361-380 of 57,345 results

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Ortrun Landmann

(b c1705; d Dresden, Nov 13, 1779). German composer. He was a Jagdpfeifer at the Dresden court (1733–6), then until his death a violist in the Dresden Hofkapelle. He was also ‘ballet-compositeur’ of the court opera (from c1740), and composer and director of music for the elector’s French theatre (...

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Alan Blyth

(b Dresden, Aug 1, 1926). German bass-baritone. As a boy he was a member of the Dresden Kreuzchor, and he studied in the city and at Weimar before making his début at the Dresden Staatsoper in 1949. He joined the Berlin Staatsoper in ...

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Thomas Bauman and Paul Corneilson

(b Rohr, nr Rothenburg, Bavaria, Feb 22, 1740, or Munich, July 6, 1743; d Vienna, Aug 24, 1804). German tenor. In 1755 he studied singing with J.E. Walleshauser (Giovanni Valesi) while at the Domus Gregoriana, a Jesuit institution in Munich. In 1760 he joined the Kapelle of Duke Clemens and on Clemens’s death in ...

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Owen Jander and Giancarlo Rostirolla

(b Bolsena, Nov 30, 1663; d Rome, July 22, 1742). Italian singer, writer and composer of Venetian origin. After early study at Montefiascone he was sent to Rome. Though his admission to the Cappella Giulia was recorded on 1 December 1682, he did not take up a post there until much later. In ...

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Julian Budden

(b Verona, Nov 4, 1878; d Milan, Oct 12, 1946). Italian playwright, librettist and journalist . After graduating in law at the University of Padua he devoted himself to literature, first as theatre critic of the Arena (Verona), then as playwright. His first stage work was the one-act comedy ...

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Jernej Weiss

(b Dobrova, nr Ljubljana, Slovenia; Dec 25, 1877; d Ljubljana, Dec 6, 1936). Slovenian music educator, conductor, and writer on music. Uncle of composer Bojan Adamič. He received his first musical education at the Ljubljana Glasbena Matica society music school, from 1911 to 1912...

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Petr Kofroň and Geoffrey Chew

(b Křemačov, Czech Republic, June 29, 1947; d Valašské Klobouky, July 3, 2009). Czech composer. He studied composition and the piano at the Brno Conservatory (1965–9), and composition at the Janáček Academy in Brno with Ištvan (1969–74) and with Piňos and Ctirad Kohoutek (1976–9). With the exception of a brief period as a teacher at the conservatory in Kroměříž, he lived in seclusion as a village music teacher in Valašské Klobouky.

In the early 1970s Adamík was influenced by the collage and montage techniques of his teacher Ištvan, and combined contemporary idioms with historical elements, notably in Nebeské pastviny (‘Celestial Pastures’, 1972). From the mid-1970s he experimented with unusual instrumental resources: in the Wind Quintet (1979) he used children’s toy instruments in place of their conventional counterparts. Each instrumental part, moreover, is also playable singly. Adamík’s interest in historical models intensified during the 1980s and is evident in compositions such as the Second Symphony (...

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Dimitri Conomos and George Leotsakos

(b Piraeus, May 19, 1929). Greek composer and musicologist. He graduated in theology from Athens University (1954), in neo-Byzantine music (1955) and harmony (1956) from the Piraeus League Conservatory, and in counterpoint, fugue and composition (1959...

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Kendra Preston Leonard

(b Philadelphia, PA, Aug 1, 1962). American composer and librettist. He attended New York University, where he won the Paulette Goddard Remarque award for undergraduate playwriting, and the Catholic University of America, from which he received a Bachelor of Music degree in composition in 1990 and was the winner of the Theodore Presser award for outstanding undergraduate composition. He has taught composition at New York University, City University of New York, and American Lyric Theater. Adamo first came to widespread public attention with the première of his opera ...

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Lucija Bodić

(b Čepin near Osijek, Sept 15, 1856; d Osijek, Feb 28, 1934). Croatian agronomist and composer. As a boy, Adamović studied piano in Osijek with Đ. Tišler, D. Hercog, and I. Nepomuk Hummel. He graduated with a degree in agronomy from the Die Hochschule für Bodenkultur [University of Natural Resources and Life Sciences] in Vienna. After a few years of farm management he returned to Vienna to study composition with H. Graedener, R. Gound, and K. Frühling (...

