(b Upshur County, TX, Sept 18, 1892; d Dallas, TX, Aug 19, 1940). American music publisher, singer, teacher, and composer. Known for his success in gospel music education, publishing, and composing gospel music quartets, Stamps founded the V.O. Stamps School of Music in Jacksonville, Texas (1924). Two years later he and Jesse Randall Baxter, Jr., founded the Stamps-baxter music and printing company , followed by the establishment in Dallas of a company headquarters (1929) and printing plant (1934). The company became one of the largest publishers of gospel music and most successful organizers of singing-schools in the 20th century. In addition to convention books and special collections for radio, television, and quartet performances, the company published three periodicals with subscriptions from all states and several foreign countries, and 24 songbooks with four-part harmonies in seven-shape notation. By mid-century annual company sales were in excess of $300,000. The company offered two types of schools: traditional singing-schools, and normal schools for training singing-school teachers. Stamps negotiated with the Texas superintendent of education for a provision for students to earn up to two high school credits for passing a state examination upon completion of either of the schools. After the war (...
(b Washington DC, Dec 6, 1946). American composer, performer, writer and publisher. He studied at SUNY, Buffalo (MA 1972, PhD 1976), where his teachers included Lejaren Hiller and Morton Feldman. He has been a member of Lukas Foss's Center of the Creative and Performing Arts and has held faculty positions at Empire State College, Buffalo (1974–86), and SUNY, Buffalo (1979–86). He has served as a critic and writer for Musical America/Opus Magazine, the Buffalo News and the Philadelphia Inquirer and is the author of Handbook of Instrumentation (Berkeley, California, 1985). Kallisti Music Press, of which he is the founder, has published the complete works of Anthony Philip Heinrich and 40 previously unpublished compositions by Hiller, as well as Stiller’s own works.
Stiller's music is eclectic and original, but makes no attempt to establish new sonic frontiers. His works are often scored for unusual combinations of instruments and many of his titles reveal a propensity towards the fanciful and whimsical. The chamber opera ...
E. Perry Carroll
(b North Rome, PA, March 5, 1850; d Longwood, MO, Oct 3, 1919). American composer, editor, music educator, and singer. He was educated at the Susquehanna Collegiate Institute in Towanda, Pennsylvania, and later studied with G.J. Webb (c1873), John Howard (1884), and F.W. Root (c1895). In 1901 he received an honorary DMus from the American Temperance University in Harriman, Tennessee. He sang in concerts from his adolescent years, when he was known as the “wonderful boy bass,” and remained active as a performer in secular concerts until 1885. He served as a Methodist-Episcopal choirmaster in Binghamton, New York (1870–82), Cincinnati (1882–3), and Covington, Kentucky (1883–5), before joining Dwight L. Moody and his associates as an evangelistic singer in 1885. He was choirmaster at the Moody Memorial Church in Chicago from 1893 to 1915. He was also superintendent of the Moody Bible Institute’s music department from ...
Robert Lee Weaver
[Huberto] [Waelrandus, Hubertus]
(b c1517; d Antwerp, Nov 19, 1595). Flemish composer, music editor, singer and teacher. He was an innovator among mid-16th-century Flemish composers, and his style bridges the period between that of Gombert and the mature Lassus. His works are characterized by careful attention to the relationship between text and music, reflecting the current humanistic outlook, and by chromatic harmony and inventiveness in the use of dissonances.
Waelrant’s name appears with numerous spellings, including Waelrans, Waelramst, Waelranck, Waralt and Vuaelrant, but in his own publications he consistently used the forms Waelrant, Waelrand or Waelrandus. His life and activities were centred in Antwerp, but much confusion arises from the fact that there were several men with this name in the city at the time, including at least two lawyers named Hubertus Waelrant: a father and son (c1521–74 and c1546–1621). Persoons (1979, p.147) argued the existence of a third lawyer with this name; Spiessens (...
(b Patton, PA, April 2, 1927). American liturgiologist . He took two BA degrees at St Vincent College (1949 and 1952) and the MS in piano at the Juilliard School (1954), and then took further graduate courses at Columbia University. From 1957 to 1967 he was associated with St Vincent College, first as a music teacher and later in administrative positions, including those of chancellor and chairman of the board of directors. He was a member of the university seminar in medieval studies at Columbia, 1957–66. In 1967 he was appointed abbot primate of the Benedictine Confederation and in 1977 he became the Archbishop of Milwaukee. He was also music editor of the New Catholic Encyclopedia. His principal interests are medieval Latin drama and music theorists, and Ambrosian chant. He studied the compositions and theoretical writings of Hucbald, and his transcription of the Play of Daniel...
