(b Bucharest, 2/Aug 14, 1893; d Bucharest, Feb 18, 1959). Romanian composer, pianist, conductor, teacher, music critic, and director of music programmes. A leading figure of the first half of the 20th century, he laid the foundation of the Romanian school in music, concert life, and musical journalism. He studied with A. Castaldi, D. Dinicu, D.G. Kiriac, and E. Saegiu at the Bucharest Conservatory (1903–11), completing his education with two periods of study in Paris (1913–14, 1923–4), where he studied with d’Indy at the Schola Cantorum and with Paul Vidal at the Conservatoire. A remarkable accompanist, he worked with Enescu, Thibaud, Mainardi, Moodie, and others during the period 1919–45. As a conductor he always achieved a soberly balanced performance; he conducted more than 1500 performances at the Romanian Opera in Bucharest (1921–59), where he specialized in the French repertory (Bizet, Massenet, and Gounod). In his capacities as conductor of the Romanian Philharmonic Society, and as conductor and artistic manager of the Romanian RSO, he did much to encourage Romanian composers. He was also active as a music critic for Romanian and French reviews. Much of his compositional work was done during his youth, including ...
revised by Ruxandra Arzoiu
Hans Åstrand and Bo Wallner
(b Göteborg, Dec 12, 1887; d Stockholm, Feb 15, 1974). Swedish composer, administrator, conductor and critic. He studied the cello at school in Göteborg and then entered the Stockholm College of Technology. Having passed the examination in civil engineering in 1911, he spent his working life (1912–68) in the patent office. He was largely self-taught although he studied composition and instrumentation with Hallén at the Swedish Royal Academy of Music (1910–11), and partly used the state composer’s scholarships he received between 1911 and 1915 to study in Germany (1911 and 1913). He made his début as a conductor at Göteborg in 1912, when the programme included his First Symphony; thereafter (particularly during the 1920s) he often conducted his own music and that of contemporaries, both at home and abroad (where he promoted Swedish music). From 1916 to 1922 he was kapellmästare at the Royal Dramatic Theatre, Stockholm; he also worked enthusiastically as co-founder and president (...
(b Novosibirsk, Russian SFSR [now Russia], March 16, 1947). Russian drummer, writer, broadcaster, and educator. He began playing jazz in 1962, and after graduating from the state medical institute in Novosibirsk in 1971 he pursued a dual career as a jazz musician and an obstetrician. In 1975 he established Tvorcheskoye Dhazovoye Ob’yedinenie (Creative Jazz Unity), the first association of musicians and jazz promoters east of the Urals. He performed with Vladimir Tolkachev in the Musical Improvising Trio (1975–9), with Igor Dmitriev in various groups (including, from 1977, Zolotoye Gody Dhaza (Golden Jazz Years), with Vytautas Labutis in the quartet SibLitMash (Siberian-Lithuanian Jazz Machine, 1980s), and with Vagif Sadykhov in another quartet (1998), while also working as a freelance with Vladimir Chekasin, Anatoly Vapirov, Igor Butman, Joe Locke, Paul Bollenback, and former members of Art Blakey’s Jazz Messengers, among others. In 1990 he began to broadcast on radio, and in ...
revised by James Deaville
(b Würzburg, May 28, 1780; d Würzburg, Jan 5, 1862). German teacher, musical organizer, critic, theorist, conductor and composer. He studied music at the student institute of the Juliusspital in Würzburg, and studied law and philosophy at the university there. In 1801 he began his career as a violinist in the prince-bishop’s court orchestra. He also founded the Akademische Bande, a student choral and orchestral group, which in 1804 became the Akademisches Musikinstitut and was made part of the university, thus becoming the basis of the first state music school in Germany. His teaching and organizational work was of the highest importance and encompassed several disciplines and activities. He became reader in aesthetics in 1812, reader in pedagogical studies in 1819 and professor in 1821. In 1820 a singing school was established as part of the institute. He also conducted important historical concerts for King Ludwig I in ...
(Friedrich) [Gallas, Brian Roy]
(b Wellington, New Zealand, Feb 15, 1946). New Zealand writer on musical theatre. He studied law and classics at Canterbury University, New Zealand, subsequently joining the New Zealand Opera company as a bass singer. After moving to London he became a casting director and then a theatrical agent in musical theatre; from 1990 he devoted himself to writing and broadcasting on this subject. His pioneering two-volume study The British Musical Theatre (London, 1986), won several awards: its thorough survey of performances has ensured its place as an essential reference work. His later Encyclopedia of Musical Theatre (Oxford, 1994) is ambitious in its scope, displaying both the breadth of Gänzl’s interest and, through its selections and judgments, his characteristically personal view of the subject. His other books include Gänzl’s Book of the Musical Theatre (with Andrew Lamb; London, 1988), a companion guide in the manner of Kobbé, ...
