(b Pisky, near Khar′kiv, 8/Sept 20, 1876; d Paris, Jan 8, 1945). Ukrainian composer and pianist. Aged ten he was sent, along with his brother Yakiv (later known as the composer Stepovy), to sing in the choir of the Imperial Chapel in St Petersburg. It was during his time there (1886–95) that he began to compose under the influence of his teachers Balakirev and Lyapunov. He finished studies with Rimsky-Korsakov and Lyadov at the St Petersburg Conservatory in 1901, the year in which the latter conducted the first performance of the Lyric Poem, op.20. Akimenko then became the director of a music school in Tbilisi (1901–03). He performed widely as a pianist, particularly in France and Switzerland, and lived for a while in Paris (1903–06) before returning to Khar′kiv. In 1914 he was invited to teach composition and theory at the St Petersburg Conservatory, a post he held until ...
revised by Luis Merino
(b Santiago, Sept 2, 1911; d Santiago, Aug 2, 1954). Chilean composer and pianist. He studied with Allende for composition and Renard for the piano at the Santiago National Conservatory (1923–35), where he then held appointments as coach at the opera department (1935), assistant professor of the piano (1937), professor of analysis (1940), and director (1945). At the same time he taught at the Liceo Manuel de Salas in Santiago. He was secretary-general to the Instituto de Extensión Musical (from 1941), a founder-director of the Escuela Moderna de Música, Santiago (1940), and a member of various arts societies. In 1943 he went to the USA as a guest of the Institute of International Education and in 1953 he was in Europe for the performance of his Wind Sextet at the ISCM Festival. His early compositions show the influences of French music and Chilean folklore; from the late 1940s his work became more Expressionist and abstract....
Lori Burns and Jada Watson
(b Newton, NC, Aug 22, 1963). American alternative-rock singer-songwriter, pianist, and record producer. She emerged in the early 1990s amid a resurgence of female singer-songwriters and has been one of the few well known alternative-rock artists to use the piano as her primary instrument. She attended the preparatory division of the prestigious Peabody Conservatory but left the school at the age of 11. She began to play her own music in nightclubs at 14, chaperoned by her father, who was a preacher. After Amos moved to Los Angeles in her late teens to pursue a recording career, her band Y Kant Tori Read released a self-titled album (Atl., 1987). Although this was unsuccessful, Atlantic Records retained her six-album contract.
Amos’s debut solo album, Little Earthquakes (Atl., 1992), earned her critical acclaim for her vocal expressivity, pianistic virtuosity, and fearless exploration of a wide range of personal themes, notably female sexuality, personal relationships, religion, sexual violence, and coming of age. The album ...
Saadalla Agha Al-Kalaa
(b al-Qrayya, Syria, Oct 18, 1915; d Beirut, Dec 26, 1974). Syrian singer, composer, ‘ūd player and film actor and producer. In 1924 political circumstances forced his family to move to Egypt. His mother, the noted singer ‘Aliyya al-Munther, taught him singing in the Syrian style. He studied the ‘ūd (lute) at the Cairo Institute for Arab Music. His professional work began as an ‘ūd player and singer at the national radio station and in Badī ‘a Maṣabnī's variety show saloon.
In 1941, through his sister Asmahān , he entered the cinema industry, and for the rest of his life was involved in films as a composer, singer actor, and producer. His singing of Syrian mawwāl (popular songs), tangos and rumbas achieved great popularity, and his work laid the foundations for Arab variety show films, cinematic operetta, orchestral musical overtures and comic and sad songs. His 31 films are mostly autobiographical and provide valuable insight into the role of the musician in society....
(b Edgard, LA, Dec 24, 1920). American Trumpeter, arranger, producer, songwriter, bandleader, and singer. He started his career as a trumpeter playing with established bands led by, among others, Papa Celestin, Joe Robichaux, and Claiborne Williams before joining Fats Pichon’s ensemble, considered one of the top groups in New Orleans, in 1939. During World War II he played in the 196th AGF (Army Ground Forces) Band, where he met Abraham Malone, who taught him how to write and arrange. After the war, he formed his own band in New Orleans, which made its debut at the Dew Drop Inn and later performed at Sam Simoneaux’s club Graystone where many of the city’s top instrumental players, including the drummer Earl Palmer and the saxophonists Lee Allen and Red Tyler, were showcased.
Bartholomew is best known for his talents as an arranger and songwriter. In the 1950s and 60s he worked with many of the biggest stars of the day, including Smiley Lewis, Lloyd Price, Shirley and Lee, and Joe Turner. By the 1970s he had associations with some of rock and roll’s most established talents, including Paul McCartney, Elton John, and the Rolling Stones. His most productive association was with fats Domino, whom he met through Lew Chudd, the owner of Imperial Records, where he worked as a house arranger, an A&R man and an in-house bandleader. From ...
