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Noël Goodwin

(b Waging, Nov 13, 1942). German conductor . He was a member of the Regensburg Boys’ Choir, and studied conducting in Munich and Essen and with Swarowsky in Vienna, as well as with Kertész, Karajan and Maderna. He won international prizes in Rome and Milan and worked at opera houses in Salzburg, Kiel and Darmstadt, 1967–73. After working as chief conductor of the Austrian RSO, 1982–5, he was music director at the Paris Opéra, 1986–8, where he conducted the première of Höller’s Der Meister und Margarita (1989), in which his expert direction of a complex score was much admired. He is also noted for Berg’s Wozzeck and Lulu, and his close connection with contemporary works (including Zimmermann’s Die Soldaten) extends to the Ensemble InterContemporain in Paris and the London Sinfonietta. His British opera début was with the Glyndebourne Touring Opera’s Le nozze di Figaro (1984...


Barry Kernfeld

[Josef Erich ]

(b Vienna, July 7, 1932; d Vienna, September 11, 2007). American keyboard player, composer, and bandleader. He played accordion as a child and then began classical piano lessons; later he studied music at the Vienna Conservatory. In the early 1950s he performed with leading Austrian dance and radio orchestras and worked as house pianist for Polydor; he also played with Hans Koller (1952), Friedrich Gulda (including a period in 1955 when he played bass trumpet), and Karl Drewo and Fatty George (both from 1956). In 1959 he emigrated to the USA. After touring with Maynard Ferguson (1959) and serving as accompanist to Dinah Washington (October 1959 – March 1961) he spent a month with Harry Edison’s quintet accompanying Joe Williams. In April 1961 he joined Cannonball Adderley, with whom he performed and recorded until 1970. He also played with Miles Davis in the late 1960s and early 1970s. In ...


Wayne Schneider

(b New York, June 13, 1917; d Las Vegas, Jan 31, 2000). American trombonist and bandleader. He played with Les Brown (1940–42), Harry James (1943), Jimmy Dorsey (1944), and various groups in Los Angeles (1944–9); during this period he appeared in the films Seven Days Leave (1942), with Brown, and Lost in a Harem (1944), with Dorsey. He then worked as a studio musician for MGM from 1949 to 1957, when he formed his own band; in the early 1960s Zentner’s was the only newly formed jazz-oriented big band to achieve success. Up a Lazy River (1960, Lib. 55374), an arrangement by Bob Florence of the standard by Hoagy Carmichael and Sidney Arodin, was his biggest hit. The group toured the USA, accompanying such popular singers as Johnny Mathis and Nancy Wilson, and played frequently in Las Vegas. In ...