(b United States). American new Age pianist and producer. He played jazz trumpet and guitar during the 1960s in New York, and has credited John Coltrane as an early influence. He became interested in sonic healing and Eastern religions, both of which became fundamental to the transformation of his musical style. After undergoing a spiritual awakening in 1969 in the Santa Cruz mountains, Halpern developed what he called “anti-frantic alternative” music, releasing his first album, Spectrum Suite, in 1975. It became one of the foundational, and most influential, albums of New Age music. To create what was labeled music for “meditation and inner peace,” Halpern performed slowly unfolding, almost arrhythmic melodies on keyboards and synthesizers. Often using choral backdrops for his minimalist, meandering, and warm sonic environments, he weaves together spiritual growth and musical freedom with the goal of bringing self-actualization and wellness to the listener. He has released over 70 recordings featuring instrumental music as well as guided meditation. These include recordings targeted for specific purposes, such as ...
John W. Wagner
(b ?Dartmoor, June 4, 1770; d Boston, Aug 2, 1827). American conductor, composer and publisher of English birth, father of John Hill Hewitt. Apart from family records giving his place and date of birth, the first documented information about him is that he occupied 12 Hyde Street, Bloomsbury, London, during 1791–2. He arrived in New York on 5 September 1792. Although he advertised himself there as having had concert experience in London under ‘Haydn, Pleyel, etc.’, no evidence of this has been found. He lived in New York until 1811, his longest period of residence at one address being from 1801 to 1810 at 59 Maiden Lane. From 1792 until the end of March 1808, he was conductor of the orchestra at the Park Street Theatre, where his duties included arranging and composing music for many ballad operas and other musical productions. He also operated his own ‘musical repository’, where he gave lessons and sold musical instruments and music composed by himself and others....
(b Paris, March 9, 1753; d Paris, April 15, 1832). French violinist and music publisher. As a boy he studied with Pierre Gaviniès; at the age of 17 he made his début in a concerto in which he showed great promise, according to the Mercure de France of 1 April 1770. A performance 11 years later elicited only mild enthusiasm, and the soloist’s ‘noticeable shyness’ was commented on (Mercure de France, April 1781). His later musical activity was for the most part confined to teaching and to participation in the orchestras of various societies (including the Concert Spirituel, the Concert d’Emulation, the Société Académique des Enfants d’Appollon, the Concert Olympique and, in 1810, the imperial chapel), although in these he sometimes performed as leader, and occasionally as soloist.
The music publishing house that Imbault founded operated during its first year in connection with the already established firm of Jean-Georges Sieber (their first joint announcement, in the ...
Mark Anthony Neal
(b Chicago, IL, Jan 8, 1967). American R&B singer, writer, producer, and arranger. Kelly was born on the South side of Chicago. Raised, with his three siblings, by a single mother, he was encouraged to pursue a musical career by his high school music teacher and mentor, Lena McLin, who was the chair of the music department at the Kenwood Academy and the niece of the legendary gospel music composer Thomas Dorsey. In high school Kelly formed the group MGM (Musically Gifted Men), which won a $100,000 grand prize on the television talent show Big Break, hosted by Natalie Cole. The group eventually signed with Jive Records, though after creative and financial tensions, three of the members were replaced and the group renamed R. Kelly and Public Announcement. After a moderately successful debut that produced the hit singles “She’s Got That Vibe” and “Honey Love,” Kelly left the group in early ...
(b Sézanne en Brie, Oct 20, 1697; d Paris, Oct 20, 1774). French music publisher and violinist, younger brother of Jean-Pantaléon Le Clerc. The brothers have often been confused owing to the similarity of their activities and the infrequent use of Jean-Pantaléon’s first name. Charles-Nicolas Le Clerc’s name appears for the first time in the list of violinists of the Académie Royale de Musique in 1729 and in that of the 24 Violons du Roi in 1732. He held the former post until 22 May 1750 and the latter until 1761. His talents as a violinist were frequently mentioned during that period in accounts of concerts published in the Mercure de France.
Le Clerc began publishing music in 1736 and remained in the business until his death; the first privileges registered in his name date from 9 March 1736 and 17 November 1738; his first catalogue (1738...
