(b London, 15 June 1910; d Burbank, CA, 23 Aug 1990). Composer, arranger, and conductor. His family immigrated from England when he was four, and he grew up in Chicago, absorbing the vibrant sounds of the emerging jazz scene. During the 1930s he worked with Benny Goodman and other dance bands, eventually moving to Hollywood to work in the film and recording industries. A long association with MGM resulted in many film scores and, after the introduction of LPs, regular record albums. In 1941 he became Judy Garland's first husband, and his radio show “California Melodies” grew into something of an American institution, providing the showcase for his new compositions. In 1943 Rose startled the Light Music establishment with his Holiday for Strings, in turn inspiring a whole generation of composers including Leroy Anderson, Trevor Duncan, and Robert Farnon. Following war service in the US Army Air Force, Rose gained his first Oscar nomination for his score for the ...
Preston Neal Jones
(b Vienna, Austria, 14 Jan 1896; d Studio, City, CA, 23 July 1994). Composer and conductor of Austrian birth. He studied at the University of Vienna with Guido Adler, Egon Wellesz, and Hans Gál, and at the Vienna Music Academy with Franz Schreker. Later, while working as an assistant conductor in Viennese theaters, he studied conducting with Felix Weingartner and composition with Alban Berg. From 1930 to 1933 he composed musicals and drama scores for UFA Studios in Neubabelsberg. He immigrated to Hollywood in 1937.
Originally hired as an orchestrator for Universal Studios, Salter was soon promoted to the rank of composer. With Frank Skinner he wrote music for serials, westerns, dramas, Deanna Durbin musicals, and Abbott and Costello comedies. Although he received six Academy Award nominations for his musical comedy and drama scores, he is remembered today chiefly for his contribution to horror films such as The Wolf Man...
(b Thunder Bay, ON, Nov 28, 1949). Canadian pianist, composer, musical director, actor, producer, and bandleader. He has been musical director for David Letterman’s late-night shows since 1982. Prior to working with Letterman, Shaffer was a featured performer on “Saturday Night Live.” He has served as musical director and producer for the Blues Brothers and cowrote the 1980s dance hit “It’s raining men.” He has served as musical director for the Rock and Roll Hall of Fame induction ceremony since its inception in ...
W. Anthony Sheppard
(b Sacramento, CA, Nov 11, 1922; d San Dimas, CA, April 17, 2002). American Jazz and film music arranger, composer, and band leader. Shindo grew up in the Little Tokyo district of Los Angeles where he heard traditional Japanese music. In his teens, he became interested in jazz but planned to pursue a career in electrical engineering. As a second generation (Nisei) Japanese American, Shindo was interned at the Manzanar Relocation Center in March 1942. He pursued musical studies in the camp and completed correspondence courses in orchestration. Shindo left Manzanar in November 1944 when he enlisted as a translator in the Military Intelligence Service. Discharged from the Army in 1947, he formed his own big band in Los Angeles.
Shindo continued musical studies at multiple institutions in Los Angeles, studying composition at the University of Southern California with miklós Rózsa and eventually completing a Masters in Asian Studies in ...
(b ?1898; d Los Angeles, CA, April 1980). Musical director, orchestrator, and conductor. He studied the violin with Leopold Auer from the age of 16, and during his early 20s became a first violinist with the Los Angeles PO, under Walter Henry Rothwell. In 1928, the year after the first sound film, he became concertmaster of the Paramount studios orchestra, and in 1936 he moved to Columbia studios as principal music director. He received 18 Academy Award nominations for musical direction. As department head at Columbia he received a nomination for Dmitri Tiomkin's score for Lost Horizon (1937), but he was nominated for his own work on films such as The Talk of the Town (1942) and A Song to Remember (1945), the latter of which renewed commercial interest in the music of its subject, Chopin. Stoloff was also the principal composer of the scores to ...
(b Chicago, IL, 8 Aug 1900; d Palm Springs, CA, 10 Nov 1956). Composer, conductor, and violinist. He began to play the violin at the age of six and four years later went to live with his grandfather in Warsaw, where he studied at the conservatory. He made his debut as a soloist with the Warsaw PO in 1917. In 1920 he returned to the United States and the following year made his American debut at Orchestra Hall in Chicago. Between 1922 and 1929 he was a leader in movie theaters, a musical supervisor of vaudeville productions, a violinist and arranger for Ted Fiorito's orchestra, and the assistant musical director of the Balaban and Katz theater chain.
He first worked for radio in 1929 and in 1931 became music director for Brunswick Records, where in 1932 he arranged and conducted several selections from Show Boat with soloists, chorus, and orchestra; released on four discs, it was the first American album made from the score of a Broadway musical. In ...