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Article

Michael Hovland

(b Atlantic, PA, Dec 15, 1888; d Stamford, CT, Feb 28, 1959). American playwright. After studies at the University of North Dakota and at Stanford University he taught in North Dakota and California. In 1918 he moved to New York, where he worked for several years as a journalist before establishing himself as a playwright. His writings include several verse dramas, radio plays, film scripts, music dramas, essays, and one volume of poetry.

Anderson had a lifelong interest in the musical stage. For many years he was associated closely with Kurt Weill, with whom he collaborated on Knickerbocker Holiday and Lost in the Stars, a dramatization of Alan Paton’s novel Cry, the Beloved Country. Uncompleted works with Weill include Ulysses Africanus (whose leading role was intended for Paul Robeson) and Raft on the River, a musical adaptation of Twain’s Adventures of Huckleberry Finn. Weill and Anderson also collaborated on a scenic cantata, ...

Article

Robert Stevenson

[Andres, Giovanni]

(b Planes, Alicante, Feb 15, 1740; d Rome, Jan 12, 1817). Spanish literary historian and music critic. He was professed in the Society of Jesus on 24 December 1754 and studied at Tarragona, Manresa, Gerona and Valencia from 1754 until 1763, when he was ordained a priest. Four years later, while teaching rhetoric and poetry at the University of Gandía, he was exiled with the rest of the Spanish Jesuits. He went first to Corsica, then to Italy, where he taught philosophy at Ferrara until 1773. After Clement XIV suppressed the Jesuits in 1773 Andrés devoted himself to letters and bibliography, living three years with the Bianchi at Mantua, and then travelling throughout Italy and in 1794 to Vienna. During his travels he maintained a correspondence with his brother Carlos, which was published from 1786 to 1794. The work contains much valuable material on music, particularly the third volume, which deals with Venetian conservatories, singers, opera and Greek-rite chant in ...

Article

Viorel Cosma

revised by Ruxandra Arzoiu

(b Bucharest, Dec 22, 1894/Jan 5, 1895; d Bucharest, Feb 4, 1974). Romanian composer, pianist, teacher, and critic. An erudite personality of Romanian music, he contributed to the formation of a Romanian school of composition during the inter-war years. At the Bucharest Conservatory (1906–13) he studied with Kiriac-Georgescu, Castaldi, Klenck, and Dunicu. In 1919 he graduated law school in Bucharest and then took the PhD in 1922 in Paris. During his stay in France, he participated in the courses of composition of Vincent d’Indy and Gabriel Faure. In 1920, he founded the Society of Romanian composers with other important musicians. At the Bucharest Conservatory (now the National University of Music Bucharest) he taught chamber music (1926–48) and composition (1948–59). His students include Stefan Niculescu, Dumitru Capoianu, and Aurel Stroe. He was not only a partner at the chamber concerts of George Enescu, but also promoted together with Enescu the new Romanian and French chamber music. He wrote for numerous publications on subjects ranging from music aesthetics to jazz and folk music, for instance, ‘George Enescu the Way I Met Him’ in ...

Article

Lini Hübsch-Pfleger

[Spangenberg, Wolfhart]

(b Mansfeld, probably before 1570; d Buchenbach, nr Freiburg, before Oct 1636). German theologian and writer. The first two names of his pseudonym are equivalents of Wolfhart Spangenberg, his original name, and Andropediacus derives from the name of his birthplace. He was the son of Cyriac and grandson of Johann Spangenberg. His father having been obliged to leave his position as court preacher at Mansfeld in 1574 because he supported Matthias Flaccius's substantialist view of Original Sin, he spent his earliest years at, among other places, Strasbourg, from 1578, and Schlitz, near Fulda, from 1581 and came under his father's influence in theological and artistic matters. He matriculated at Tübingen University on 5 April 1586 and took the bachelor's degree in 1588 and master's degree in 1591. He too was an adherent of Flaccianism, which hindered his career as a theologian. In 1595 he followed his father to Strasbourg, where he gained citizenship and earned his living as a proofreader. In ...

Article

Frank Dobbins

(b Bourges, c1510; d Lyons, June 1561). French writer. After studying at the University of Bourges he was appointed professor of rhetoric at the Collège de la Trinité in Lyons before 1538, becoming principal in 1540. He was murdered as a suspected Protestant during a riot in Lyons. Among other writings, especially on poetics, he wrote several plays with important musical content. The Chant natal (1538), made up of contrafacta of well-known chansons, ends with a ‘Noël mystic’ on the chant Le dueil yssu ‘harmonized’ by the ‘nightingale Villiers’. The allegorical satire Lyon marchant (1542) includes a scene in which Arion (representing François I) sings Doulce mémoire (a poem written by the king which enjoyed great success in a musical setting by his singer-composer, Pierre Sandrin). Another Christmas play, Genethliac (1558), includes 17 new songs for three or four voices, which survive incomplete (...