(b ?Sézanne en Brie, before 1697; d after 1759). French publisher and violinist, the elder brother of Charles-Nicolas Le Clerc. He lived at the ‘Croix d’Or’, rue du Roule, Paris, from 1728 to 1758. Having entered the 24 Violons du Roi on 17 July 1720, he remained a member until 1760. A periodical advertisement dated October 1728 announced the start of his career as a music commission agent. Up to 1753 his name was often associated with that of Boivin, both on the title-pages of works and in music advertisements. There seems to have been a tacit agreement between the two dealers; they shared the Parisian music market and the same works are listed in their respective catalogues. Their trade was supplied by the composers themselves, mainly by those having had their works engraved at their own expense. They also represented French and foreign publishers such as Ballard, Charles-Nicolas Le Clerc and Michel-Charles Le Cène....
Samuel F. Pogue
revised by Frank Dobbins
(b Montreuil-sur-Mer, c1520; d Paris, 1598). French music printer, lutenist and composer. He was born into a wealthy merchant family from northern France. As a young man he entered successively the service of two members of the aristocracy close to the French throne, Claude de Clermont and Jacques II, Baron de Semblançay and Viscount of Tours. In March 1546 he became acquainted with the editor Jean de Brouilly in Paris, bought some properties from him in St Denis and married his daughter Denise (d before 1570). He moved to Brouilly’s house at the sign of Ste Geneviève (later the sign of Mount Parnassus) in the rue St Jean-de-Beauvais – an address which was to become famous as the home of one of the greatest of the French music printing establishments.
On 14 August 1551 Le Roy and his cousin Robert Ballard obtained a privilege from Henri II to print and sell all kinds of music books. Their first publication appeared at the end of the same month. On ...
(b ?Dublin; d Dublin, Feb 21, 1776). Irish publisher, music seller and violinist. He was one of the most prominent and active musicians in Dublin during the 1750s and 60s. In 1745 he was admitted to the City Music, of which he was appointed bandmaster in 1752 at a salary of £40, increased to £60 in 1753. During this period he was appearing regularly as principal violinist at the summer open-air concerts at Marlborough Green between 1750 and 1756 and as conductor of the annual performance of Handel’s Messiah at the Great Musick Hall in Fishamble Street. In July 1751 he became violinist and musical director in the syndicate which leased Crow Street Musick Hall for the six years before it was taken over, rebuilt and opened as a theatre.
Samuel Lee was founder of the music shop and publishing firm which carried out business at Little Green, off Bolton Street (...
(b Canton, OH, Aug 18, 1905; d West Redding, CT, July 31, 1978). American composer, violinist, bandleader, recording engineer, and producer. After graduating from Johns Hopkins University, he performed as a light classical violinist in the United States and Europe. During the 1930s he studied conducting with Maurice Frigara in Paris. After a near-fatal car accident in 1940, he organized his own dance band, the Light Brigade, which recorded for RCA and Columbia. After he disbanded it at the turn of the decade, Light devoted himself to management, working for several record companies before becoming president of Waldorf Music Hall Records in 1954. He founded his own label, Grand Award, in 1956 and had success with Dixieland and honky-tonk piano albums. In 1959, he founded Command Records on which he released Persuasive Percussion, the first in a successful series of high-fidelity albums that used stereo technology to great advantage. Over the next two decades, he continued to produce hit albums drawing on the latest technological savvy and packaged with covers usually designed by Josef Albers. Musicians who appeared on Light’s albums include the Free Design, Doc Severinsen, Dick Hyman, Bobby Byrne, and Bobby Hackett. In ...
William F. Prizer
(fl early 16th century). Italian composer, singer and possibly organist. There are two or perhaps three musicians in Mantua with this name active in the late 15th and early 16th centuries. The first, an organist, was in the service of Marchese Federico Gonzaga by 1480. In 1490, he began to work for Isabella d’Este. This Alessandro had died by July 1506. The second musician, ‘Alessandro cantore’, was paid three ducats by the Mantuan Cathedral in 1509 for his ‘singing and composing’. In May 1510, in the services of Isabella, he visited Rome. This may be the same musician called ‘Alessandro degli organi’ in 1524, when Marchese Federico II Gonzaga forgave one of his debts, or this Alessandro may be a different musician altogether.
At least the second Alessandro was a composer, and it must be this Alessandro who, identified as ‘Alexandro Mantuano’, contributed between 11 and 13 works to Andrea Antico’s ...
