17,961-17,980 of 17,986 results  for:

Clear all

Article

Walter Ojakäär

(Nikolayevich )

(b Moscow, Nov 15, 1936). Russian saxophonist and composer. Self-taught as a musician, he played clarinet in the brass band of the Moscow M. V. Lomonosov State University, where he studied physics (graduating in 1958), and tenor saxophone in the big band of the Tsentral’ny Dom Rabotnikov Iskusstva (Central house of artists; 1954–7). In 1956 he joined the octet Vosmoyrka, at that time the best jazz group in Moscow. Later he was a member of Oleg Lundstrem’s orchestra (1960–65) and the Kontsertny Estradny Orkestr Tsentral’novo TV i Vsesoyuznovo Radio (Concert variety orchestra of central TV and all-union radio). In 1967–8 he led two groups known by the name Crescendo – a quintet in which the vibraphonist Leonid Garin played in 1968 and a quartet. From 1974 to 1979 he worked with the ensemble Melodiya, and in the 1980s he was active as a freelance and wrote film music. In ...

Article

Judith Tick

[Zuckermann, Augusta; Zuckermann, Gussie]

(b New York, NY, Dec 25, 1885; d Miami, FL, March 8, 1981). American composer and pianist. She changed her name to Mana Zucca in her teens and became a protégée of the pianist and teacher Alexander Lambert; according to her unpublished memoirs she performed with major orchestras in New York before the age of ten (although this and other claims in her memoirs have not been verified). In 1902 she played an arrangement of Liszt’s 14th Hungarian Rhapsody with Frank Damrosch as part of his concert series for young people at Carnegie Hall. In about 1907 she went to Europe, where she met several prominent musicians and gave successful concert tours with the Spanish violinist Juan Manon. Her lively descriptions of Teresa Carreño, Ferruccio Busoni, Leopold Godowsky, and the composition teacher Max Vogrich were published in American music magazines. She also performed as a singer, notably in Franz Lehár’s ...

Article

Michael Talbot

(b Casalmaggiore, nr Cremona, Nov 10, 1704; d Casalmaggiore, May 3, 1792). Italian violinist and composer. He studied the violin first in his home town, later in Parma, Guastalla and Bologna, and finally in Cremona with Gasparo Visconti. Giuseppe Gonelli taught him counterpoint. In 1723 Zuccari arrived at Vienna in the suite of Count Pertusati. Having won favour at the imperial court, he travelled on to Olomouc, where he stayed for four years, and visited various German towns. In 1733 he married and in 1736 settled in Milan, where he founded a school. In 1741 he participated in the famous academy held at the Collegio dei Nobili under the direction of G.B. Sammartini, who was to call on his services as a violinist on several future occasions. During this period he acquired the nickname Zuccherino quoted in some contemporary sources. Around 1760 he was living in London, where he became a member of the Italian opera orchestra and had some violin compositions published, including his celebrated set of 12 adagios in dual plain and ornamented versions (...

Article

(b London, Jan 28, 1793; d Bologna, Feb 1879). Italian bass. The son of an Italian father and an English mother, he accompanied his family to Italy in 1803 and for a time studied painting. He eventually studied singing with Crescentini in Bologna, and in 1816 made his début at Ferrara, going in the same year to Munich, where he was engaged at the Hoftheater. In 1819 he sang in operas by Rossini and Guglielmi at the Kärntnertortheater, Vienna, returning to La Scala for Rossini’s La pietra del paragone, L’italiana in Algeri and La Cenerentola, in which Rossini thought him the best Don Magnifico he had heard. On 26 December 1820 Zucchelli sang in the Rome première of Pacini’s La gioventù di Enrico V. In 1821–2 he appeared in Trieste and in the following season he went to London, where he performed in the English première of Rossini’s ...

Article

Adriano Mazzoletti

(b Spilimbergo, Italy, 1911; d Asti, Italy, c1977). Italian guitarist and leader. He played guitar from the age of six. In 1934 he recorded as an unaccompanied soloist and in 1938 formed a group that later became the Quintetto Ritmico di Milano; this was modeled after the Quintette du Hot Club de France and included three guitars (of which Zuccheri played the lead), a violin (from ...