Article

Andrew Hughes

revised by Randall Rosenfeld

(b ?before 1200; d Saxony, ?1272). English Franciscan theologian. He has been falsely identified with Bartholomeus de Glanvilla (fl late 13th century). He studied at Oxford and later at Paris, where he was incepted as a regent master; he joined the Franciscans about 1225. He taught as a lector in Magdeburg, and was subsequently elected Provincial in Austria (1247), then Bohemia (c1255); he became bishop of Łuków (1257) and was appointed papal legate. Some ten years before his death he was elected minister provincial in Saxony. While at Magdeburg he completed his De proprietatibus rerum (c1245), of which well over 100 copies in manuscript survive; the editio princeps appeared in Cologne in 1472/3 (see Bartholomaei Anglici de genuinis rerum … proprietatibus, Frankfurt, 1601/R). The text was well known in university circles, and also appeared in several vernacular translations (that of John Trevisa into English, from ...

Article

Nigel Simeone

( b London, June 5, 1914; d London, Jan 15, 2005). English critic, writer and concert organizer . In 1931 he was appointed assistant secretary of the Organ Music Society; he became secretary in 1935 and invited Marchal, Tournemire, Messiaen and Duruflé to perform in the society’s concerts. He was concert director of the LPO (1940–46) and from 1942 organizer of the Concerts de musique française for the Free French in London. Among the artists whom he invited to appear at these remarkable concerts were Teyte, Goodall, Pears, Britten and Tippett, and following the liberation of Paris many outstanding French musicians also performed in the series, including Poulenc, Bernac, Souzay, Neveu, Thibaud, Fournier, Gendron, Messiaen, Loriod and Dutilleux, several of whom established firm friendships with Aprahamian.

Aprahamian was deputy music critic of the Sunday Times (1948–89) and a regular contributor to Gramophone. Throughout his career he did much to foster French music in Britain; he was Messiaen’s earliest British advocate (they corresponded from ...

Article

Richard Aldrich

revised by Ora Frishberg Saloman

(b Boston, Oct 24, 1848; d Vevey, Switzerland, Feb 19, 1913). American critic and writer on music. In 1869 he graduated from Harvard College, where he studied music with J.K. Paine. He was the influencial music critic of the Boston Evening Transcript from 1881 to 1903 and also wrote programme annotations for the Boston SO. Apthorp sought to elevate standards of musical appreciation and performance. His criticism consisted essentially of enlightened opinion intended largely for the general public. Apthorp was a modernist who helped to disseminate information about new music and ideas to Americans in the later 19th century. He translated writings by, and wrote a biographical sketch of, Berlioz (New York, 1879/R), and compiled a catalogue of Wagner's published works which appeared in E.L. Burlingame, ed.: Art Life and Theories of Richard Wagner (New York, 1875). He published Musicians and Music Lovers (New York, ...

Article

Andrea F. Bohlman

(b Alexandria, LA, Jan 8, 1935; d San José, Costa Rica, March 16, 2001). American music critic. Ardoin studied composition and music theory at North Texas State College, the University of Texas at Austin, the University of Oklahoma, and at Michigan State University. After completing army service in Germany, he began his professional career in New York City as an editor for Musical America and Philharmonic Hall, where he was responsible for program books. Before relocating to Dallas, he also contributed to The Saturday Review and The Times of London. In 1966 he became the music critic for The Dallas Morning News, a position he held until his retirement in 1998. Ardoin’s passion was opera: he contributed regularly to the Metropolitan Opera’s radio broadcasts and wrote four books about Maria Callas, among them a survey of her recordings (The Callas Legacy, 1977) and a reflection upon her teaching (...

Article

(b Seville; fl 1628–33). Spanish writer. He was a member of the Trinitarian order in Seville. Between 1628 and 1633 he wrote several pseudo-historical works on local and religious topics as well as one pertaining to music: El psalterio de David: exortación, y virtudes de la música, y canto, para todo género de gentes, en particular para los eclesiásticos, y obligación que tienen de cantar, o rezar las divinas alabanzas con toda atención, y devoción (Jerez de la Frontera, 1632). This is a curious mixture of legend and history. The first part traces music from classical and biblical times up to and including the medieval period, the second treats of its various uses, not only religious but also military, social, educational and recreational. Arellano mingled ancient fable with contemporary anecdote and drew fanciful analogies between the realms of music and religion. His book is of particular interest as a compendium of the kind of material used in the traditional ‘praise of music’ (...

