(b Port Chester, NY, Dec 16, 1944; d Cortlandt Manor, NY, Aug 22, 2017). American jazz guitarist, composer, and bandleader. He grew up in Greenwich, CT, and began playing guitar at the age of 14. He was primarily self taught until he studied at the Berklee College of Music (1962–6) and with Jack Petersen. Abercrombie joined Johnny Hammond’s touring band after the blues organist had spotted him performing with other Berklee students at Paul’s Mall in Boston. After studying briefly at the University of North Texas, in 1969 he moved to New York where he performed and recorded in Billy Cobham’s jazz-rock band Dreams (1970), joined Chico Hamilton’s group, and recorded with Gato Barbieri (1971), Barry Miles (1972), and Gil Evans (1974). Abercrombie attracted wider attention performing with Cobham’s fusion band Spectrum from 1974. He also toured with Jack DeJohnette and recorded his debut album, ...
[Abrams, Richard Louis]
(b Chicago, IL, Sept 19, 1930; d New York, Oct 29, 2017). American pianist, composer, and administrator. After receiving private piano lessons, he studied at the Chicago Musical College and taught himself the system of composition devised by Joseph Schillinger. He began to work professionally in 1948 and performed regularly at the Cotton Club in Chicago during the 1950s, accompanying visiting musicians such as Dexter Gordon, Sonny Stitt, and Max Roach. After composing and arranging for the Walter “King” Fleming band in the mid-1950s, Abrams joined the hard bop ensemble MJT+3 and made his recording debut on the group’s album DADDY-O PRESENTS MJT+3 (1957, VJ 1013). Beginning in 1961 Abrams led the Experimental Band, a composer-centered rehearsal ensemble whose members included the double bass player Donald Rafael Garrett, Jack DeJohnette, Roscoe Mitchell, and the reed player Joseph Jarman. He subsequently co-founded the Association for the Advancement of Creative Musicians...
(b Kingston, ON, Nov 5, 1959). Canadian rock singer, songwriter, and guitarist, and photographer. The son of a diplomat, he spent his youth in England, Israel, Portugal, and Austria. After returning with his family to North America, he began performing and recording at the age of 15 with rock bands in British Columbia and Ontario. In 1978 he began what became a long and successful songwriting partnership with Jim Vallance, with whom he created most songs recorded under his name up to 1987, as well as songs recorded by Rod Stewart, Kiss, Bonnie Raitt, Neil Diamond, and the Canadian groups Prism, BTO, and Loverboy.
Adams’ albums characteristically alternate between down-tempo piano ballads and straight-ahead rock numbers. His third solo album, Cuts like a Knife (1983) launched him to the status of an international celebrity; its singles included the ballad “Straight from the Heart” and the anthem “Cuts like a Knife,” which both featured for weeks on magazine charts and music television. The next album, ...
[Park Frederick, III ]
(b Highland Park, MI, Oct 8, 1930; d Brooklyn, NY, Sept 10, 1986). American jazz baritone saxophonist and composer. He grew up in Rochester where he took up tenor and baritone saxophones and clarinet, but settled on baritone after moving to Detroit in 1947 as a means of finding work in the city’s fiercely competitive music scene. After serving for two years in the US Army Band, Adams returned to Detroit in 1953 and worked there with Tommy Flanagan, Barry Harris, Kenny Burrell, and Elvin Jones, in the house band at the Blue Bird and at Klein’s. In 1956 he moved to New York and was a member of Stan Kenton’s big band for six months following a recommendation from Oscar Pettiford. From the following year, Adams spent 20 years working in big bands led by Maynard Ferguson, Benny Goodman, Quincy Jones, Lionel Hampton, and Thad Jones and Mel Lewis. During this period he also performed in small ensembles whenever possible and was in demand as a recording artist. Notably, he co-led a quintet with Donald Byrd from ...
J. Bradford Robinson
(b Dairen, China, Dec 12, 1929). Japanese jazz composer, pianist and bandleader. She studied classical music and turned to jazz only in 1947 after moving to Japan. There she was discovered by Oscar Peterson, who urged her to take up a career in the USA. After studying at Berklee College of Music (1956–9) she became a highly regarded bop pianist, especially in groups with the alto saxophonist Charlie Mariano (who was at that time her husband). She worked in Japan (1961), joined Charles Mingus in the USA (1962–3), then returned to Japan until 1965. In 1973 she founded a large rehearsal band in Los Angeles with the tenor saxophonist and flautist Lew Tabackin, whom she had married in 1969. Its first album, Kogun (1974, RCA), was commercially successful in Japan, and the group attracted increasing popularity and critical acclaim until, by ...