(b London, May 3, 1908; d Oxford, June 28, 2000). English music administrator, pianist, educationist and critic. He was educated at Christ’s Hospital and Gonville and Caius College, Cambridge, where he was an organ scholar, and studied with Artur Schnabel in Berlin (1930–33). But though he developed into a fine pianist and made some successful concert appearances, notably in chamber music and in a series of Mozart concertos, which he performed with impeccable technique and style, he at first became a music critic. After a brief period on the Daily Telegraph he joined The Observer (1934–45), succeeding A.H. Fox Strangways as chief critic (1939). He began a new phase of his career as a musical educationist in 1948, when he founded the Summer School of Music at Bryanston, Dorset; it moved in 1953 to Dartington Hall, Devon, and Glock remained its music director until ...
Gary W. Kennedy
(b Reading, PA, Dec 18, 1932). American writer. He learned clarinet from the age of 12 and taught himself to play alto saxophone. After studying music theory at Florida State University (BA 1961) he played with the pianist John Benson Brooks (c1961–3), whose trio explored 12-tone composition and improvisation. From the early 1960s Heckman contributed to Down Beat, Metronome, and Jazz Review, and in the process he wrote a number of musical analyses of jazz performances (notably “Miles Davis Times Three,” DB, xxix/23 (1962), 16), which was an unusual practice at the time. Around the same period he played occasionally with Don Ellis, broadcast a jazz radio show on WBAI-FM in New York (1963–4), and performed in the October Revolution in Jazz (1964). From 1964 to 1972, with the tenor saxophonist Ed Summerlin, he co-led the ensemble Improvisational Jazz Workshop, in which Steve Kuhn, Ron Carter, Steve Swallow, Ed Shaugnessy, and Charli Persip were among their sidemen; the group recorded an eponymous album in ...
Israel J. Katz
(b Orense, Oct 1, 1918). Spanish pianist, composer, conductor, administrator, critic and writer on music. He studied piano and composition with José Cubiles and Conrado del Campo at the Madrid Conservatory, taking diplomas in piano (1935) and composition (1944); later he was a pupil of Marguerite Long, Lazare Lévy and Yves Nat in Paris and of Isidore Philipp in New York, and studied conducting with Luís de Freitas Branco and Louis Fourestier. He has made concert tours of Europe, North Africa and the USA. His professional activities have included the founding (1957) and directing of the Orense Conservatory of Music, giving piano masterclasses and teaching the interpretation of Spanish music at Música en Compostela (from 1958) and organizing the Manuel de Falla seminars and courses at Granada. He created (1962) the Semanas de Música Religiosa at Cuenca and as music adviser to the Instituto de Cultura Hispánica planned music festivals in Spain and the USA in collaboration with the Organization of American States; he has served as secretary-general of the Spanish section of ISCM (whose festivals he organized in ...
Mark Anthony Neal
(b Chicago, IL, Jan 8, 1967). American R&B singer, writer, producer, and arranger. Kelly was born on the South side of Chicago. Raised, with his three siblings, by a single mother, he was encouraged to pursue a musical career by his high school music teacher and mentor, Lena McLin, who was the chair of the music department at the Kenwood Academy and the niece of the legendary gospel music composer Thomas Dorsey. In high school Kelly formed the group MGM (Musically Gifted Men), which won a $100,000 grand prize on the television talent show Big Break, hosted by Natalie Cole. The group eventually signed with Jive Records, though after creative and financial tensions, three of the members were replaced and the group renamed R. Kelly and Public Announcement. After a moderately successful debut that produced the hit singles “She’s Got That Vibe” and “Honey Love,” Kelly left the group in early ...
(b Little Rock, AR, June 19, 1945; d Valhalla, NY, Nov 20, 1997). American writer. As a youth he played reed instruments with rock, country, and soul bands, and later performed as a member of an eclectic group called the Insect Trust, with which he recorded two albums. He was a co-founder of the Memphis Blues Festival in 1966, and the following year graduated from the University of Arkansas. In New York thereafter he became a widely published freelance writer on jazz, rock, and the avant garde. From 1975 he was a regular reviewer for the New York Times and in 1981 he was appointed to its staff of jazz and pop critics. Palmer wrote four books, the most important of which was a study of the Delta blues (Deep Blues, New York and London, 1981). He held teaching positions at Bowdoin College, Memphis State University, Brooklyn College, CUNY, Yale University, Carnegie Mellon University, and the University of Mississippi, where he worked after leaving the ...