Article

Warren Anderson, Thomas J. Mathiesen and Robert Anderson

[Aristophanēs]

(bc450 bce; dc385 bce). Greek dramatist. The chief poet of Athenian Old Comedy, he wrote more than 40 plays, of which 11 have survived.

Warren Anderson, revised by Thomas J. Mathiesen

Of the works of Aristophanes’ first period (427–421 bce), the revised Clouds includes many references to music; the most noteworthy are the mockery of Damon for his concern with technicalities of metre (647ff) and a description (961ff) of ‘the old-fashioned education’ (hē archaia paideia) provided by the kitharistēs (not merely a teacher of the kithara but more properly a schoolmaster). The Knights (also from the first period) similarly shows a special concern with music. A criticism of grotesque Mimesis in drama leads to a parody of the Pythagorean theory of the soul as a harmonia (521ff, 531ff). There are also passages on lyra tuning and modality (989ff), and on the nomos orthios...

Article

Larisa Georgievna Danko

[Glebov, Igor′]

(b St Petersburg, 17/July 29, 1884; d Moscow, Jan 27, 1949). Russian musicologist, composer and critic. He studied at the St Petersburg Conservatory from 1904 to 1910 with Rimsky-Korsakov and Lyadov, and graduated in 1908 from the faculty of history and philology of the University of St Petersburg. From 1910 he worked as a repetiteur; from 1916 edited and composed ballet music and from 1919 was a member of the board of directors and repertory consultant at the Mariinsky and Mikhaylovsky Theatres. In 1919 he became head of the Central Library for State Musical Theatres. In the same year, in association with Lyapunov and Bulich, he organized the music department at the Petrograd Institute for the History of the Arts (now the Zubov Institute for the History of the Arts); he was its director from 1921. Between 1922 and 1925 he was responsible for the organization there of concerts of contemporary music. He was made a professor at the Leningrad Conservatory in ...

Article

Amanda M. Burt

revised by Thorkell Sigurbjörnsson

(b Ísafjörður, Oct 11, 1928). Icelandic composer, teacher and critic. He graduated in 1955 from the Reykjavík College of Music, where he studied the piano with Árni Kristjánsson and theory with Victor Urbancic. Further composition studies were undertaken at the RSAMD in Glasgow (1955–6) and at the Guildhall School of Music in London (1965). In 1961 he received a teacher's diploma from the Reykjavík College of Music. Ásgeirsson has conducted various choirs, and became the principal music critic of Morgunblaðið in 1970. Formerly president of the Icelandic Composers' Society, he has taught at various institutions and is currently professor at the Icelandic Teachers' College.

His works are mainly traditional in style though he has written a few serial compositions. He is particularly interested in reviving Icelandic folksongs and dances and has set related folk poetry found without music; he has also served as music director for productions of the ancient dances by the National Dance Company. In ...

Article

Elizabeth Titrington Craft

(b Melrose, MA, Nov 28, 1894; d Huntsville, AL, Jan 13, 1984). American theater critic and author. Upon graduating from Harvard University in 1917, Atkinson taught English at Dartmouth College and worked at the Springfield Daily News and the Boston Evening Transcript before joining the New York Times as its Book Review editor in 1922. He held the post of drama critic at the Times from 1925 to 1960, with the exception of a wartime stint as a foreign correspondent. After retiring as drama critic, Atkinson wrote a Critic at Large column for the New York Times until 1965.

Arguably the most influential theater critic of his time, Atkinson was respected for his integrity as well as incisive, literate reviews. He reviewed such well-known and now canonical plays and musicals as Our Town, South Pacific, The Crucible, and West Side Story, but he was also known for his instrumental attention to Off Broadway during its emergence as a separate institution. Although Atkinson purposefully kept some distance from theater society during his tenure as critic, the theater world showed its appreciation upon his retirement. He received both Obie and Tony Award special citations as well as an honorary lifetime membership to Actors’ Equity. Atkinson was also a Pulitzer Prize winner, having earned the correspondence award in ...

Article

Hans Åstrand and Bo Wallner

(Magnus)

(b Göteborg, Dec 12, 1887; d Stockholm, Feb 15, 1974). Swedish composer, administrator, conductor and critic. He studied the cello at school in Göteborg and then entered the Stockholm College of Technology. Having passed the examination in civil engineering in 1911, he spent his working life (1912–68) in the patent office. He was largely self-taught although he studied composition and instrumentation with Hallén at the Swedish Royal Academy of Music (1910–11), and partly used the state composer’s scholarships he received between 1911 and 1915 to study in Germany (1911 and 1913). He made his début as a conductor at Göteborg in 1912, when the programme included his First Symphony; thereafter (particularly during the 1920s) he often conducted his own music and that of contemporaries, both at home and abroad (where he promoted Swedish music). From 1916 to 1922 he was kapellmästare at the Royal Dramatic Theatre, Stockholm; he also worked enthusiastically as co-founder and president (...

