41-60 of 89 results  for:

Clear all

Article

Patrick O’Connor

(b Wilmington, NC, July 24, 1903; d New York, NY, Aug 13, 1986). American soprano. After leaving school she went to New York in 1916. She began her stage career singing and playing the trombone in all-black musical comedies, Sissle and Blake’s Shuffle Along...

Article

Nadia Turbide

(b Cleveland, OH, Aug 13, 1907; d New York, NY, March 13, 2002). American soprano, music publisher, and concert manager. She studied singing with Ruth Thayer Burnham while attending Abbot Academy, Andover, and later at Wellesley College (BA 1929). After two years as an actress at the Cleveland Playhouse, she sang in Gabriel Pierné’s ...

Article

Anya Laurence

(b Akron, OH, Nov 10, 1954). American baritone and teacher. He received his vocal training at the University of Houston where he earned bachelor’s and master’s degrees in music. His teachers included Franco Corelli, Jean Preston, louis Quilico , and Michael Trimble. He made his debut at the Metropolitan Opera in ...

Article

William Brooks

(b Dublin, Ireland, Jan 19, 1846; d Rochester, NY, March 19, 1916). Tenor of Irish birth. After studying with Henry Phillips in England he moved to Italy. He made his New York debut in 1871 with the Parepa-Rosa English Opera Company, and in the mid-1870s moved permanently to the United States as a singer of opera, light opera, and oratorio. He was a founding member of the Boston Ideal Opera Company (...

Article

Mikaela Minga

(b El Faiyûm, Egypt, Nov 2, 1910; d Tirana, Albania, Dec 28, 1947). Albanian soprano. In 1921 her family moved to Korça. In 1927, she left for France to study singing, first in Montpellier, and then from 1932 to 1936 at the Conservatoire National de Musique et Déclamacion in Paris. She then attended further studies in Rome. When back in Albania, she toured in different concerts, establishing a new format of female performance. Her repertory combined opera pieces and traditional, folk melodies. The latter were arranged with Western harmonies and played with piano accompaniment. Together with other highly European-trained Albanian artists, she pioneered the creation of an Albanian art song genre and disseminated it among Albanian urban audiences. In ...

Article

Trudi Ann Wright

(b New York, NY, Jan 30, 1922). American mezzo-soprano. Kulhmann is best known for creating the role of the Mother in Menotti’s Amahl and the Night Visitors. After the start of World War II, Kuhlmann joined WAVES (Women Accepted for Volunteer Emergency Services), where she learned Morse Code to send messages to ships at sea. Her musical talent was recognized after she performed on radio programs promoting WAVES and soon had her own weekly show, ...

Article

J.B. Steane

Term for an old man’s role sung by a high tenor. In the later part of his career as an haute-contre, Jean-Louis Laruette of the Opéra-Comique specialized in comic roles for elderly gentlemen, which came to be known as ‘laruettes’. As early as Mozart and Rossini old men’s roles were generally for a bass rather than a high tenor, but the tradition survived in ...

Article

Claire Levy

(b Haskovo, 29 June 1896; d Sofia, 31 July 1978). Bulgarian singer, internationally famous as a schlager performer, nicknamed the ‘Knight of the Upper F’. As a child he was a solo singer in the church choir in the town of Stara Zagora. Later on he went to the military school in Sofia and in 1920 took professional vocal lessons. In 1923 Leshnikoff went to Berlin, where he received a scholarship at the Sternischen Konservatorium. In 1927 he was appointed at the Grosses Schauspielhaus – a review theatre – and in 1928 joined Comedian Harmonists, a newly formed male vocal sextet, to perform the first tenor part. Becoming one of the most popular groups in Europe before World War II, Comedian Harmonists developed a style, based on aspects of German schlager, bel canto opera singing, pleasing tunes influenced by traditional lyrical songs, and Afro-American-derived patterns associated with the blues, gospel, and close harmony vocal techniques. Their records were released by labels including Odeon, Electrola, Columbia, and His Master’s Voice. In ...

