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Alan Tyson and Leon Plantinga

[Clementi, Mutius Philippus Vincentius Franciscus Xaverius]

(b Rome, Jan 23, 1752; d Evesham, Worcs., March 10, 1832). English composer, keyboard player and teacher, music publisher and piano manufacturer of Italian birth.

Leon Plantinga

The oldest of seven children of Nicolo Clementi (1720–89), a silversmith, and Magdalena, née Kaiser, Clementi began studies in music in Rome at a very early age; his teachers were Antonio Boroni (1738–92), an organist named Cordicelli, Giuseppi Santarelli (1710–90) and possibly Gaetano Carpani. In January 1766, at the age of 13, he secured the post of organist at his home church, S Lorenzo in Damaso. In that year, however, his playing attracted the attention of an English traveller, Peter Beckford (1740–1811), cousin of the novelist William Beckford (1760–1844) and nephew of William Beckford (1709–70), twice Lord Mayor of London. According to Peter Beckford’s own forthright explanation, he ‘bought Clementi of his father for seven years’, and in late ...

Article

Howard Mayer Brown

revised by Lynda Sayce

(b Nuremberg, c1500; d Nuremberg, 1570). German instrumentalist, lute maker and compiler and arranger of several volumes of instrumental music. He was probably the son of Conrad Gerle (d 1521), a well-known lute maker in Nuremberg. He may be presumed to have spent his life in his native city. He may have been related to Georg Gerle who worked as an instrument maker in Innsbruck during the second half of the 16th century.

Hieronymus Formschneider of Nuremberg published three volumes of music by Hans Gerle: Musica teusch, auf die Instrument der grossen unnd kleinen Geygen, auch Lautten (1532), Tabulatur auff die Laudten (1533) and Eyn newes sehr künstlichs Lautenbuch (1552). On the title-page of the last volume the author called himself ‘Hans Gerle den Eltern’ (the elder), implying the existence of a younger relative with the same forename.

The first volume, ...

Article

Lasairíona Duignan

revised by Barra R. Boydell

(d Dublin, 1813). Irish composer, music publisher and instrument maker. George Petrie considered him to have been the ‘most eminent British composer of military music in his time’. A Collection of Quick and Slow Marches, Troops &c. can be dated 1795–8. A square piano dated 1796 bears Holden’s name (possibly as seller rather than maker). In 1805, described as a ‘military music master and instrument maker’, he had premises in Arran Quay, Dublin. Nothing further is known about Holden’s apparent activities as an instrument maker. In 1806 he moved to Parliament Street, where he opened a music shop and began publishing, largely his own music although this continued to be issued by other Dublin publishers. On his death the business was continued by his widow until about 1818. Holden's publications included A Collection of Old Established Irish Slow and Quick Tunes (c1807); many of the airs may have been collected by his son Francis Holden. The elder Holden published two more collections of Irish music (issued periodically), collections of Welsh tunes, masonic songs and country dances, numbers of marches and quick steps, often dedicated to specific regiments and corps, and many individual songs and other instrumental pieces....

Article

Leonard B. Smith and Raoul F. Camus

[Brockton, Lester]

(b Southville, MA, Oct 25, 1879; d Palisade, NJ, March 16, 1955). American composer, conductor, editor and arranger. He studied at the New England Conservatory and was playing the violin with professional symphony orchestras in Boston by the age of 16. From 1896 to 1910 he conducted various theatre orchestras, including the orchestra of the Teatro Payret, Havana, then one of the largest theatres in the western hemisphere. He later moved to New York, where he wrote arrangements for Victor Herbert, John Philip Sousa, Edwin Franko Goldman, Percy Grainger, Henry Hadley and George M. Cohan. In 1913 he became editor-in-chief of band and orchestral music at Carl Fischer, a position he held for 35 years. His textbook, The American Band Arranger, was published by Fischer in 1920. He taught at the Ernest Williams School, Columbia University and New York University. He also conducted his band, Symphony in Gold, for NBC radio. More than 3000 of his arrangements and compositions were published, some under the pseudonym Lester Brockton. The Heritage of the March series of recordings includes a sample of his work. Lake’s autobiography is entitled ...