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Donald A. Henriques

(b Mazatlán, Mexico, Nov 18, 1917; d Mérida, Mexico, April 15, 1957). Mexican film actor and singer. Pedro Infante was the third of nine children born into a working-class family. His formative years were spent in Guamúchil, Sinaloa, where his father was a musician and music teacher. In his teen years, Infante apprenticed in carpentry and even made his own guitar. He played violin, guitar, and percussion in his father’s orchestra and, by 1937, was leading his own group.

In the hopes of furthering his musical career, Pedro Infante moved to Mexico City in 1939. His singing debut on Radio XEB in 1940 was soon followed by appearances on Radio XEW. Infante’s film career coincided with the era identified as the “golden age” of Mexican film. His first significant roles were in La feria de las flores and Jesusita en Chihuahua, both released in 1942. His lead charro...

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Nicola Scaldaferri

[Gjergji, Ludovik Ndoj]

(b Shkodër, Albania, 11 Nov 1923; d Shkodër, 27 Dec 2015). Albanian singer. His name is linked in particular to the musical repertoire of Ahengu and Kânge Jare, songs in which Ottoman musical roots blend with Western influences.

Born into a family from the Mirdita region, from childhood he was interested in the urban song of Shkodër. Between 1945 and 1947, in Tirana, he came to the fore as a performer with the ensemble Grupi Karakteristik Shkodran directed by Paulin Pali. In 1947 he took part in the performance of Dasma shkodrane, by Prenkë Jakova, an important pioneer of Albanian musical theatre.

In the early 1950s Bik Ndoja emerged in the musical milieu of Shkodra by singing on the radio, in the House of Culture, and at the Perlat Rexhepi musical club.

During the years of the dictatorship, he continued to live in Shkodra and worked as a tailor, though his renown as a singer grew steadily, thanks to his activity at Radio Shkodra and Radio Tirana, and at the local ...

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Donald A. Henriques

(Alberto )

(b Guanajuato, Mexico, Nov 30, 1911; d Los Angeles, CA, Dec 5, 1953). Mexican film actor and singer. Jorge Negrete was the second of five children born into an upper-class military family. In 1931 he debuted on Radio XETR singing operatic arias and romantic ballads. During this time Negrete also studied voice with José Pierson, a respected vocal coach in Mexico City. In 1936, at the request of Emilio Azcárraga, owner of Radio XEW, Negrete moved to New York City to costar on an NBC radio show entitled The Mexican Caballeros. Although his movie career began in 1937, it was the 1941 film ¡Ay, Jaliscono te rajes! (Hey Jalisco…Don’t Give Up) that made Negrete a star. The singing charro (cowboy) role as played by Negrete displayed the character qualities of what would become the model for the singing charro of the 1940s and 1950s—a brave, God-fearing, macho figure with “right” on his side....

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Karel Steinmetz

[Plekancová-Vondráčková, Lucie]

(b Prague, 8 March 1980). Czech pop singer and actress. Her family was one of musicians (her father, Jiří Vondráček, is an actor and singer, her mother, Hana Sorrosová-Vondráčková, writes lyrics, and her aunt, Helena Vondráčková, is also a singer). Lucie was trained in music and drama at the Prague Conservatory and later obtained the doctorate in the Arts Faculty at Prague University (2006). From early childhood she appeared in films and TV serials for children; in 1992 she became a presenter of children’s programmes on TV, and in 1993 she issued her first record album. There have been more than 10 of these, and all have been enthusiastically received by her public in sales; she regularly features as one of the most popular Czech singers. As an actress, she often plays major roles in Czech films, stage plays, and musicals.

Article

Roger C. Anderson

(b Brooklyn, NY, Aug 7, 1883; d Plattsburg, NY, Sept 13, 1953). American concert and radio baritone. His father, who emigrated from Denmark, and his mother were professional singers. He became the most popular and best known American-born baritone during the years immediately preceding World War I to the mid-1920s. He attended New York University, where he was a member of the Glee Club, and established a friendship with the future music critic Deems Taylor, graduating in 1905. He later studied with Percy Rector Stevens and French baritone Victor Maurel.

The concert stage and recital hall were the venues where he established and maintained his reputation and public acclaim, making numerous appearances at Carnegie Hall, and sometimes traveling to Europe. His repertoire included a wide range of popular songs and ballads, both American and European, opera arias, and sacred hymns. He was described as having excellent diction along with a voice pure in tone. He made a brief excursion into opera, debuting as Silvio in ...