Show Summary Details

Page of

Printed from Grove Music Online. Grove is a registered trademark. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy).

date: 12 November 2019

Gélin, Nicolas locked

  • Philip Weller

Extract

(b Prangey, nr Langres, Nov 15, 1726; d after 1779). French bass . He joined the Paris Opéra about 1750, singing Neptune and Polyphemus in the 1752 revival of Lully’s Acis et Galatée. He then created Borée and Eole in Mondonville’s Titon et l’Aurore (1753). He took principal roles after the retirement of Chassé in 1757, but faced stiff competition from Larrivée who rose swiftly to prominence after his début in 1755. Though subordinate, Gélin stood his ground, singing Thoas in the last revival of Desmarets and Campra’s Iphigénie en Tauride in 1762, and creating important roles in Dauvergne’s tragédies lyriques of the early 1760s. For Gluck he sang Calchas to Larrivée’s Agamemnon in the première of Iphigénie en Aulide (1774), the High Priest in Alceste (1776) and Hidraot in Armide (1777); he also created roles for Gossec. He retired in ...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.