Article

J.B. Steane

Typical roles for the light soprano are Despina, Susanna, Norina and Nannetta, as well as Sophie (both Der Rosenkavalier and Werther). The lightness in volume of such a voice is usually matched by a brightly produced, freely carrying tone, which in the Italian and French schools tends to be of a more sharply edged, forward quality than with the Germans or British. The term ...

Article

Lirico  

J.B. Steane

The term, meaning ‘lyric’, is used in English writing generally to describe a singer whose voice is lighter than that required for more dramatic roles and which suits a smooth, melodic style rather than a more declamatory form of utterance. In Italy, the tenore lirico...

Article

J.B. Steane

This is the central, ‘standard’ type of soprano voice, one whose range covers the two octaves from c′ to c ‴ with something over at either end, whose power and fullness are sufficient to take her out of the class of Light soprano while not extending to the demands of heavy roles open to the ...

Article

J.B. Steane

Tenors of the lighter sort will not be required to contend with heavy orchestration or to raise their voices in strenuous declamation, and therefore (the theory goes) can concentrate on the production of beautiful tone and evenness of line. In this way they will bring grace to the composer’s melodies: hence ‘lyric’. (The lighter kind of lyric tenor is also known as ...

Article

Justin Vickers

(b Aberdeen, Scotland, Dec 11, 1946). Scottish tenor and pedagogue. Graduating in 1969 he studied the piano and the clarinet at the Royal Scottish Academy of Music and Drama; he won a scholarship to the RCM in voice, graduating Associate of the Royal College of Music (Hons) and a Postgraduate Diploma in ...

Article

Mawwāl  

Important Arabic song form performed in melismatic style.

Syria, §4: Musical instruments

Article

Max de Schauensee and Karen M. Bryan

(b Norfolk, VA, Sept 3, 1910; d West Chester, PA, Feb 19, 1996). American soprano. She received her high school and college education at Hampton Institute, serving as soloist and touring with the choir. She later attended the Westminster Choir College (choral conducting, ...

Article

Irina Boga

(b Constanța, Romania, Oct 6, 1935). Romanian tenor . He began his studies at the Bucharest Conservatory with the renowned lyrical artist Constantin (Dinu) Bădescu, whose disciple he remained throughout his career. He made his début at the Romanian Opera as Rinuccio in Gianni Schicchi...

Article

Lana Paćuka

(b Bosanski Brod, Bosnia, Dec 30, 1937; d Zagreb, Croatia, Sept 18, 2007). Bosnian soprano and prima donna. She completed her secondary music education and university studies in singing in Sarajevo. She graduated from the Academy of Music in Sarajevo in 1963 (studying under Bruna Špiler and Zlata Đunđevac-Gavella). One of the key figures in her personal musical development was operetta diva Erika Druzović, who spotted her talent for refined musicality and striking vocal ability. In ...

Article

Zana Shuteriqi Prela

(b Tirana, Albania, June 27, 1963). Albanian soprano . She graduated in 1986 from the Higher Institute of Arts in Tirana, where she studied with her mother, who was a professor there. In 1987 she won the Singer of Albania competition, and then the George Enescu Competition in Bucharest, the Grand Prix ‘Madam Butterfly’ in Barcelona, and the Placido Domingo International Voice Competition in Paris. During ...

Article

Nigun  

In the liturgical music of the Ashkenazi Jews, an early form of centonized chant, also known as nusa . Among the East European Ḥasidic Jews, the term refers to a type of vocal music, often sung to nonsense syllables and accompanied by dancing, of which one of the important forms is the ...

Article

Fatima Hadžić

(b Sarajevo, Bosnia, March 4, 1904; d Belgrade, Serbia, Oct 24, 1993). Bosnian soprano. Born in a rich and highly educated Muslim family, daughter of the renowned writer Osman Nuri-Hadžić, she began her music education in her native Sarajevo, where she attended piano lessons at the private music school Glasbena škola F. Matějovský. After her family moved to Belgrade in ...