(b Bucharest, 2/Aug 14, 1893; d Bucharest, Feb 18, 1959). Romanian composer, pianist, conductor, teacher, music critic, and director of music programmes. A leading figure of the first half of the 20th century, he laid the foundation of the Romanian school in music, concert life, and musical journalism. He studied with A. Castaldi, D. Dinicu, D.G. Kiriac, and E. Saegiu at the Bucharest Conservatory (1903–11), completing his education with two periods of study in Paris (1913–14, 1923–4), where he studied with d’Indy at the Schola Cantorum and with Paul Vidal at the Conservatoire. A remarkable accompanist, he worked with Enescu, Thibaud, Mainardi, Moodie, and others during the period 1919–45. As a conductor he always achieved a soberly balanced performance; he conducted more than 1500 performances at the Romanian Opera in Bucharest (1921–59), where he specialized in the French repertory (Bizet, Massenet, and Gounod). In his capacities as conductor of the Romanian Philharmonic Society, and as conductor and artistic manager of the Romanian RSO, he did much to encourage Romanian composers. He was also active as a music critic for Romanian and French reviews. Much of his compositional work was done during his youth, including ...
revised by Ruxandra Arzoiu
[Jones, (Everett) LeRoi]
(b Newark, NJ, Oct 7, 1934; d Newark, Jan 9, 2014). American writer. He studied piano, drums, and trumpet privately and attended Howard University (BA 1954). In the early 1960s he achieved wide recognition for his poetry and plays and for his writings about jazz, which included articles for Down Beat, Jazz, and Jazz Review; a selection of his writings, many from Down Beat, was published in 1967 as Black Music. His book Blues People (1963), the first full-length study of jazz by a black writer, is both a sociological inquiry, using blues and jazz as a means of understanding how African Americans became assimilated into American culture, and a superb discussion of the cultural context of the music in the United States. Besides his activities as a writer, Baraka was involved in many black cultural and community projects. He was a founder of the Black Arts Repertory Theater-School, which was in existence from ...
(b Novosibirsk, Russian SFSR [now Russia], March 16, 1947). Russian drummer, writer, broadcaster, and educator. He began playing jazz in 1962, and after graduating from the state medical institute in Novosibirsk in 1971 he pursued a dual career as a jazz musician and an obstetrician. In 1975 he established Tvorcheskoye Dhazovoye Ob’yedinenie (Creative Jazz Unity), the first association of musicians and jazz promoters east of the Urals. He performed with Vladimir Tolkachev in the Musical Improvising Trio (1975–9), with Igor Dmitriev in various groups (including, from 1977, Zolotoye Gody Dhaza (Golden Jazz Years), with Vytautas Labutis in the quartet SibLitMash (Siberian-Lithuanian Jazz Machine, 1980s), and with Vagif Sadykhov in another quartet (1998), while also working as a freelance with Vladimir Chekasin, Anatoly Vapirov, Igor Butman, Joe Locke, Paul Bollenback, and former members of Art Blakey’s Jazz Messengers, among others. In 1990 he began to broadcast on radio, and in ...
John Edward Hasse
(b Guthrie, OK, Jan 21, 1899; d Gilmanton, NH, Aug 25, 1985). American writer on music. He attended Dartmouth College and earned the BS in architecture from the University of California, Berkeley. In the 1940s he served as jazz critic for the San Francisco Chronicle and the New York Herald Tribune. He wrote a pioneering serious history of jazz, Shining Trumpets (1946), and with Harriet Janis was co-author of the first history of ragtime, They All Played Ragtime (1950). The latter work established him as the leading authority in this field, and eventually prompted a revival of the music. Also with Janis, he founded Circle Records, a small but significant jazz label which became the first to issue the Library of Congress recordings of Jelly Roll Morton. In 1953 they sold Circle Records – apart from the Morton recordings – to Jazzology Records. From 1947 to 1950...
Pamela M. Potter
(b Iserlohn, Feb 24, 1893; d ?). German writer on music. He studied German, modern languages and music in Munich and Leipzig and was certified to teach languages and singing at the high school level; he then became director of the agricultural college in Goslar. Despite his lack of musicological training, his writings on music and race were widely cited as authoritative by musicologists, including Friedrich Blume, during the Nazi regime. His most widely quoted work, ...
(b Peekskill, NY, May 12, 1931; d Washington, DC, June 11, 1995). American writer, educator, spokesman, and advocate for arts education. He graduated from the State University of New York at Potsdam (BME 1952), Northwestern University (MME 1957), and Boston University (DMA 1964). Fowler taught public school music in Rochester, New York (1952–6), was a music supervisor in Mansfield, Pennsylvania (1957–62), and served on the faculties of Mansfield State College (now University) (1957–62) and Northern Illinois University (1964–5). He was an editor for the Music Educators Journal (1965–71) and Musical America (1974–89) and an independent arts consultant (1971–95). An extraordinarily active scholar, he wrote and edited over 230 articles and authored and contributed to several books, most notably Can We Rescue the Arts for America’s Children? Coming to Our Senses—10 Years Later...
revised by James Deaville
(b Würzburg, May 28, 1780; d Würzburg, Jan 5, 1862). German teacher, musical organizer, critic, theorist, conductor and composer. He studied music at the student institute of the Juliusspital in Würzburg, and studied law and philosophy at the university there. In 1801 he began his career as a violinist in the prince-bishop’s court orchestra. He also founded the Akademische Bande, a student choral and orchestral group, which in 1804 became the Akademisches Musikinstitut and was made part of the university, thus becoming the basis of the first state music school in Germany. His teaching and organizational work was of the highest importance and encompassed several disciplines and activities. He became reader in aesthetics in 1812, reader in pedagogical studies in 1819 and professor in 1821. In 1820 a singing school was established as part of the institute. He also conducted important historical concerts for King Ludwig I in ...
