English operas’ (dramas with music). In 1826 he wrote a diffuse libretto for Weber’s romantic opera Oberon, or The Elf King’s Oath, the plot based on C. M. Wieland’s poem, the words heavily influenced by Shakespeare. This latter quality led Weber to expostulate gently that music needed dramatic situations rather than poetic imagery. In spite of a successful première, the libretto was criticized for lacking human interest, a charge Planché felt keenly. In ...

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