Article

Wolfgang Suppan

(b Vienna, July 2, 1896; d Locarno, Switzerland, April 24, 1965). Austrian musicologist and conductor, active in the USA. Possibly a member of the Schenker's circle of students in Vienna as early as 1912, Zuckerkandl studied the piano with Richard Robert and after army service during World War I, was a free-lance conductor in Vienna, 1920–29. In 1927 he took the doctorate in musicology, with a dissertation on the methods of instrumentation in Mozart's works. (He also took art history and philosophy as secondary subjects.) He was a music critic for the Ullstein-Blätter, an editor for the publisher Bermann-Fischer (1927–33) and taught music theory at the Vienna Music Academy until 1938. After fleeing Austria, he taught at Wellesley College (1942) and then worked as a machinist in an arms factory in Boston. In 1946 he became a music theory teacher at the New School of Social Research, New York and in ...

Article

Sergio Durante

( fl 1678–85). Italian soprano . She sang in Venice in 1678 in Carlo Pallavicino’s Vespasiano for the opening of the Teatro S Giovanni Grisostomo. Thereafter her name appears only in librettos of Neapolitan productions, including the first performances of Alessandro Scarlatti’s Aldimiro, o vero Favor per favore and Psiche, o vero Amore innamorato...

Article

James Chute

revised by Jonas Westover

(b Cambridge, MA, Sept 25, 1944). American Flutist. She studied English at Barnard College (1962–4) before attending the Juilliard School, where she studied flute with Julius Baker (1964–6). In 1968 she married the violinist Pinchas Zukerman (they divorced in 1985). Under the sponsorship of the Young Concert Artists Auditions, which she won in 1970, she made her Town Hall debut in 1971. Her most regular musical partner has been Zukerman, whom she has joined in concerts with the English Chamber Orchestra (among others), occasional recitals, and a number of recordings. In 1976 she collaborated with the flutist Jean-Pierre Rampal in a concert at Carnegie Hall. She has also performed with the Chamber Music Society of Lincoln Center, the Spoleto Festival (Italy), the Mostly Mozart Festival (New York), the Edinburgh Festival, and a wide range of orchestras. She has served as the artistic director of the Vail Valley Music Festival since ...

Article

Noël Goodwin

(b Tel-Aviv, July 16, 1948). Israeli violinist of Polish descent. His father, also a violinist, encouraged a childhood instinct for music, and at eight he entered the Tel-Aviv Academy of Music, where he studied with Ilona Feher, a pupil of Hubay. In 1961 he was heard by Isaac Stern and Pablo Casals, on whose recommendations he received scholarships enabling him to enter the Juilliard School of Music, New York, with Stern as his legal guardian. There Zukerman studied with Ivan Galamian and extended his interest to the viola, the better to participate in chamber ensembles. He appeared at the 1966 Spoleto Festival in Italy, and the next year was joint winner of the Leventritt Memorial Competition. The resulting solo engagements throughout North America were supplemented by deputizing for an indisposed Stern, and since Zukerman’s New York début at Lincoln Center in 1969 he has toured frequently in Europe. His British concert début was at the ...

Article

Michael Steinberg

(b Brooklyn, NY, 22 Oct 1943; d Hong Kong, 6 June 2017). American violinist and conductor. He started music lessons when he was three and studying the violin at the age of four. Two years later he first played in public, and at seven became a student of Galamian. He made his first orchestral appearance in 1953 with the New Haven SO, and a formal début recital at Carnegie Hall in 1956. He specialized in 20th-century music and had complete command of new and traditional virtuoso techniques. He gave the premières of concertos by Sessions (for violin, cello, and orchestra), Wuorinen (for amplified violin and orchestra), and the Scottish composer Iain Hamilton, and of works by Babbitt, Carter, Crumb, Wuorinen, and others. From 1963 to 1976 he performed frequently with the pianist Gilbert Kalish, with whom he was associated in a repertory of over 300 works. One of the original Creative Associates at the Center for Creative and Performing Arts, SUNY, Buffalo, in ...

