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(b ?Paris, ?1676; d Paris, Aug 6, 1739). French dancer, choreographer, and academician. His dancing-master father, Antoine (d 20 July 1740), married Catherine Beauchamps, the sister of dancing-master Pierre Beauchamps, with whom Michel reputedly studied. Michel was also connected to [J.-B. Poquelin] Molière’s family through his wife, Marie-Nicole-Thérèse Dugast (married ...

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Gabriella Biagi Ravenni

(b Lucca, Feb 5, 1742; d after 1798). Italian librettist, dancer and choreographer. A brother of Luigi Boccherini, he made his début as a dancer in Venice in 1757, but his major successes were achieved in Vienna between 1759 and 1767 (for example, Noverre’s revived ...

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(b Copenhagen, Aug 21, 1805; d Copenhagen, Nov 30, 1879). Danish dancer and choreographer. See Ballet, §2, (ii).

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Sally Banes and Elizabeth Aldrich

(b Aberdeen, WA, Nov 25, 1936). American choreographer and dancer. She graduated from Mills College and also studied with Anna Halprin and Robert Dunn as well as at the American Dance Festival in Connecticut. She has taught at Mills College, Reed College, New York University, and other institutions. Brown was a founding member of the Judson Dance Theater and the Grand Union, and in ...

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Claude Conyers

(b Geneva, IL, June 22, 1921; d New York, Aug 25, 1980). American dancer, singer, choreographer, and musical theater director. When he was twelve years old, he began studying dance with Ernest Belcher in Los Angeles, training in ballet, acrobatics, tap, and Spanish dance. At fifteen he formed a ballroom dance act with Jeanne Tyler, a fellow student at Hollywood High School, and made his professional début. After several years of touring (...

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Claude Conyers

(b Mountain Iron, MN, June 4, 1922). American choreographer and musical theater director. Trained by local teachers in Minnesota, he spent a summer as a youngster with Ted Shawn’s historic all-male ensemble at Jacob’s Pillow in Massachusetts. While serving in the Air Corps during World War II, he also danced and directed for a USO troupe, his first experience at choreographing and directing. After the war, he continued his dance training with teachers in New York and pursued his interest in dance creation. His first major job as a choreographer was for ...

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Sally Banes and Elizabeth Aldrich

(b New York, NY, June 26, 1940). American choreographer and dancer. She attended Sarah Lawrence College and also studied with Hanya Holm, Helen Tamiris, Merce Cunningham, James Waring, and Robert Dunn. In 1973 she founded her own company, Lucinda Childs Dance. For the most part her works are danced in silence. Pieces from the 1960s such as ...

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Claude Conyers

American ballet dancers, teachers, choreographers, and company directors. Three of the four Christensen brothers made their careers in dance. Members of a Danish Mormon family that had settled in America, they were taught folk and social dancing by their father and grandfather and trained in ballet by various teachers. All three were instrumental in establishing and popularizing ballet in the western United States....

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Irene Alm

(b Milan, ?1755; d after 1838). Italian dancer, choreographer and composer. A pupil of Noverre, he danced at the Kärntnertortheater in Vienna in 1775 and presented his first choreography at the Teatro S Agostino in Genoa during Carnival 1776. Most of Clerico’s works were created for the opera houses in Venice, where he worked during the 1780s at S Samuele, S Benedetto and S Moisè, and later in his career at the Fenice, and in Milan, where from ...

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Claude Conyers

(b New Brunswick, NJ, April 27, 1911; d Los Angeles, Feb 17, 1974). American dancer and choreographer. He left home as a teenager to pursue dance training at the Denishawn studio in New York City. Taking his stage name from his stepfather, he appeared with several modern dance troupes before forming an exhibition dance act and beginning a commercial career dancing in nightclubs. During the late 1930s he danced with a partner and sometimes a small group of backup dancers in supper clubs, hotel ballrooms, and music theaters around the country. His performances, noted for their dramatic flair, brought him profitable jobs on Broadway and eventually led him, in ...

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Mary Jo Lodge

(b New York, NY, July 4, 1887; d Encino, CA Feb 29, 1944). American choreographer, director, and producer. He was a choreographer and dance director of Broadway musicals in the 1920s and 30s. He also directed several shows on Broadway before moving exclusively into choreographing early Hollywood film musicals. He began staging musical numbers on Broadway in ...

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(b Rustenburg, South Africa, Aug 15, 1927; d Dublin, June 26, 1973). British choreographer. See Ballet, §3, (iv).

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Susan Au

(b Centralia, WA, Apr 16, 1919; d New York, NY, July 26, 2009). American dancer, choreographer, and dance company director. He began to study dance in his native Centralia. While attending the Cornish Institute in Seattle, he met John Cage, with whom he formed a lasting and productive partnership. He also studied modern dance at Mills College and the Bennington School of the Dance, and ballet at George Balanchine’s School of American Ballet in New York. He performed as a soloist with the Martha Graham Dance Company (...

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Mary Jo Lodge

(b Buenos Aires, Argentina, Dec 8, 1939). American director, choreographer, and performer. Trained in classical ballet at the Teatro Colón in Buenos Aires, Daniele became a professional dancer at age 14. She performed for several years with ballet companies in South America and Europe and came to the United States in ...

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(b Richmond, Surrey, Sept 16, 1929; d Glasgow, Dec 2, 1987). English choreographer. See Ballet, §3, (iv).

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(b Montpellier, Aug 19, 1742; d Tours, Feb 14, 1806). French dancer, teacher and choreographer . He danced in Lyons in 1757 under Noverre, who described his pupil as a joyful and dramatically expressive dancer. Within two years Dauberval was ballet-master for the Turin opera house. In ...

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Susan Au

(b New York, Sept 18, 1905; d New York, Oct 7, 1993). American dancer, choreographer, dance company director, and writer. Born into a family of theater professionals (her uncle was film director Cecil B. De Mille), she earned a BA in English from the University of California, Los Angeles. Her ballet training began in Los Angeles and continued in England, where she danced in the companies of Marie Rambert and Antony Tudor. She toured the United States and Europe as a solo performer, and in ...

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(b The Hague, 1705; d Paris, May 22, 1779). French choreographer. See Ballet, §1, (iii).

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Roland John Wiley

(b Stockholm, 1767; d Kiev, 7/Nov 19, 1837). French choreographer . After studying in Stockholm and Paris, he travelled widely; Swift traced his dances in operas at Stockholm (1787), Bordeaux (1790) and Paris (1791, 1793), but his most extensive engagements were in London (...

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Olivia Mattis, J. Highwather and Sara Jobin

(b Detroit, June 16, 1931; d New York, April 11, 2000). American composer, poet and choreographer. The daughter of Polish emigrant labour union organizers, she received her early musical education at the Detroit Conservatory. After training in chemistry at Wayne State University, she was awarded a scholarship to study the piano with Grete Sultan in New York; she also studied analysis with Salzer at the Mannes School of Music and composition with Varèse (...