(b Astigarraga, Guipúzcoa, 1893; d Seville, Dec 7, 1970). Spanish composer and organist. He studied with Donostia and others in San Sebastián, with Otaño at the Comillas Seminary, and in Paris with Eugène Cools. In 1919 he was appointed maestro de capilla at Orense Cathedral and then organist at Seville Cathedral, where he became ...
revised by Tess Knighton
(fl1482). Iberian composer. He was a singer in the Aragonese royal chapel of Ferdinand V over a period of almost 30 years, from 1482 until 1510. He was presented to various ecclesiastical benefices under royal patronage and held, presumably by proxy, the position of head chaplain of the Dominican monastery in Madrid until 1505.
He was also closely associated with Segovia Cathedral for the best part of his life, being appointed chapel master there from 1 October 1504. For some years he held both positions, but this must have proved incompatible for in the autumn of 1507 he was suspended from his post as chapel master for an unspecified breach of the rules and replaced by Francisco de San Juan. He remained a member of the chapter, however, and was much involved in cathedral business during long periods of absence from the royal chapel during the period ...
Peter Andreas Kjeldsberg
revised by Martin Anderson
(b Fredrikstad, April 29, 1872; d Oslo, Dec 24, 1932). Norwegian composer, conductor and organist. He studied with Peter Lindeman (organ) and Iver Holter (harmony, counterpoint and composition) at the Christiania Music and Organ School (1888–92), and was then a pupil of Reinecke (composition) and Ruthard (piano) at the Leipzig Conservatory (1892–4). Appointments as organist followed in Drammen (1895–1907) and Oslo (1907–32), where he served at the cathedral from 1916; his First Symphony was completed during a course of study in Berlin in 1897. He was one of those responsible for the foundation of the Norsk Komponistforening, of which he was president from 1921 to 1923. As a member of the Koralbokkomiteen (1922–6) he harmonized most of the melodies in the chorale book of the Norwegian Church, and he edited preludes to all of the chorales. He was active as a choir-conductor, leading the Håndverksangforening (...
(b Lincoln, c1650; bur. Durham, April 11, 1721). English musician. He was the son of the John Blundevile who was associated with the choir of Lincoln Cathedral from 1622 to 1692. It is reasonable to identify him with the chorister of that name who was at Lincoln in 1660, and then at the Chapel Royal until Christmas Day 1664. It appears he then worked successively in Ely, as a lay clerk and informator between 1669 and 1674, in Lichfield in 1676 (having failed to produce the necessary certificate at Winchester on 16 May), and in Dublin, from 1677 to 1679. From 1681 he was a lay clerk at York Minster, becoming Master of the Choristers the following year. He held this post until 1692. On 15 May 1693 the Dean of Durham Cathedral was instructed to write to Blundevile to ascertain on what terms he would transfer his allegiance from York to Durham. Although Blundevile did leave York at this time, it is not known where he went, and it was not until ...
(b Faversham, Kent, c1175; d Anagni, summer 1244). English friar, administrator and liturgist. He was said to have been educated in the arts in England before studying theology at the University of Paris, where on 12 April 1224 he joined the young Franciscan Order. He was active in the affairs of the order and travelled widely in its service, and seems to have played a part in the establishment in 1229 of the Franciscan school in Oxford that formed the nucleus of the new university there. He was elected minister provincial of England in 1239 and minister general of the Franciscan Order on 1 November 1240. As general he did much to strengthen the institutions of the order. But his importance for the history of music lies in his reform of the Franciscan liturgy. He first (probably in 1243) produced an ordinal prescribing the words and actions of private and simple conventual Masses, known from its opening words as ...
(b c1620; d Liège, Oct 11, 1684). Flemish musician . He was appointed second succentor at Liège Cathedral on 24 November 1664 and at the same time received a benefice which was replaced by a more important one on 7 December 1668. He was to be responsible for the musical instruction of the duodeni. In November 1669 he and the first succentor were involved in a lawsuit against Lambert Pietkin. The cathedral canons admonished Thorette again and again for negligence, and since he did not improve they dismissed him from his post as succentor on 8 April 1672. But he retained his benefice and probably remained as a singer until his death. Auda was mistaken in stating that he was made a canon of Ste Materne. There is a short Chasse de St Hubert by him ( B-Lc ) for two violins, two cornetts (or flutes), two corni da caccia, bassoon and continuo (this last replaced in a 19th-century copy by two clarinets). It is based on brief fanfare motifs; the use of alternating sonorities would be pleasing if the piece were not unremittingly in G major. (...