( b ?Dublin; d Dublin, 1763). Irish music publisher, music seller, instrument dealer and violinist . He worked from about 1738 in the business established by his brother Bartholemew (d July 1758) about a year previously at Corelli’s Head, opposite Anglesea Street in College Green, Dublin. In April 1740 he advertised a proposal for printing Geminiani’s Guida armonica by subscription; it was finally issued in about 1752. Notable publications by him include collections of songs from Arne’s Comus, Dubourg’s variations on the Irish melody ‘Ellen a Roon’ and in December 1752 ‘six Trios for 2 Fiddles and thorough Bass composed by Sieur Van Maldere’. From 1741 a number of publications were issued in conjunction with William Neale, including the Monthly Musical Masque consisting of a collection of contemporary popular songs; the first issue was advertised in January 1744. Manwaring also imported Peter Wamsley’s best violins, Roman fiddle strings and ‘all the newest music published in London’. In addition to his business he took a prominent part in Dublin musical life during the 1740s as a violinist, often appearing with his brother who was also a violinist. He acted as treasurer of various charitable musical societies. After his death his wife carried on the business until ...
Gary W. Kennedy
Member of Marsalis family
(b New Orleans, July 28, 1965). Trombonist and record producer, son of Ellis Marsalis. He played electric bass guitar and took up trombone at the age of 12, and later studied record production and trombone at the Berklee College of Music. After graduating (spring 1989) he performed around New Orleans, and at some point he read English at the University of New Orleans. Having worked with Ray Charles, Fats Domino, Abdullah Ibrahim’s septet Ekaya, and Art Blakey’s Jazz Messengers, around spring 1991 Marsalis began leading his own quintet, which has included Mark Turner, the pianist Victor “Red” Atkins, the double bass player Greg Williams, Brian Blade, and his brother Jason Marsalis; in September 1992 he led the group at the reopening of Kimball’s in San Francisco. Between 1993 and 1998 he was a member of Elvin Jones’s Jazz Machine. He moved to New York in ...
[Lincoln Wayne ]
(b LaGrange, GA, June 12, 1936). American guitarist, songwriter, producer, and entrepreneur. At age 14 he arrived in Memphis and soon worked with Johnny and Dorsey Burnette. His song “This Time” became a hit for Troy Shondell (1961, Liberty). He then worked for Stax Records, overseeing their first three hits. Ousted in 1962, he founded American Studios and assembled a house band, the Memphis Boys. With Dan Penn, he wrote “Dark End of The Street” for James Carr (1966, Goldwax) and “Do Right Woman” for Aretha Franklin (1967, Atl.). He produced works by Elvis Presley, the Gentrys, Dionne Warwick, B.J. Thomas, and many others. In 1972 he moved to Atlanta and then Nashville, where he became prominent in the Outlaw movement, producing Waylon Jennings and Willie Nelson and cowriting “Lukenbach, Texas (Back to the Basics of Love)” (1977, RCA) with Bobby Emmons. In 1982...
William C. Smith
revised by Peter Ward Jones
[ Theobald ]
( b Duchy of Modena, 1762; d London, June 14, 1839). Italian flautist, instrument maker and publisher . He apparently played both the flute and the oboe, but gave up the latter after moving to England where he first appeared at a London concert in February 1785, subsequently becoming well known as a solo and orchestral flautist, and remaining active in this capacity until about 1803. In 1787 he established premises in London where from various addresses he published his own compositions (mainly for flute) and other works. From 1789 he sometimes employed the piano maker and music publisher James Ball to print and sell his publications. In 1800 Monzani entered a partnership with Giambattista Cimador as Monzani & Cimador, from about 1803 occupying a building known as the Opera Music Warehouse. Cimador’s arrangement of several Mozart symphonies for flute and strings was allegedly provoked by the refusal of the King’s Theatre orchestra to play the works in their original form because of their difficulty; six of these were published by Monzani after Cimador’s death. From ...
Olivia Carter Mather
[Alvis Edgar ]
(b Sherman, TX, Aug 12, 1929; d Bakersfield, CA, March 25, 2006). American country musician and businessman. He is widely considered the central figure of the Bakersfield sound, and his dominance of the country charts in the 1960s challenged Nashville’s hegemony and bolstered the West Coast country scene in Bakersfield and Los Angeles. During the 1950s he worked as a guitarist and session player for several Bakersfield artists before signing with Capitol Records in 1957. In 1963 he began a streak of 14 consecutive number-one country hits with “Act Naturally,” which was later covered by the Beatles. Other hits included “Together Again” (1964), “I’ve got a tiger by the tail” (1965), and a cover of “Johnny B. Goode” (1969).
Owens’s songs eschewed themes of hard living and rambling for a portrayal of the male subject as a lonely victim of romance. With his backing band, the Buckaroos, he developed a bright, driving sound which he described as a freight train feel: heavy bass and drums accompanying two Fender Telecaster electric guitars played by Owens and the guitarist Don Rich. The twangy Telecaster sound and high, close harmony of Owens and Rich characterized many of his recordings. The Buckaroos both toured and recorded with Owens, a contrast to country norms. Owens thus established an alternative to the popular “countrypolitan” sound produced in Nashville (he also never joined the “Grand Ole Opry”); in doing so he inspired such country-rock musicians as Gram Parsons and the Flying Burrito Brothers. He also marketed himself as a hard-country artist free of pop influence; in ...