E. Ron Horton
(b Hollywood, CA, Aug 30, 1957). American jazz and pop saxophonist. With Grover Washington jr and George Benson he was at the forefront of a movement in the 1970s that combined a jazz sensibility with more mass-market styles such as funk, rock, and rhythm and blues. Albright attended Locke High School where Patrice Rushen was a fellow student. At the University of Redlands, he read business management with a minor in music; during this time he refined his saxophone technique and learned to play bass guitar. He subsequently performed and recorded with Rushen, playing the well-known saxophone solo on her hit single “Forget me nots” (Rhino, 1982). Thereafter, his career flourished as he worked with a range of artists including Anita Baker, the Winans Family, Lola Folana, Whitney Houston, Phil Collins, and Quincy Jones. One of Bill Clinton’s favorite saxophonists, Albright performed at the president’s inauguration as well as at several of his private functions. As a leader, he has made nine albums and sold more than one million records in the United States; his recordings ...
Gareth Dylan Smith
[Patterson, Robert, Jr. ]
(b Philadelphia, PA, July 1, 1935; d New York, NY, Aug 13, 2009). American jazz drummer. He learned congas from the age of nine and studied percussion while in the US Army (1952–5). After attending the Granoff School in Philadelphia, he worked in jazz and rhythm-and-blues bands and in 1963 moved to New York, where he was a key figure in the free-jazz movement, performing with Albert Ayler, Don Cherry, Sun Ra, and Archie Shepp. In addition he collaborated with John Coltrane, including the albums Expression and Interstellar Space (both 1967, Imp.), on which Ali’s performance displays the influence of Sunny Murray and Milford Graves. Ali also learned from Elvin Jones, with whom he competed for the drum chair in Coltrane’s band. In 1967 Ali worked in Europe with Niels-Henning Orsted Pedersed, studied with Philly Joe Jones, and worked at Ronnie Scott’s, London, with Jon Hendricks and Dave Holland. The following year he returned to New York, where he played with Sonny Rollins and Jackie McLean, and for five years from ...
(b Pontiac, MI, June 12, 1957; d Philadelphia, June 27, 2017). American jazz pianist and composer. She began classical piano study at age seven with Patricia Wilhelm, who also encouraged her interest in jazz. After graduating from Detroit’s Cass Technical High School in 1975 (where trumpeter Marcus Belgrave was one of her teachers), she studied with John Malachi at Howard University (BA 1979, jazz studies) and with Nathan Davis at the University of Pittsburgh (MA 1982, ethnomusicology). She also took private piano lessons with Kenny Barron in 1979. She moved to New York in the early 1980s, where she became a member of the M-BASE collective. Allen recorded her first album as a leader, The Printmakers, in 1984 (Minor Music). After that she performed on more than 100 recordings in a variety of capacities. She worked in trios with Ron Carter and Tony Williams (on albums such as ...
(b Louisville, KY, May 25, 1924). American alto saxophonist and bandleader. He began clarinet lessons when he was ten and later took up alto saxophone. After joining the US Army at 18 years of age, Allen performed in military bands and, while stationed in Paris, formed a trio with Art Simmons and Don Byas. Allen remained in Europe following his discharge, touring with James Moody and studying clarinet at the Paris Conservatory with Ulysse Delécluse. He returned to the United States in 1951 and led dance bands and worked as a composer in Chicago. After hearing a demo recording of Sun Ra’s Arkestra in a record store, Allen sought out the bandleader during a rehearsal and began an apprenticeship. He subsequently rehearsed with the Arkestra for more than a year before joining officially in 1958. His association with the ensemble has lasted more than 50 years.
Allen worked closely with Sun Ra for much of his professional career, composing for the bandleader and performing both in concert and on more than 200 albums; he even shared a house with him. Alongside John Gilmore Allen anchored the reed section, adding flute, clarinet, oboe, and in later years wind synthesizer. He invented the morrow, a woodwind instrument combining a saxophone mouthpiece with an open-holed wooden body, and learned to play and build the kora, a West African multi-string instrument. Allen rarely worked outside the Arkestra, although he made a notable recording with Paul Bley (...
[Stephen Valentine Patrick William]
(b New York, NY, Dec 16, 1921; d Encino, CA, Oct 30, 2000). American composer, radio and television personality, pianist, singer, and comedian. The son of Belle Montrose and Billy Allen, both of whom worked in vaudeville, he moved from place to place as a child, attending many schools for short periods of time. He played piano from an early age, although his musical training was mainly informal. He began a professional career in Los Angeles as a disc jockey on radio during the 1940s, then turned to television in the 1950s; he established himself as a comedian, and often played the piano during his shows, improvising jazz and singing his own songs. Among the musicians who appeared with him regularly was the vibraphonist Terry Gibbs. Allen’s most popular television program was “The Tonight Show,” which he began broadcasting locally in New York in 1953, subsequently leading it to nationwide success the following year. Allen performed the title role in the film ...