William E. Boswell
(b nr Salisbury, June 24, 1803; d Orange, NJ, Oct 7, 1887). American music educator, editor and composer of English birth . He studied with Alexander Lucas in Salisbury, then resigned as organist at Falmouth in 1830 and emigrated to Boston, Massachusetts, where he became organist at the Old South Church. Active in many aspects of Boston's musical life, he worked closely with Lowell Mason on educational and publishing projects. He taught in the early years of the Boston Academy of Music, was conductor of the Handel and Haydn Society and the orchestras of the Academy and the Musical Fund Society, and co-edited periodicals and choral collections with Mason and others. In 1870 he moved to Orange, New Jersey, and taught in New York. His compositions, most of which are choral, are musically adept and very much a part of the New England Protestant tradition, though notably less inspired than those of Mason. Only one hymn tune remains in use today: originally written to secular words, it was by ...
Buell E. Cobb and Harry Eskew
(b nr Spartanburg, SC, Sept 20, 1800; dAtlanta, GA, Dec 5, 1879). American singing- school teacher, composer and tune book compiler (seeShape-note hymnody §2). A self-taught musician, he wrote three-part tunes using four-shape notation. In collaboration with Elisha J. King he published The Sacred Harp ([Hamilton, GA] Philadelphia, 1844, 3/1859/R, 4/1869), one of the most significant shape-note tune books of the pre-Civil War South and the longest-lived tune book in four-shape notation. Several editions were produced in White's lifetime, and the book is still used, in a number of revised versions, at singing conventions in the South and has also spread to other areas. His brother-in-law was William Walker, whose Southern Harmony (1835) and Christian Harmony (1867) were the chief rivals of The Sacred Harp.G.P. Jackson: ‘Benjamin Franklin White of Georgia and his Associates’, ...
Nicholas E. Tawa
(b Philadelphia, May 11, 1827; d Philadelphia, Nov 22, 1902). American composer, teacher and publisher . His parents were Joseph Eastburn Winner, a violin maker, and Mary Ann Winner (née Hawthorne), a relative of Nathaniel Hawthorne. Largely self-educated in music, he played and taught several instruments. Around 1845 Winner became a music publisher and opened a music store with his brother Joseph. He was active in Philadelphia’s music circle and was a member of the Musical Fund Society, in whose orchestra he played for five years, the Cecillian Musical Society, and the Philadelphia Brass Band.
Winner wrote many simple and highly popular pieces, arrangements and instruction methods for different instruments. He is best known for his songs issued under the pseudonym Alice Hawthorne, which spawned the genre known as ‘Hawthorne Ballads’. Other pseudonyms were Percy Guyer, Mark Mason and Paul Stenton. Recognition came with How sweet are the roses...
Bernd Baselt and Karl-Ernst Bergunder
(b Altenburg, c1660; d Gotha, April 3, 1717). German composer, music editor and teacher. He was first taught music by his father, Johann Ernst Witt, who was Altenburg court organist in succession to Gottfried Scheidt and had come from Denmark when a Danish princess married into the ruling house of Saxe-Altenburg about 1650. The Altenburg male heirs having all died out, the succession passed in 1672 to the Duke of Saxe-Gotha, Friedrich I, who, probably in 1676, gave Witt a scholarship to study in Vienna and Salzburg. He also paid for him to study composition and counterpoint with G.C. Wecker in Nuremberg in 1685–6. On 1 June 1686 Witt was appointed chamber organist at the Gotha court. In 1688 he was again sent to study with Wecker. In 1694 he was appointed substitute for the Kapellmeister, W.M. Mylius, and he succeeded him after his death, in 1713...
Robert M. Copeland
(b Beverly, MA, Oct 23, 1819; d Columbia, SC, Oct 26, 1858). American composer, editor, teacher and writer. He studied music in Boston, London and Paris. On his return he worked as a private teacher, church organist and choral conductor. His first musical publications were tune books compiled in collaboration with his cousin Benjamin F. Baker, with whom he also formed the National Musical Convention, a training school for teachers.
During the 1840s and 50s Woodbury travelled extensively as a choral conductor and baritone soloist. He was organist at Marlborough Chapel, Boston (1843–4), and from 1846 to 1848 was corresponding editor of the World of Music. He was organist at Rutgers Street Church, New York (1850–51); he also edited the American Monthly Musical Review (1850–53) and the New York Musical Pioneer (1855–8). His health began to fail in the 1850s and he spent his final years struggling against tuberculosis; he visited Europe and the Mediterranean in ...