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Jeffrey R. Rehbach and Charles S. Freeman

(b Warsaw, Poland, March 24, 1858; d Boston, MA, April 18, 1943). Polish violinist, active in the USA. He began violin studies at age seven and later studied under Apolinary Katski and Gustaw Robusky at the Warsaw Conservatory, where he graduated with honors in ...

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Adams  

James Holland

Dutch manufacturer of percussion instruments. Adams Musical Instruments was established at the end of the 1960s by André Adams at Thorn in the Netherlands. Adams has become one of the leading percussion manufacturers in the world. Its list of products range from lightweight, low-priced pedal timpani designed for schools and bands, through to top of the range professional timpani and concert marimbas. A great deal of thought is given to the adaptability and portability of the instruments, as well as to their quality. For example, playing height of their keyboard instruments is adjustable, and their tubular bells may be adjusted both for height and range. In the contemporary world of percussion these refinements are invaluable for the player. Adams now manufactures timpani, xylophones, marimbas, tubular bells, bell plates, concert bass drums, temple blocks and a range of sticks....

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Josephine Wright

(b Cleveland, Dec 20, 1932). American composer. He attended Oberlin College (BMEd 1955), California State University, Long Beach (MA 1967) and Ohio State University (PhD 1973), and studied privately with Herbert Elwell, Robert Starer, Vittorio Giannini, Leon Dallin, Edward Mattila and Marcel Dick. He has taught at Stillman College (...

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Margot Lieth-Philipp

(b St Thomas, VI, Nov 4, 1889; d St Thomas, VI, Nov 24, 1987). American bandmaster, composer and educator. He taught himself to play the flute and piccolo, took correspondence courses from several universities, and received the BMus degree from the University Extension Conservatory of Music, Chicago. In ...

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Michael Ethen

(b Kingston, ON, Nov 5, 1959). Canadian rock singer, songwriter, and guitarist, and photographer. The son of a diplomat, he spent his youth in England, Israel, Portugal, and Austria. After returning with his family to North America, he began performing and recording at the age of 15 with rock bands in British Columbia and Ontario. In ...

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H. Wiley Hitchcock, June C. Ottenberg and Jonas Westover

(b Charlestown, MA, Feb 9, 1834; d West Harwich, MA, July 4, 1900). American tenor. Adams was one of the most prominent American singers in European opera houses throughout the 19th century. He studied singing in Boston and in 1856 was soloist in the Handel and Haydn Society’s performance of Haydn’s ...

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Elizabeth Forbes

(b Bristol, Dec 20, 1928; d Norwich, April 8, 1996). English bass . He was a chorister at Worcester Cathedral and later became an actor. After singing in the D’Oyly Carte Opera chorus, from 1953 to 1969 he was principal bass of the company. In ...

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Brian Priestley and Barry Kernfeld

(bCovington, GA, April 29, 1940; dNew York, Nov 14, 1992). Americantenor saxophonist and flutist. As a teenager he attended Clark College, Atlanta, where he was taught by Wayman Carver; while studying in Cleveland in the early 1960s he worked in organ trios, including that of Bill Doggett, playing a hybrid of rhythm-and-blues and jazz. He settled in New York in ...

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Robin Langley

(b c1749; d after 1794). English composer, organist and cellist. According to his recommendation by Francis Hackwood to the Society of Musicians, on 1 February 1784 he was 35 years old, married with two children, organist of Brompton Chapel and a competent violinist, viola player and cellist. He performed as a cellist in the Handel commemoration concerts in ...

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Sarah Cahill

(b Worcester, MA, Feb 15, 1947). American composer and conductor. Known particularly for his operatic works on contemporary subjects, he is considered one of the most frequently performed living composers of concert music.

He studied the clarinet with his father and with Felix Viscuglia, clarinettist with the Boston SO. At the age of ten he began theory and composition lessons, and at 14 he had his first piece performed by the community orchestra with whom he practised conducting. He also performed with the orchestra alongside his father, often appearing before an audience of mentally-handicapped patients at the New Hampshire State Hospital. As a student at Harvard University (...