51-60 of 62 results  for:

  • Critic or Journalist x
  • Publisher or Editor x
Clear all

Article

Alec Hyatt King

revised by Malcolm Miller

(b Schwiegershausen, Nov 3, 1805; d Crete, Nebraska, March 1880). German writer on music. Like others of his generation, Schilling, the son of a pastor, received his education in both music and theology, in the former partly from his father, in the latter from teachers at Göttingen and Halle. From 1830 to 1836 he was director of a music school in Stuttgart founded by Franz Stöpel, but gave it up to become a freelance writer in theology and politics as well as in music. He was founder and secretary of the Deutsche National-Verein für Musik und ihre Wissenschaft and edited its yearbook from 1839 to 1843.

Between 1839 and 1850 Schilling published over a score of books on musical subjects including aesthetics, harmony, pianism and composers (among these an account of Liszt, 1842), which are generally superficial; they are, however, significant in their development of both performance theory and the history of music theory. His career in Germany came to an end in ...

Article

(b New York, Dec 11, 1932). American writer . He studied at Princeton University (BA 1955) and worked as an independent writer on music, founding in 1970 the Musical Newsletter, an adventurous periodical that produced many worthwhile articles during its seven years’ life. Smith served as president of the Music Critics Association, ...

Article

Jonas Westover

(b Boston, MA, May 10, 1937). American music critic, publicist, and editor. Solomon is best known for her contributions to the Village Voice, but has also written for Down Beat, Country Music, Hit Parader, the News World, and Us. She was one of the first women involved in popular music criticism; her work focused on folk music of the 1960s, jazz, blues, rock, and country music. Solomon’s column in the Village Voice was called “Riffs.” She also served as editor for the magazine ABC-TV Hootenanny (1963–4), which highlighted performers on the television show of the same name who were just beginning to rise to fame, including Judy Collins, Earl Scruggs, and Doc Watson. Other writers whose work appeared in the magazine included Theodore Bikel and Jean Shepard. Another of her important editing positions was on the magazine New Musical Express (NME) in the 1970s. Solomon also had a brief tenure as a publicist for Chess Records, where she produced a number of liner notes. Her commentary on such diverse subjects as J.J. Cale and Paul McCartney has given her voice a lasting impression in the music business....

Article

Rosemary Williamson

(b Everton, Liverpool, Jan 11, 1839; d Torquay, May 29, 1924). English architect, amateur organist and writer, father of Heathcote D. Statham. He studied the organ at Liverpool Collegiate Institution and practised architecture in Liverpool for several years before moving in 1869 to London, where he increasingly devoted time to journalism and writing. For several years during the late 1870s he gave a series of Sunday afternoon organ recitals at the Royal Albert Hall, but held no regular organist's post beyond an honorary one at St Jude's, Whitechapel. From 1883 to 1910 his principal occupation was as editor of the journal The Builder, and he wrote several standard works on architectural history.

A thoughtful and intelligent critic, Statham combined his knowledge of architecture and music in his writings on concert hall design, arguing that recently built large halls, such as the Royal Albert Hall and St George's Hall, Liverpool, were constructed solely as places of spectacle in defiance of the basic principles of acoustics. His ...

Article

Anthony C. Baines

revised by Darryl Martin

(b London, 1664; d Spofforth, 1708). English writer on music . He was educated at Westminster School and Trinity College, Cambridge where he matriculated in 1683, becoming a minor Fellow in 1689 and major Fellow in 1690. He played a leading role in the early promotion of Cambridge University Press. He was Regius Professor of Hebrew at Cambridge from 1699 to 1704 when he moved to Spofforth, where he had a rectorship since 1700. He received his doctorate from Cambridge in 1705. His importance to music history derives from his manuscript GB-Och Music MS 1187 (formerly owned by Henry Aldrich) which provides copious information on instruments. The manuscript, which was probably written between 1690 and 1700, consists mainly of 250 numbered sheets on which are recorded details of instruments; much of the information was obtained first-hand from leading players and makers (including Gottfried Finger, John Banister (ii), James Paisible, John Shore and William Bull) and from Talbot’s examination and measurement of instruments provided by these men. Other pages record tunings and tablatures, or quotations from Praetorius, Mersenne and Kircher. The remainder of the manuscript, including sections on ancient Greek music, is in another hand....

