51-60 of 529 results  for:

  • Music Manager or Administrator x
Clear all

Article

Thomas Kaufman

(b Ravenna, 1863; d Atlantic City, NJ, July 1907). Italian conductor, composer and impresario. His career was largely spent in touring Latin America and the Caribbean, mostly as the conductor for other impresarios, sometimes as both conductor and impresario of his own company.

His four-act opera Ermengarda, to a libretto by P. Martini, had its première at the Teatro Andreani in Mantua on 27 November 1886. Azzali embarked for Colombia in 1891. A six-month season in Bogotá as conductor and musical director for the Zenardo-Lambardi company was followed by an extended tour of the country and another season in the capital in 1893. During that season his Lhidiak (2, V. Fontana), based on an Indian legend, the first opera to be written for Colombia, had its première at the Teatro Colón (12 August). In April 1895 he started another tour that included Guatemala City, Quezaltenango, Bogotá and Medellin. In ...

Article

Jonas Westover

[Wright, Erica Abi ]

(b Dallas, TX, Feb 26, 1971). American singer, songwriter, and producer. She was singing for audiences by the age of four and cultivated her skills at the Booker T. Washington High School for the Performing and Visual Arts. She briefly attended Grambling State University, but left to develop her music career and soon landed a contract with Universal Records. She became an immediate sensation; her first recording, Baduizm (Universal, 1997), reached number two on the Billboard charts, while its top single “On and On” received widespread attention and airplay. Her dark, breathy vocal style, reminiscent of jazz and soul singing, earned her two Grammy awards and four nominations. She went on to release a live album, Erykah Badu Live (Universal, 1997), and to work on a number of side projects with other artists, notably providing the hook for the Roots’ song “You got me.” After a brief respite she returned with ...

Article

[Gyorgy Melitonovich ]

(b St. Petersburg, Russia, Jan 22, 1904; d New York, NY, April 30, 1983). Dancer, choreographer, teacher, and ballet company director of Russian birth, active in the United States. He was trained at the Imperial Ballet School in St. Petersburg, where he created his first choreography. He also studied piano and music theory at the Petrograd Conservatory of Music, gaining a firm musical foundation. After graduating in 1921, he danced in the ballet company of the State Theater of Opera and Ballet, and choreographed for his own ensemble, the Young Ballet. In 1924 he left Russia for western Europe, where he joined Diaghilev’s Ballets Russes. After the company disbanded following Diaghilev’s death in 1929, he worked in Europe until 1933, when he came to the United States at the invitation of Lincoln Kirstein. The two founded the School of American Ballet in New York in 1934, and together formed four successive companies with the dancers trained there: the American Ballet (...

Article

Irene Alm

[Giambattista; ‘il Tasquino’]

( fl 1636–57). Italian choreographer, dancer, stage designer and impresario . He was involved with Venetian opera from its inception. Cited as ‘Veneziano Ballarino celebre’ in the libretto for Francesco Manelli’s L’Andromeda (1637), he continued to provide choreography for operas at Venice for the next seven years. Beginning in 1645, his affiliation with the travelling Febiarmonici introduced Venetian opera to other Italian cities. They produced Francesco Sacrati’s La finta pazza in Florence in 1645 and Cavalli’s La Deidamia (first performed Venice, 1644) there in 1650. In December 1652 Balbi and the Febiarmonici produced Veremonda l’Amazzone d’Aragona (?Cavalli) in Naples. Veremonda and La finta pazza, presented earlier that year, served to introduce Neapolitan audiences to the innovations of the Venetian stage machinery and dance. During Carnival 1653 Balbi created the set designs and choreography for the anonymous Le magie amorose and for Provenzale’s Il Ciro in Naples.

Balbi also played an important role in the introduction of Venetian opera to northern Europe. While in Florence in ...

Article

Jeannie Gayle Pool

(b Guelph, ON, 23 June 1968). Canadian film and television composer, orchestrator, conductor, pianist, and producer. Barber began composing at the age of ten and was an award winner in Canada’s SOCAN National Competition for Young Composers. She studied music at the University of Western Ontario (BM 1985) and composition at the University of Toronto (MA 1988), where she worked with the composers Gustav Ciamaga and Lothar Klein. She has composed music for various CBC radio dramas, made her film début with her score for Patricia Rozema’s award-winning film When Night is Falling (1995), and has written scores for Miramax, New Line, Focus Features, Nickelodeon, Warner Brothers, and Home Box Office.

Barber has also composed music for the more than 20 theatre productions of Canadian plays, including Unidentified Human Remains and The True Nature of Love (Brad Fraser), Love and Anger (George F. Walker), ...