(b Warsaw, Aug 18, 1856; d Lemberg, Oct 30, 1912). Polish composer, choral director, teacher and critic. After graduating in piano and music theory from the music school of the Muza music society in Kraków (after 1867), he subsequently studied composition with F. Krenn at the Vienna Conservatory, and with Rheinberger and M. Sachs in Munich. From 1879 to 1881 he lived in Kraków, where he began his career as composer and critic. In 1882 he was conductor of the Andante Choir in Leipzig and associate répétiteur for the opera chorus in Weimar; here his songs came to the attention of Liszt. In 1883 he went to Italy to deepen his knowledge of the art of singing, and consulted various teachers including F. Lamperti. From the autumn of 1884 he was conductor of the Music Society in Lemberg, and at the end of 1888 he went to Dresden and Leipzig, where he became musical advisor to the publisher of his songs, Leuckart. From ...
revised by Barry Kernfeld
(b Munich, Oct 24, 1929). American writer. He grew up in Vienna, but left in 1938 and spent the next nine years as a refugee in Denmark and Sweden. After moving to the USA in 1947 he studied history at Brandeis University (1953–6). From 1958 to 1961 he was the New York correspondent for Jazz Journal. He then served as editor of Metronome (1961), Jazz (1962–3), and Down Beat (New York editor, 1964–6, editor 1966–73) magazines; during the 1960s he also produced jazz concerts in New York and for television. In the mid-1970s he held appointments as visiting lecturer in jazz at Brooklyn College and the Peabody Institute, and in 1976 he became director of the Institute of Jazz Studies at Rutgers, in which capacity he has worked as an editor of the Journal of Jazz Studies (from 1982 the Annual Review of Jazz Studies...
Clement A. Miller
(b Resel, Värmland, c1486; d Frankfurt an der Oder, Nov 12, 1552). German humanist, physician, writer and musician . The generally accepted birthdate for him is about 1486, but according to Pietzsch it is 1501. In 1516 he entered the University of Frankfurt an der Oder, where he probably studied music under Johann Volckmar. After graduating he taught music from 1522 to 1539. In 1524 Willich became professor of Greek and in 1540 professor of medicine. Although he retained his connection with the university until his death, he was frequently called to other countries (such as Poland and Hungary) because of his renown as a physician. He corresponded with Erasmus and was personally acquainted with Luther, Melanchthon and Glarean. More than 60 writings on philology, antiquity, philosophy, theology, law, medicine, mathematics and music, some of which remained current into the 18th century, gave Willich a position as one of the outstanding German humanists of his time. An ardent lutenist, he founded about ...
(b Northwich, Cheshire, May 17, 1912; d York, May 9, 2004). English writer on music and music educationist . He was educated at Christ’s Hospital (1924–30) and read English, music and history as an organ scholar at Selwyn College, Cambridge (1930–34; MusB 1933). He was director of music at Stranmillis Teachers Training College, Belfast, from 1934 until 1937, when he took the MusD at Trinity College, Dublin. From 1937 to 1944 he was music adviser to the city of Stoke on Trent. In 1944 he became director of music at Wolverhampton College of Technology; there he also formed a choir which gave many performances, particularly of lesser-known works by Handel. Since 1970 he has been a visiting scholar and lecturer at numerous colleges in the USA.
Young was an exceptionally fluent and prolific writer. His books include short popular biographies and several volumes for younger readers. Many of his more substantial writings are based on a lively, fresh and industrious, if not always highly discriminating, examination of source material; these include original research on Elgar and useful surveys of the British choral tradition and British music generally. As a composer Young was equally prolific: his works include a Fugal Concerto for two pianos and strings (...
Leah G. Weinberg
(b Exeter, NH, Nov 8, 1961). American Musician, songwriter, record company founder, and author. Zanes was raised near Concord, New Hampshire, and after attending Oberlin College for one year, moved to Boston. There, Zanes, his brother Warren, the bass player Tom Lloyd, and the drummer Steve Morrell formed the Del Fuegos. The roots-rock band produced five albums between 1984 and 1989, with singles “Don’t Run Wild,” “I still want you,” “Name Names,” and “Move with me Sister.” After the Del Fuegos disbanded and Zanes’s solo album Cool Down Time failed to sell, he began to listen to banjo songs, cowboy tunes, and traditional songs that he remembered from childhood. After his daughter Anna was born, Zanes’s dissatisfaction with the American children’s music market led him to form a family-oriented band that merged folk and rock styles and instrumentation. Initially known as the Wonderland String Band, the New York based-group underwent changes in title and personnel, first to the Rocket Ship Revue, and then to Dan Zanes & Friends. The seven-member band has produced nine albums on Zanes’s label, Festival Five Records, which include original songs as well as folk, traditional, and gospel songs from the United States, Jamaica, Africa, and Mexico. ...