Article

Barbara Owen

(b Elgin, Scotland, Sept 6, 1838; d Bloomfield, NJ, 21 June, 1925). American organ designer, architect, author and art expert of Scottish birth. After working as an architect in England, he immigrated to New York City in 1892, where he worked for a short time with his brother William in the architectural firm of W. & G. Audsley. His interests were widespread, and he wrote several books on architecture, oriental art, and religious symbolism. One of his major interests, however, was the organ. He consulted on various church organ projects, had an organ in his home built to his own design, and was instrumental in the design of the five-manual organ built in 1904 by the Los Angeles Art Organ Company for Festival Hall at the World’s Fair in St. Louis, upon which the noted French organist Alexandre Guilmant performed 40 recitals. This organ was later purchased by John Wanamaker, and became the foundation of the large organ in Wanamaker’s Philadelphia department store. Audsley was the author of four influential works on organ design: ...

Article

[Giorgos, Yorgos]

(b Mariupol, Ukraine, near the north coast of the Sea of Azov, Sept 27, 1875; d Athens, May 16, 1924). Greek composer, critic, and music educator. After the return of his family to Athens in 1887 he studied music privately with Loudovikos Spinellis, and later, in 1895, he went to Naples, Italy, to study composition at the Conservatory of San Pietro a Majella with Paolo Serrao. He came back to Athens in 1901, where he clashed with the representatives of the biggest music institution, the Athens Conservatory, due to the shift of the repertory towards German instead of Italian music, and the changing of the method of music education. He founded, along with Georgios Lambelet, one of the most important cultural magazines of the period, the journal Kritiki (1903–4), through which he expressed his ideas about the paths of music education and Greek music. During the period ...

Article

Leanne Langley

(b London, Feb 22, 1777; d London, May 8, 1858). English editor, critic and impresario, youngest son of Edmund Ayrton. He was baptized at St Margaret's, Westminster, and probably studied music with his father. In 1794 he was a bass chorus singer at the Ancient Concerts, and by 1803, when he married Marianne Arnold (daughter of Samuel Arnold), a piano teacher. Through the Chapel Royal connections of his father and father-in-law, and the friendship of Frederick Nicolay (Queen Charlotte's music librarian), he had easy access to court circles. But it was his membership in the Society of Antiquaries (1807) that stimulated his serious interest in music history. In 1808 he began collecting materials for a historical music dictionary (never completed), eventually assembling one of the most remarkable music collections of the mid-19th century. Among his circle of acquaintances around this time, mostly journalists and barristers, Henry Crabb Robinson, Martin Burney (the music historian's grandson), Charles Lamb and William Hazlitt were prominent; T.M. Alsager, the ...

Article

Caroline Polk O’Meara

(b New York, NY, 1961). American music critic and musician. He graduated from Columbia University in 1983. In the 1980s, he was a contributing editor for Rolling Stone, writing hundreds of pieces for the magazine. His success as a critic corresponded with the rise of “alternative” rock in the early 1990s, and he wrote cover articles on Nirvana and the B-52s during that period. Azerrad has published two books, Come As You Are: the Story of Nirvana (New York, 1993) and Our Band Could Be Your Life: Scenes from the American Indie Underground (1981–1991) (Boston, 2002). Come As You Are was the first book about Nirvana and Kurt Cobain, written with the support of the band and published before Cobain’s death. Our Band Could Be Your Life is a collection of essays about 13 of the best-remembered underground bands from the 1980s and 1990s, and includes new interviews and archival research. ...

Article

Tatjana Marković

(b Belgrade, Feb 10, 1927; d Belgrade, Oct 13, 2009). Serbian composer and music critic. He studied composition with Milenko Živković at the Academy of Music in Belgrade, graduating in 1955, and at the Accademia Nazionale di S. Cecilia in Rome (1967–8). He was a conductor of the choral society Napredak (1953–5), and then taught at Stanković music school (1955–66) and at the Music Academy (today Faculty of Music, 1966–96). As a music critic, he collaborated with various newspapers (Borba, Naša borba, Politika, Večernje novosti) and translated several books. He received awards from Udruženje kompozitora Srbije (‘the Association of Serbian composers’) and Yugoslav Radio, and received the Vukova nagrada. He followed the aesthetic of Stevan Mokranjac and his own professor Živković. His lyric music, predominantly choral, is distinguishable by his afinity for humour, both in his choice of lyrics and the musical means. He uses verbal punning (...