Article

Jacques Aboucaya

[Z, Bojan ]

(b Belgrade, Feb 2, 1968). Serbian pianist and composer. He discovered jazz in 1984 and quickly became one of the busiest pianists in Belgrade. After gaining a scholarship to the University of Michigan (1986) he spent time with Clare Fischer, under whose influence he renewed his approach to the piano. In the course of his service in the Serbian army (1987) he directed an ethnic music orchestra, and this supplied further inspiration for his music making. In 1988 he settled in Paris, where in the early 1990s he played in Noël Akchoté’s groups Trash Corporation and Unit and in 1992 founded Quartet Z. He joined Henri Texier’s Azur Quartet (1992) and Sonjal Septet (1996), played in Sylvain Beuf’s quartet, formed an international group including, most notably, Julien Lourau, and appeared at the festival Banlieues Bleues (1997), where he presented ...

Article

Hans-Hubert Schönzeler

(b Oppach, April 9, 1850; d Munich, Sept 4, 1903). German conductor and composer. Trained at the teachers’ seminary at Bautzen (where he also received a thorough musical education), Zumpe taught in the local school at Weigsdorf in 1870–71, then went as a teacher to Leipzig, where he furthered his musical studies with Tottmann. He turned to music completely when Wagner called him to Bayreuth in 1872 (an association which became the main influence in his development) to assist in the completion of the Ring score. As a conductor he travelled widely throughout Germany and held important positions in Stuttgart (1891), Schwerin (1897) and Munich (1895 and 1900). He also visited London (conducting Wagner at Covent Garden in 1898), Odessa, Madrid and St Petersburg. An energetic and intelligent conductor, he was regarded in his day, especially in Wagner’s music, as comparable to Richter, Mottl and Levi. As a composer he was strongly influenced by Wagner; his operas and operettas enjoyed a certain measure of success during his lifetime. At his death he left an unfinished opera, ...

Article

Marcia J. Citron

(b Stuttgart, Dec 9, 1796; d Stuttgart, Aug 1, 1857). German composer, pianist, singer and teacher . The youngest of seven children born to the composer Johann Rudolf Zumsteeg, she studied the piano with Schlick and theory with Wilhelm Sutor. Gifted with a fine alto voice, she was soon singing and performing on the piano (e.g. at the Stuttgart Museumskonzerte). As an adult Zumsteeg mixed with leading musicians and poets. The literary ties reflected her interest in the lied, which formed the basis of her creative reputation. She also wrote several piano works, such as the early Trois polonaises, published in 1821 and favourably reviewed in the Allgemeine musikalische Zeitung, and sacred choral music. She occupied a central position in the musical life of Stuttgart as a teacher of voice and piano and as a leading member of the Verein für Klassische Kirchenmusik.

Zumsteeg’s lieder were still known in the late 19th century (Michaelis) but have not remained in the repertory. She composed about 60 songs. The six lieder of her op.6 received a brief but laudatory notice in the ...

Article

(b Sachsenflur, nr Mergentheim, Jan 10, 1760; d Stuttgart, Jan 27, 1802). German composer and conductor. His father was in military service before becoming a personal servant of Duke Carl Eugen of Württemberg. After the early death of his mother, Zumsteeg received a good general education at the Carlsschule in Stuttgart, the military academy founded by the duke, where he became friendly with Schiller and the sculptor Johann Heinrich Dannecker (who made a bust of him). Zumsteeg was originally intended for a career as a sculptor, but his musical talent showed itself early. He studied the cello with the chamber virtuoso Eberhard Malterre and from 1775 with the cello soloist and court Kapellmeister, Agostino Poli, who also taught him composition. Zumsteeg’s first works, among them most of the ten surviving cello concertos, were composed during his student days. The most significant works of this period are the melodramatic setting of Klopstock’s ode ...

Article

Ken Rattenbury

revised by Barry Kernfeld

[Robert Albert; Zukowski, Bogusław Albert]

(b Detroit, Jan 17, 1912; d Los Angeles, Feb 16, 1944). American pianist and composer. At an early age he displayed a precocious talent for playing piano in an assertive, confident style influenced by the blues. He worked in Philadelphia as a member of an orchestra led by the pianist Oliver Naylor, recording in 1925 and appearing at the Palace d’Or and the Orient restaurant in the late 1920s and early 1930s; he also spent a period with the Playboys, led by the double bass player Thelma Terry (recording in 1928). After performing with the singer Seymour Simons and at Smokey’s Club in Detroit he came to prominence as a member of Bob Crosby’s band (late 1936 – mid-1939), in which he was Joe Sullivan’s replacement; while with Crosby he gained recognition as a leading exponent of the boogie-woogie style, and in 1939 he was named “best pianist” by ...