Article

William F. Coscarelli

(b Kingston, PA, 1946). American radio personality and producer. Barone is a nationally recognized radio personality heard via Minnesota Public Radio (MPR)/American Public Media (APM) as host and executive producer of the nationally syndicated series, Pipedreams, a 120-minute weekly program devoted to organ music. He served a similar function for national broadcasts of The Saint Paul Chamber Orchestra from 1983 to 2005. Barone joined MPR in 1968 following graduation from the Oberlin Conservatory in Ohio with a BM degree in music history, with organ as principal applied instrument. From 1968 to 1992 he was network music director for MPR, and is currently senior executive producer. Pipedreams, in continuous production since 1982, is the longest-running and only nationally distributed weekly program devoted to the pipe organ in US radio history. Awards and honors include the American Guild of Organists President’s Award (1996), the Distinguished Service Award of the Organ Historical Society (...

Article

Jairo Moreno

(b Brooklyn, NY, April 29, 1929; d Hackensack, NJ, Feb 17, 2006). American conga player, bandleader, and producer of Puerto Rican descent. He began playing percussion informally during time in Germany as part of the US occupation army (1946–9). Returning to New York City in 1949, he participated in the lively jam-session scene in Harlem, playing bongos in sessions with Charlie Parker and Dizzy Gillespie. In 1957, he replaced Mongo Santamaría in Tito Puente’s band. By 1960, he became the house percussionist for various jazz labels (Blue Note, Prestige, Riverside), recording his first album as leader for Riverside in 1961. The Charanga La Moderna was his first full-fledged Latin dance band, beginning in 1962. In 1963, his song El Watusi became the first Latin tune to enter the Billboard Top 20. By 1990, his salsa career stagnant, he formed a small, jazz-influenced sextet, New World Spirit, recording a number of Grammy-nominated albums....

Article

Randolph Love

(b Edgard, LA, Dec 24, 1920). American Trumpeter, arranger, producer, songwriter, bandleader, and singer. He started his career as a trumpeter playing with established bands led by, among others, Papa Celestin, Joe Robichaux, and Claiborne Williams before joining Fats Pichon’s ensemble, considered one of the top groups in New Orleans, in 1939. During World War II he played in the 196th AGF (Army Ground Forces) Band, where he met Abraham Malone, who taught him how to write and arrange. After the war, he formed his own band in New Orleans, which made its debut at the Dew Drop Inn and later performed at Sam Simoneaux’s club Graystone where many of the city’s top instrumental players, including the drummer Earl Palmer and the saxophonists Lee Allen and Red Tyler, were showcased.

Bartholomew is best known for his talents as an arranger and songwriter. In the 1950s and 60s he worked with many of the biggest stars of the day, including Smiley Lewis, Lloyd Price, Shirley and Lee, and Joe Turner. By the 1970s he had associations with some of rock and roll’s most established talents, including Paul McCartney, Elton John, and the Rolling Stones. His most productive association was with fats Domino, whom he met through Lew Chudd, the owner of Imperial Records, where he worked as a house arranger, an A&R man and an in-house bandleader. From ...

Article

David Cox

[Berthier, Jeanne-Marie]

(b Paris, June 14, 1877; d Paris, Jan 25, 1970). French mezzo-soprano and producer. She studied at the Paris Conservatoire with Hortense Parent (piano) and the Belgian tenor Emile Engel, whom she married in 1908, and made her début at Nantes in 1900. Toscanini engaged her for the first La Scala performance of Humperdinck’s Hänsel und Gretel (1902), and in Brussels she appeared in opera with her husband. Soon, however, she decided to devote herself to concert work. Her sympathetic and authentic interpretations of works by many French composers of her time – Debussy, Ravel, Chabrier, Satie, Roussel, Milhaud and others – was very important. With Ravel’s Shéhérazade she achieved wide acclaim. She gave the première of his Histoires naturelles (dedicated to her) and of his Chansons madécasses, both occasions creating a sensation.

During World War I Bathori managed the Théâtre du Vieux Colombier, producing such works as Chabrier’s ...

Article

Gunter Hempel

(b Gotha, bap. Sept 12, 1753; d Leipzig, Nov 30, 1813). German composer and writer on music. Between 1777 and 1789 he was intermittently active in the Hamburg theatre, first as a singer and later as a violinist and music director. He also visited St Petersburg (c1780), was music director of the newly established theatre in Riga in 1782–3 and appeared in Moscow in 1785. In 1790 he moved to Leipzig, where he wrote the articles on music for J.G. Grohmann's Kurzgefasstes Handwörterbuch über die schönen Künste (1794). At the beginning of his career he composed mainly instrumental chamber works, but in Leipzig he published many songs and small instrumental pieces for amateurs. His song Die Forelle has been cited as a source of inspiration for Schubert's setting. According to Schilling, he was also a respected piano and mandolin player.

all published in Leipzig unless otherwise stated...