Article

Daphne G. Carr

[Thackray, Jerry ]

(b Chelmsford, England, April 21, 1961). English popular music critic and publisher. True is known as an incendiary character in British popular music journalism due to his self-aggrandizing tone, his polemical attitude, and his general curmudgeonliness. His pseudonym comes from an early 20th-century comic strip of a similarly behaving character.

He is known as the Legend, after Creation Records head Alan McGee gave him the role of MC at his club, Communication Bar. McGee let him write for the club’s fanzine, but True quit after two issues and started his own fanzine The Legend! He then wrote for New Musical Express (1983–8), was fired, and went to work for its rival Melody Maker (1988–2000). A 1989 assignment to profile Sub Pop Records for Melody Maker led him to befriend Nirvana’s Kurt Cobain. True was at Cobain’s house at the time of Cobain’s suicide. He later published ...

Article

Jayson Greene

[neth ]

(b New York, NY, Feb 1, 1953). American music critic, film critic, and editor. Ken Tucker is the pop-music critic for the NPR program Fresh Air with Terry Gross, appearing weekly to review new releases. He is also editor-at-large for Entertainment Weekly magazine, where he has worked in various capacities since its founding in 1989. His Entertainment Weekly writing has won two National Magazine Awards, and his music criticism earned him two ASCAP Deems Taylor Awards (2003, 2004). Prior to that, he was the TV critic for the Philadelphia Inquirer, where he was a finalist for the Pulitzer Prize in 1984. He also served as film critic for New York Magazine in the years 2004–05. His writing about television, books, and music has appeared in Rolling Stone, SPIN, Esquire, the Village Voice, Vogue, and the New York Times. He has also made numerous television appearances, serving as a cultural observer on programs such as ...

Article

Gary W. Kennedy

(b New York, April 10, 1918; d New York, April 30, 2000). American writer. His father was concert master for the conductor Arturo Toscanini. He was interested in jazz from a young age and attended Columbia University (AB 1939) to be closer to the jazz movement in Harlem; while a student he published articles on jazz in The Spectator. Following graduation he edited Swing: the Guide to Modern Music (c1939–40), Listen (1940–42), and the Review of Recorded Music (1945–6). As the editor of Metronome: Modern Music and its Makers (1943–55) he changed the focus of the journal from classical music and white swing groups to other aspects of jazz, notably bop and its African-American components; in 1950 he designed the Metronome Yearbook. In addition Ulanov organized all-star bop groups which broadcast on WOR (1947) and published biographies of Duke Ellington (...

Article

Geoffrey Norris and Edward Garden

(b Dresden, April 13, 1794; d Lukino, nr Nizhniy-Novgorod, 24 Jan/Feb 5, 1858). Russian writer on music. He was the son of the Russian ambassador at Dresden, and received his early musical education in Germany. In an autobiographical sketch he described himself as being ‘a musician since the age of seven, a passable violinist, a singer when necessary, and acquainted with the principles of composition’. In 1810 he moved to Russia and in 1812 entered the civil service. He worked as a translator in the Ministry of Foreign Affairs from 1816 and later was responsible for editing the journal Le conservateur impartial and the Journal de St Pétersbourg. After resigning from his post in 1830, he retired to his estate at Lukino.

Ulïbïshev is known principally for his articles on music, many of which were published in the Journal de St Pétersbourg, and for two important books. In ...

Article

Stanley Sadie

(Hamilton )

(b London, Feb 9, 1928). English writer on music , son of Guy Warrack. He was educated at Winchester College and at the RCM (1949–52), where he studied the oboe with Terence Macdonagh, history with Frank Howes and composition with Gordon Jacob and Bernard Stevens. He played as a freelance oboist, chiefly with the Boyd Neel Orchestra and at Sadler's Wells, until 1953, when he joined Oxford University Press as a music editor. The next year he was appointed assistant music critic to the Daily Telegraph. He moved in 1961 to the Sunday Telegraph, as chief music critic, resigning in 1972. Warrack became a critic for Gramophone in 1958 and a member of the editorial board of Opera in 1953. In 1975–6 he was visiting lecturer at the University of Durham, and he was a university lecturer at Oxford, 1984–93. He was director of the Leeds Festival, ...