Article

Gert Oost

(b Rotterdam, Aug 20, 1877; d Zaandam, July 13, 1937). Dutch organist, composer and organologist . He studied with, among others, Hendrik de Vries, a composer and organist at the Laurenskerk in Rotterdam. From 1893 he worked as an organist in Rotterdam, and from 1898 until his death was organist of the Hersteld Evangelical Lutheran church in Amsterdam, where he gave many recitals on the famous Strumphler organ (now in St Eusebius in Arnhem). There he opposed the practice of playing organ transcriptions and promoted original organ music. He had an extensive repertory, including many then unknown French and German works. From 1929 he gave weekly organ recitals on the radio. He also made a study of historical Dutch organs and organ music, especially the works of Sweelinck, Hendrick Spuy and Anthoni van Noordt. Zwart composed many organ works based on Reformed church songs and in a romantic style, which he published himself along with various articles. The series Nederlandsche Orgelmuziek, published in Koog aan den Zaan from ...

Article

Hellmut Federhofer

(b Judenburg, Styria, c1545–50; d ?Graz, Styria, May 1582). Austrian singer and composer. He was chorister in the Stephansdom, Vienna, and in 1559 was admitted to the university there. In 1572 his name appears last in a list of five basses employed at the Graz court household of Archduke Karl II of Inner Austria. At the express wish of the archduke he took holy orders and in 1579, when he accompanied his master to Munich, he was nominated first court chaplain. He himself used the title ‘Elimosinarius’ (almoner) in 1581. All that has survived of his work is a Magnificat à 6, A la fontaine du pris (in A-Gu , D-Kl and SI-Lu, ed. in DTÖ, cxxxiii, 1981), based on the chanson with the same title by Willaert. This work shows Zweiller to have been among the earliest composers to write parody Magnificat settings, a style with which he had presumably become familiar through contact with Lassus at Munich....

Article

Andrew Lamb

[Mariel]

(b Pistyán, Hungary, July 13, 1876; d Vienna, 14/June 15, 1947). Austro-Hungarian soprano. She sang soubrette roles at the Carltheater in Vienna from 1901 to 1920, also appearing at the summer theatre in the Prater, the Raimundtheater and the Theater an der Wien. She was the original Franzi in Straus’s ...

Article

William Kirk Bares

(b New York, NY, May 18, 1930; d Paris, France, April 2, 2010). American Jazz trombonist, bass trumpeter, and author. He is most widely known in musical circles for his work in Miles Davis’s Birth of the Cool band in 1948. Zwerin is better known to readers as a jazz contributor to Esquire, Playboy, Rolling Stone, Vogue, and Elle, and also as America’s preeminent European jazz correspondent. After a stint as a jazz critic for New York’s Village Voice (1964–9), he became the publication’s European editor (1969–71). In 1979 Zwerin became the Paris-based jazz critic for the International Herald Tribune, and in 2005 for Bloomberg News. His expatriate experiences are detailed with wit and candor in the autobiographical The Parisian Jazz Chronicles: an Improvisational Memoir (New Haven, 2005). His books La Tristesse de Saint Louis: Jazz under the Nazis (1987, reprinted as ...

Article

K. Robert Schwarz

(b Miami, April 30, 1939). American composer and violinist. She studied with John Boda at Florida State University (BM 1960, MM 1962), then moved to New York to study the violin with Galamian. As a member of the American SO under Stokowski, she acquired invaluable training in performance and orchestration. Eventually, she enrolled at the Juilliard School, where she studied with Carter and Sessions and, in 1975, became the first woman to take the DMA in composition. Meanwhile, performances of her music began occurring with increasing frequency: Symposium for orchestra (1973) was conducted by Boulez, the String Quartet 1974 was played at the ISCM World Music Days in Boston and the Sonata in Three Movements (1973–4) was performed by her husband, the violinist Joseph Zwilich. Symphony no.1, first performed in 1982 by the American Composers Orchestra under Schuller, brought her international renown in ...