1-2 of 2 results  for:

  • Sound Artist x
  • Chordophones (Stringed Instruments) x
Clear all

Article

Ryan Dohoney

(b Concord, NH, March 7, 1940). American filmmaker, composer, violinist, and media artist. He began playing violin in his youth and studied with Ronald Knudsen. He became fascinated with the physics of sounds and interested in intonation, the harmonic series, long-held tones, and the act of close listening. He attended Harvard University and received an AB in mathematics in 1962. While at Harvard he met Henry Flynt and Christian George Wolff and became involved with the post-Cagean avant garde based in New York. In 1959 Conrad met La Monte Young, who became a frequent collaborator in the mid-1960s. Conrad credits an encounter with the music of 17th-century composer and violinist Heinrich Ignaz Biber in the late 1950s with a profound transformation of his musical thinking, drawing his attention to variable tunings and the role of timbre as an aesthetic concern. Conrad’s exposure to the music of Ali Akbar Khan also heightened his interest in drones as a basis for musical performance....

Article

Mandy-Suzanne Wong

(b New Britain, CT, 1952). American video, new media, and sound artist, electroacoustic composer, and guitarist. Educated at the Eastman School of Music (BM), the Hartt School at the University of Hartford (MM), and the College-Conservatory of Music at the University of Cincinnati (DMA), Gwiazda is now professor of composition and music theory at Minnesota State University in Moorhead, Minnesota. Early in his career he composed for orchestra and electric guitar, securing performances by the New Britain Symphony, the American Dance Festival, and others.

In 1986 he turned to electroacoustic music, performing throughout the United States and Europe on sampler, guitar, and tape. In the tradition of musique concrète, Gwiazda’s collage-like pieces emphasized the musical potential inherent in environmental sounds and other so-called noises. In 1992 he began working with virtual audio: the use of sound to simulate immersive, three-dimensional spaces. His 1994 installation buzzingreynold’sdreamland uses a precise configuration of speakers to give the listener the impression of being inside a bowl of sound (Gwiazda’s sampled, vocal, and guitar sounds). ...