[Campbell, Bek David; Hansen, Beck]
(b Los Angeles, CA, July 8, 1970). American rock singer, songwriter, guitarist, and producer. He has recorded and performed songs in a wide range of genres including folk, country, bluegrass, grunge, indie, metal, rock, lounge, Latino, and noise. An obvious contributing factor to his eclectic tastes is his artistic and performer-laden family. His father David Campbell is a string player and arranger who has worked on string parts for some of his son’s more recent albums. His mother Bibbe Hansen worked with Andy Warhol at the artist’s studio the Factory in New York at an early age and was involved in the west coast punk scene during the 1980s. His grandfather Al Hansen was an artist and performer involved in the Fluxus movement. Beck grew up around rockers and in various ethnic neighborhoods which all contributed to his music education. After spending time at the end of the 1980s involved with New York’s anti-folk scene he returned west and began performing as often and wherever he could. These gigs involved him using a leaf-blower on stage, telling stories, setting fire to his acoustic guitar, and rocking out with a boom-box backing tape. His breakthrough came in ...
Olivia Carter Mather
(b St. Louis, MO, Jan 14, 1948). American singer-songwriter, guitarist, and producer. Best known for his work as a record producer in the 1990s and 2000s, he began his career as a rock musician, hired by Bob Dylan in 1975 for his Rolling Thunder Revue tour. In the late 1970s Burnett formed the Alpha Band and recorded three albums before launching his solo career. Burnett’s solo material was critically acclaimed—he was named Songwriter of the Year by Rolling Stone in 1983—but commercially unsuccessful. He has continued to record solo albums intermittently into the 2000s, but his main work since the mid-1980s has been production.
Burnett’s credits span a wide range of genres with an emphasis on singer-songwriters and Americana; he has recorded Elvis Costello, John Mellencamp, Gillian Welch, B.B. King, the Counting Crows, Los Lobos, Roy Orbison, Bruce Cockburn, Willie Nelson, Robert Randolph, and Sam(uel Cornelius) Phillips...
[Cale, John Wheldon; Cale, J.J.]
(b Oklahoma City, OK, Dec 5, 1938). American Guitarist, singer, songwriter, producer, and engineer. He began his career playing in clubs in Tulsa and joined Gene Crose’s band in 1957. He made some of his first recordings when his own band, Johnnie Cale and the Valentines, worked as a backing group to Al Sweatt. By 1958 his band had become the Johnny Cale Quintette and it was with this group that he made his first recording under his own name, “Purple Onion.” A big break came in 1965 when Snuff Garrett of Amigo Studio hired him to be a recording engineer. Around this time Elmer Valentine, who owned the club Whiskey a Go-Go in Los Angeles, suggested that Cale use the stage name JJ Cale. In 1966 he began songwriting and in 1969 was signed by Denny Cordell and Leon Russell to Shelter Records.
Cale’s success as a singer and songwriter came shortly after Eric Clapton covered his song “After Midnight.” The top-20 success of “After Midnight” and later “Cocaine” and “Travelin’ Light” began a relationship between Cale and Clapton which has lasted into the 21st century and produced the Grammy-winning album ...
H. Wiley Hitchcock
(fl 1785–95). Cellist, guitarist, singer, impresario, and composer of French origin, active in Philadelphia and New York. He is first mentioned in 1785 as a manager of subscription concerts in Philadelphia. He organized similar concerts in New York, generally in series of three: in 1788–89, with Alexander Reinagle as co-manager; in 1791–92; and in 1793–94 (the City Concerts, presented at the City Tavern). He performed in these as the soloist in cello concertos, as a member of chamber duos and quartets, and as a singer (often in duets with Mary Ann Pownall); he also played cello in the Old American Company’s orchestra. In the early 1790s, he was a music tutor of George Washington’s stepdaughter Nelly Custis, while in 1793 he became the co-manager with John Christopher Moller of a music store and school in Philadelphia, considered the first of its kind in America. Capron and Moller published four issues of ...
(b Hartford, CT, Oct 11, 1964). American gospel music singer, songwriter, choral director, producer, and pianist. He taught himself to play piano by studying Edwin R. Hawkins’ award-winning album Let us Go into the House of the Lord (1968), which included the immensely popular single “Oh Happy Day.” He cites Walter Hawkins, James L. Cleveland, and Andraé Crouch as his earliest musical influences. He received a bachelor’s degree in fine arts from the University of Connecticut. Later he was mentored by the classically trained gospel music director Richard Smallwood, who encouraged him to take on more varied musical styles in compositions. Carr joined Cleveland’s choir as a keyboard player in 1986 and quickly rose to become its music director. After Cleveland’s death in 1991, he began working with Crouch and later became Crouch’s music director. In 1991 he also formed the Kurt Carr Singers while working in Los Angeles. After the release of two moderately successful albums he attained widespread success with the album ...