Charles K. Wolfe
(b nr West Monroe, LA, Aug 8, 1921; d Nashville, TN, Feb 24, 1991). American country-music singer, guitarist, songwriter, and publisher. He performed as a guitarist on radio station KMLB (Monroe, LA) before 1950, when he joined the “Louisiana hayride ” on KWKH (Shreveport, LA). Recording contracts with the local Pacemaker label (c1950), Four-Star, and Decca (1951) allowed him to resign his part-time job as a clerk at Sears, Roebuck and concentrate on music. After his initial hit, “Wondering” (1952), he gained national attention with “Back Street Affair” (1952), one of the first country songs to deal forthrightly with adultery. An equally important landmark was “There stands the glass” (1953), a classic drinking song and the first country hit to use the pedal steel guitar, played by Bud Isaacs. It became the favorite backup instrument in country music for the next two decades, and Pierce was the first of many country singers whose slurs, octave jumps, and use of dynamics complemented its sound. During his peak years (...
(b New York, NY, Sept 19, 1952). American producer, composer, and guitarist. At the helm of the band Chic , Rodgers and his bass-playing production partner Bernard Edwards (1952–96) epitomized the very best of the disco era while transcending the genre with one of popular music’s most dynamic and cohesive rhythm sections. Individually with highly distinctive guitar licks, Rodgers also successfully transitioned into the 1980s, producing platinum pop records for David Bowie, Madonna, Duran Duran, and many other major acts. This effectively made him one of that decade’s most highly regarded and commercially bankable industry figures.
Rodgers and Edwards met in 1970, becoming members of the Big Apple Band that backed R&B vocal group New York City in 1973, and eventually formed Chic in 1977, releasing an eponymous debut album that year on Atlantic Records that included the Top Ten hit and gold record “Dance, Dance, Dance (Yowsah, Yowsah).” The follow-up album ...
[Diane Ernestine ]
(b Detroit, March 26, 1944). American pop singer . She initially came to fame as the lead singer of the Supremes, who were signed to the Motown record label in 1961. Beginning in 1963 with When the Lovelight Starts Shining, the group had a series of 28 singles in the American pop charts, 12 of which reached the number one position, including Where did our love go?, Baby Love, Stop! In the name of love, You can’t hurry love, You keep me hangin’ on, Love Child and Someday we’ll be together. In 1967 the group’s name was changed to Diana Ross and the Supremes, paving the way for her subsequent solo career, begun in 1970.
She was highly successful as a soloist, and placed 20 singles on the American rhythm and blues and pop music charts. Five of these reached the number one position in the pop charts: Ain’t no mountain high enough...
(b Upper Darby, PA, June 22, 1948). American singer-songwriter, composer, and producer. He began his career as a teenager singing with the bands Woody’s Truck Stop and the more successful rock quartet Nazz. As a member of the latter group, he wrote two of their hit songs, “Hello, it’s me” and “Open your Eyes” (both 1968). After releasing three albums with Nazz, Rundgren left the group and worked as a solo artist, recording most of the vocal and instrumental parts himself. He cited the songwriter Laura Nyro as a significant influence. During the early 1970s Rundgren worked with a trio, Runt, recording two albums, the second entitled Runt: the Ballad of Todd Rundgren (1971), and his own two-record set, Something/Anything? (1972). The latter album brought him unprecedented fame through the singles “I Saw the Light” and a new version of “Hello, it’s me.” The recordings ...
[Bridges, Claude Russell]
(b Lawton, OK, April 2, 1942; d Nashville, Nov 10, 2016). American singer, songwriter, keyboard player, and producer. He is well respected for his solo work—a mix of rock, folk, and country music—but his work as a session musician also brought significant recognition. He began playing piano at the age of four and was playing in clubs in Tulsa as a high school student. His band, the Starlighters, managed to score a spot as the opening act for Jerry Lee Lewis in 1959. Russell moved to Los Angeles the same year and quickly established himself as a session musician, notably with the Wrecking Crew the group of musicians Phil Spector used to accompany his artists. With the Wrecking Crew, the accompanied artists such as the Byrds, Herb Alpert, and Gary Lewis and the Playboys. The keyboard player on hundreds of recordings, he opened his own recording studio in ...