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Sergio Martinotti

(b Rome, 11/Jan 16, 1638; d Rome, March 30, 1725). Italian librarian and bibliographer. He seems to have been a Jesuit. He was chief librarian at the Collegio Romano from 1676; he was also in charge of the archives of the Museum Kircherianum, Rome, of which he compiled the catalogue (Rome, ...


(b Padua, Jan 10, 1653; d Modena, Nov 30, 1732). Italian librettist, poet, architect and librarian. From 1691 to 1720 he was a curator of the public library at Padua, where he was a member and principe of the Accademia dei Ricovrati. Family quarrels drove him to spend the rest of his life in Modena. Buildings designed by him were erected or started in Padua, Vicenza, Stra and Modena from 1717 onwards. 11 operas to librettos by him, set by C.F. Pollarolo, Alessandro Scarlatti, Caldara and Luigi Mancia, were performed at the Teatro Grimani a S Giovanni Grisostomo, Venice, 1694–6 and 1704–8. He wrote a further libretto for Padua, which was first performed at the Teatro Obizzi in the spring of 1695. All these librettos are in five acts and treat mythological or historical subjects. Some are called tragedies, some (from 1704) tragicomedies; they often include choruses and ballets. Like those of Morselli, Silvani and Zeno they adhere to the predominantly serious, stylistically elevated manner of libretto writing that paid homage to Aristotle and the French classical dramatists. Seven oratorio texts by Frigimelica Roberti, in two parts or five acts and with music by C.F. Pollarolo and Badia, were performed between ...


( b Tönning, Schleswig-Holstein, 1620–21; d Utrecht, Feb 15, 1710). Danish polyhistor . He is first heard of at Königsberg, where he enrolled at the university on 20 June 1644 to study law. On 29 September 1645, however, he matriculated as a student of medicine at Leiden. Here his age is given as 24 and his birthplace as Tönning, which at that time was under the Danish crown. However, it was as a philologist and mathematician that he was to make his mark. He dedicated his Antiquae musicae auctores septem (Amsterdam, 1652) to Queen Christina of Sweden, and in May of that year he arrived at her court at Stockholm. He became assistant royal librarian, but his stay in Sweden was cut short because of a violent altercation with Bourdelot, the queen’s personal physician and favourite.

In 1653 Meibom went to Copenhagen, where he was taken under the protection of King Frederik III and granted a pension as a deserving scholar. On the title-page of his book ...


Hans Radke

(b Amsterdam, 13–21 Aug 1621; d Leiden, bur. Oct 8, 1653). Dutch lawyer . His father was Anthony Thijs, a merchant in Amsterdam. Thysius enrolled at the University of Leiden on 13 August 1635 and read philology and law. Between 1646 and 1648 he travelled in France and England to further his studies. Returning to Leiden he registered again on 27 August 1648 and graduated in law on 21 August 1652.

He owned an important library and founded the Bibliotheca Thysiana. In it is preserved a manuscript lutebook in French seven-line tablature. Though several scholars have suggested more hands, the volume was probably compiled by the Amsterdam minister Adrian Joriszoon Smout (b Rotterdam, c1580; d Rotterdam, Feb 1646), as a reference ‘Johan Thijs wt d' Auctie van Smoutius’ in the manuscript suggests, from his student time in Leiden (1595–1601) into at least the 1620s. With some 452 pieces, mostly for solo lute, it is the richest Dutch collection of lute music and one which shows the international aspect of musical taste in the Netherlands at that time. The manuscript contains intabulations of Dutch, English, French and Italian songs, Reformation psalms, motets and some 164 dances, mainly French, English, Italian and Dutch in origin, as well as six fantasias, including one by Francesco da Milano. Claude Le Jeune, Claude Goudimel, Orlande de Lassus, Peter Philips and Jan Pieterszoon Sweelinck may be singled out among the composers of the songs on which the lute intabulations are based, and John Dowland, Robert Jones and Thomas Robinson are among the composers of the dances. A few pieces come from collections by E. Adriaensen published in Antwerp in ...