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Giordano Montecchi

(b Milan, Oct 22, 1929; d Parma, Italy, July 29, 2014). Italian composer, pianist, and conductor. Having studied the piano from a young age, he began to appear at the age of 13 as a conductor and orchestral pianist specializing in light music, and in jazz groups. After the war, while establishing himself as a jazz musician, he completed his studies of the piano, composition, and conducting at the Milan Conservatory (with, among others, Renzo Bossi, Antonino Votto, and Giulini) and at the Accademia Musicale Chigiana, Siena (with Paul Van Kempen). Active for many years as a conductor of various musical groups and as a composer, his growing interest in jazz led him during the second half of the 1950s to attempt to combine jazz and classical music composition.

A key work was the octet Tempo e relazione (1957) – a piece in five movements based on two 12-note series – and from that point on Gaslini became recognized as a major figure of the Italian and wider jazz avant garde. His music continued to be characterized by a determination to integrate different idioms, including free jazz, serialism, pop, and electronics. Alongside this ‘multi-lingual’ approach, set apart from the American Third Stream, he made manifest a political commitment to working-class and student left-wing movements after ...

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W. Anthony Sheppard

[Takeshi ]

(b Sacramento, CA, Nov 11, 1922; d San Dimas, CA, April 17, 2002). American Jazz and film music arranger, composer, and band leader. Shindo grew up in the Little Tokyo district of Los Angeles where he heard traditional Japanese music. In his teens, he became interested in jazz but planned to pursue a career in electrical engineering. As a second generation (Nisei) Japanese American, Shindo was interned at the Manzanar Relocation Center in March 1942. He pursued musical studies in the camp and completed correspondence courses in orchestration. Shindo left Manzanar in November 1944 when he enlisted as a translator in the Military Intelligence Service. Discharged from the Army in 1947, he formed his own big band in Los Angeles.

Shindo continued musical studies at multiple institutions in Los Angeles, studying composition at the University of Southern California with miklós Rózsa and eventually completing a Masters in Asian Studies in ...