(b Vienna, 9 March 1885; d Vienna, 27 May 1964). Austrian Jewish music historian, educator, and critic. In 1912 he graduated from Vienna’s Imperial Academy of Science with a doctoral dissertation entitled Die indische Musik der vedischen und der klassischen Zeit (‘The Indian Music of the Vedic and the Classical Period’) under the supervision of Leopold Shröder. Felber’s dissertation remains an authoritative source for modern scholars interested in the recitation techniques and ethos of early South Asian music. Prior to his arrival in China, he was active in the Indian community in Vienna and had given lectures on Indian music at the Indian Club. Furthermore, he felt privileged to have met the legendary Nobel laureate Indian poet Rabindranath Tagore who was also a noted musician. During their meeting, Tagore shared his views on the aesthetics of European music and Indian classical music with him. After the Anschluss (...
Luise Eitel Peake
(Ger.: ‘song circle’)
A circle or club of people dedicated to the cultivation of popular song. Examples are the ‘Mittwochskränzchen’ (‘Cour d’amour’) that met during the early 1800s in Goethe’s Weimar home, the Stägemann circle in Berlin, 1815–18, that included the young poet Wilhelm Müller, the Dresden Liederkreis (‘Dichtertee’), c 1804–24, in which Weber met the poet Kind, and the ‘Schubertianer’ or friends of Schubert in Vienna, who held regular meetings during the 1820s. Liederkreis activities were varied, recreational as well as creative. They included singing simple group songs, playing charades and other games with songs, and listening to song performances staged with costumes, ‘attitudes’ or elaborate ‘living pictures’. To supply the demand parody texts were often set to song melodies from, for example, Das Mildheimische Liederbuch (ed. R.Z. Becker, 1799, 4/1810); either the melodies were rearranged or the verse newly set. Collections that reflected the work of a Liederkreis were titled accordingly, like J.H.C. Bornhardt’s ...