(b Cremona, June 24, 1870; d Sale Marasino, Brescia, Oct 21, 1934). Italian musicologist, critic and double bass player. Besides the double bass, he studied the violin, cello and flute at the Milan Conservatory (1888–91); while visiting Hamburg on tour with the Bimboni orchestra in 1894 he attended the lectures of Julius Bernuth and Arnold Krug at the conservatory there. After taking up his education again in 1903, he took the doctorate in 1908 at Munich University under Sandberger, Kroyer and Lipps, concurrently taking an MA in music under Felix Mottl at the Munich Akademie der Tonkunst. From 1910 he contributed to the newspaper Il secolo, the Rivista musicale italiana and the Revue de pays latins, subsequently working as music critic of the Corriere della sera (1920–34) and correspondent of the Revue de musicologie (1929–34). He was also librarian of the Milan Conservatory (...
(b Belgrade, May 5, 1905 or 1908; d Belgrade, Feb 18, 1986). Serbian musicologist, music critic, and pianist. She studied comparative literature and history of music (with Miloje Milojević) at the University of Belgrade. She also studied piano with Lazare Lévy in Paris (1927–8). She was the first pianist in Serbia to perform Ravel’s Piano Concerto in G, De Falla’s Nights in the Gardens of Spain and Paderewski’s Piano Concerto. The first woman musicologist in Serbia, she was among the first professors at the Department of Music History and Folklore at the Belgrade Academy of Music (she taught History of Yugoslav Music, 1945–71) and made an important contribution to the newly founded Institute of Musicology of the Serbian Academy of Sciences and Arts (director 1962–74).
Most of her studies were devoted to the history of Serbian music. In particular, she studied the development of Serbian music in the 18th and 19th centuries. She was interested in the history of Serbian musical criticism and writings of the 19th century and the first half of the 20th. She also wrote a biography of the composer Stevan Mokranjac. Her ...
(b Prague, 23 June 1914; d Prague, 8 Feb 1945). Czech musicologist, violinist, and music critic. After studying law and arts at Prague University, and the violin at the Prague Conservatoire (1933–7), he became a member of the Czech Philharmonic and of the Pro Arte Antiqua ensemble, and was very active as journalist and critic, editing and writing for Hudební věstník and Smetana, besides contributing articles on musical subjects during the German occupation to České slovo, the party organ of the patriotic, moderate-socialist Česká strana národně sociální. As a musicologist he was wide-ranging, writing on 18th-century music, preparing a catalogue of Dvořák’s works and editing 20th-century Czech operas, besides the items listed below. A provocative review in České slovo of a Smetana concert in 1945 led to his being arrested, tortured, and executed by the German occupying authorities.
(selective list)ed. and trans.: Vlastní životopis V. I. Tomáška...
(b Zamora, Michoacán, Sept 29, 1900; d Mexico City, Dec 3, 1991). Mexican music critic, scholar, pianist and composer . After studying the piano with Antonio Gomezanda in Mexico City, she was a pupil of André Schaeffner, Lazare Lévy and Alfred Cortot in Paris. She gave début piano recitals in New York City in 1938 and in Paris in 1948. Upon resettling in 1949 in Mexico City, she assisted Adolfo Salazar as writer for the newspaper Novedades and contributed extensively to Mexican and foreign journals. In 1963 she established Heterofonía, Mexico’s longest running musicological journal, and was its editor until her decease.La mujer mexicana en la música (Mexico City, 1958); repr. in Heterofonía, nos.104–5 (1991), 5–99 Ludwig van Beethoven (Mexico City, 1970) ‘Mexico’, VintonD ‘Mexican Women in Music’, LAMR, 4 (1983), 120–31 I. Farfán Cano: ‘En los ámbitos de la música’, Inter-American Music Review, 12/1 (1991), 1–2...
(b Erfurt, Aug 31, 1609; d Erfurt, April 5, 1680). German writer on music and organist. He spent his whole life at Erfurt. He attended the St Michael Lateinschule until 1621, when he transferred to the Protestant Ratsgymnasium, which was at that time noted for its fostering of music. One of his teachers there was Liborius Capsius, director of the collegium musicum and an important Erfurt University professor. He matriculated at the university in 1626, took his bachelor’s degree in 1628 and became a Master of Philosophy in 1629. He then became organist at the Protestant Thomaskirche and at the Catholic church of the Neuwerk monastery. From 1632 to 1635 he was Kantor and teacher at the Protestant school of preaching and also studied theology. In 1635 he was ordained and became deacon (in 1638 pastor) of the Kaufmannskirche in succession to Joseph Bötticher, who had won a good reputation as a musician. In ...
Clement A. Miller
(b Resel, Värmland, c1486; d Frankfurt an der Oder, Nov 12, 1552). German humanist, physician, writer and musician . The generally accepted birthdate for him is about 1486, but according to Pietzsch it is 1501. In 1516 he entered the University of Frankfurt an der Oder, where he probably studied music under Johann Volckmar. After graduating he taught music from 1522 to 1539. In 1524 Willich became professor of Greek and in 1540 professor of medicine. Although he retained his connection with the university until his death, he was frequently called to other countries (such as Poland and Hungary) because of his renown as a physician. He corresponded with Erasmus and was personally acquainted with Luther, Melanchthon and Glarean. More than 60 writings on philology, antiquity, philosophy, theology, law, medicine, mathematics and music, some of which remained current into the 18th century, gave Willich a position as one of the outstanding German humanists of his time. An ardent lutenist, he founded about ...